Die scharfe, witzige und rätselhafte DI Annika Strandhed leitet eine neue Spezialeinheit der Marine-Mordkommission, die mit der Untersuchung ungeklärter, brutaler und scheinbar unergründlich... Alles lesenDie scharfe, witzige und rätselhafte DI Annika Strandhed leitet eine neue Spezialeinheit der Marine-Mordkommission, die mit der Untersuchung ungeklärter, brutaler und scheinbar unergründlicher Morde beauftragt ist.Die scharfe, witzige und rätselhafte DI Annika Strandhed leitet eine neue Spezialeinheit der Marine-Mordkommission, die mit der Untersuchung ungeklärter, brutaler und scheinbar unergründlicher Morde beauftragt ist.
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Brilliant and clever! The stories Annika tells are echoed in the script for example bridges means the architecture that is seen and the connections that are made. I love it when everything is not spelled out for me but allows me to interpret and construct from the material which gives depth to the drama unfolding. The humour used by Annika is also enjoyable and different. The themes are explained in the stories and echoed when the crime is solved. I think many have not understood what is being used like analogies and figures of speech. The other detectives are portrayed well by the actors and provide a mix of characters to help solve each of the crimes. The setting is a bonus with great scenery. It is worth at least an eight because compared to other police procedurals it has depth and layers of meaning.
I don't know why there are so many bad reviews. Sure, it's not Unforgotten, but why remake something that was that good? This was different and amusing. I don't mind that she talks to the camera - I found it funny. It was as though I was listening to her thoughts, and could hear the things she's like to say but didn't because it would be impolitic. Nicola Walker is fantastic, as always, and I'll definitely watch the next episode.
Sometimes you don't need Big, Serious Drama. Sometimes you just need some police work with a large side of family dynamics and humour.
Sometimes you don't need Big, Serious Drama. Sometimes you just need some police work with a large side of family dynamics and humour.
Di Annika Strandhed arrives in Scotland to take charge of a team at the MHU, The Marine Homicide Unit.
It's very quirky, she talks to the camera, and has a Norwegian accent that seems to have come all the way from London.
Annika is a really enjoyable series, it benefits from the presence of Nicola Walker, who is absolutely marvellous as the central character. Paul McGann also impresses. The acting is generally very good, but it's the stories that make it so watchable.
Episode quality does vary, some of the early ones are a little average, the first, and last however are excellent I thought.
A massive success story for Alibi, I hope we're treated to more next year, all in all, a good watch, 7/10.
It's very quirky, she talks to the camera, and has a Norwegian accent that seems to have come all the way from London.
Annika is a really enjoyable series, it benefits from the presence of Nicola Walker, who is absolutely marvellous as the central character. Paul McGann also impresses. The acting is generally very good, but it's the stories that make it so watchable.
Episode quality does vary, some of the early ones are a little average, the first, and last however are excellent I thought.
A massive success story for Alibi, I hope we're treated to more next year, all in all, a good watch, 7/10.
The first couple of episodes were a little shaky but certainly by episodes 3 onward it was as good as any similar type of police drama. Perhaps the negative reviews were written by some who only watched the first episode and made their judgement. I hope it comes back for another series.
Single mom with a demanding job and a troubled/difficult teen daughter.
The lead character talking to the camera threw we for a bit, but once I got used to it, it was fine - and even a bit fun. It's funniest when she doesn't talk, but just gives the camera a wry look and a shrug like, "What can you do?"
Several who reviewed this show complained about it being too woke. Obviously they haven't watched American CBS television. The wokeness there can virtually reach out and slap you upside the head - no matter which show you're watching. Personally, I find diversity refreshing as long as I'm not being bashed over the head with it.
One aspect I really enjoy about this show is that Nicola Walker's character is smart, but she stumbles and is frequently awkward. It's like watching myself at times and I find it endearing.
It may not be everyone's cup of tea, but it's definitely worth giving it a shot.
The lead character talking to the camera threw we for a bit, but once I got used to it, it was fine - and even a bit fun. It's funniest when she doesn't talk, but just gives the camera a wry look and a shrug like, "What can you do?"
Several who reviewed this show complained about it being too woke. Obviously they haven't watched American CBS television. The wokeness there can virtually reach out and slap you upside the head - no matter which show you're watching. Personally, I find diversity refreshing as long as I'm not being bashed over the head with it.
One aspect I really enjoy about this show is that Nicola Walker's character is smart, but she stumbles and is frequently awkward. It's like watching myself at times and I find it endearing.
It may not be everyone's cup of tea, but it's definitely worth giving it a shot.
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- WissenswertesBased on the popular BBC Radio 4 dramas "Annika Stranded" (her surname is in program notes as "Strandhed") which also starred Nicola Walker, but is set in Norway. The radio series ran 2013-2020 and the episodes are 15 minute monologues. These have sound effects but only Annika speaks, either addressing other characters or confiding to the listener. Similarly, in the TV series Annika talks to the viewers through the 'fourth wall'. Writer Nick Walker reuses/modifies some of the plots. In the radio series Annika has a son Tor whose father is an officer in 'the Reindeer Police'.
- VerbindungenFeatured in Points of View: Folge #80.9 (2023)
- SoundtracksBringing Murder to the Land
Composed and performed by Dot Allison and Anton Newcombe
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