In einem Raumschiff, das mit Tausenden von Menschen an Bord zu einem entfernten Kolonieplaneten unterwegs ist, kommt es zu einer Fehlfunktion der Schlafkammern. Infolgedessen werden zwei Pas... Alles lesenIn einem Raumschiff, das mit Tausenden von Menschen an Bord zu einem entfernten Kolonieplaneten unterwegs ist, kommt es zu einer Fehlfunktion der Schlafkammern. Infolgedessen werden zwei Passagiere 90 Jahre zu früh geweckt.In einem Raumschiff, das mit Tausenden von Menschen an Bord zu einem entfernten Kolonieplaneten unterwegs ist, kommt es zu einer Fehlfunktion der Schlafkammern. Infolgedessen werden zwei Passagiere 90 Jahre zu früh geweckt.
- Für 2 Oscars nominiert
- 2 Gewinne & 12 Nominierungen insgesamt
- Voice of the Avalon
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Positives:
- The aesthetic, the set design, the music, they're all breathtaking. I want to be in this movie. I still cry to some of its soundtrack's best parts. I want to BREATHE the set design. Every little detail is perfect.
Negatives:
- Stockholm syndrome GALORE, that tries to make Jim likeable but fails.
- Some of the in-world contrivances that are needed to raise the stakes of the movie could have been entirely preventable, if the people in Passengers' universe knew how to design basic things and make things easily repairable.
- It would have worked so much better as a thriller.
This film that was a very pleasant surprise. I had no expectations and enjoyed seeing the two actors (Chris Pratt and Jennifer Lawrence) in a genre film and role I hadn't seen them in before. My only previous experience of seeing these two on the screen previously were 5 year engagement (which I LOVE) and hunger games (meh, its okay).
These two are great in this film. There is a great chemistry and given the romantic turn this film takes, it works.
The plot is great too--I like how the film explores the nature of space travel and the realistic challenges that it creates in the life of mere mortal humans. I also enjoyed seeing these characters grapple with some very serious predicaments that forced some decisions that could be viewed as selfish and suddenly turns to be completely unselfish.
This film is not a run of the mill film--it has some great ideas and perhaps even themes (if you give it some thought) that are explored exceptionally well.
The only part of the film that doesn't really work is the bit in the middle with Laurence Fishburne. I could see three reasons why his character was needed, but it all felt very contrived. He has one important line though, so I can forgive it (just about). I just wish the writers had thought about that part a bit more, as the rest of the film was really great. Chris Pratt, Jennifer Lawrence and Michael Sheen were brilliant too.
Passengers is clever, thoughtful, science fiction, and I would highly recommend it.
Seeing it with my flatmate last night, who had seen the film before, really liked it and had recommended it to me, 'Passengers' turned out to be a much better film than expected. It's not perfect and can see where some of the criticisms are coming from, but it was to me a beautiful and thought-provoking film that raised some interesting questions and thoughts. Unlike a lot of people on the internet and particularly on IMDb, critics get a lot of respect from me and often we are on the same page. There have been a fair share of times where our opinions have been different, when a praised film didn't do much for me and a panned one surprised me in a good way. 'Passengers' is one of the latter examples and a lot of the problem with its less than enthusiastic critical response is to do with advertising which didn't indicate that it would be as unconventional as it was.
For one thing 'Passengers' looks wonderful, the advertising didn't lie in this regard. It's beautifully shot and crisply edited while the lighting and sets have a lot of atmosphere and are imaginative in their scope, showing the beauty, wonder and mysteriousness of outer space. It is easy to see why the production design garnered an Oscar nomination The special effects at their best make the jaw drop.
Don't think that Thomas Newman's score has been talked about enough despite being nominated for an Oscar (losing out to 'La La Land'), it's understated and hauntingly beautiful in a distinctive Newman. 'La La Land' deserved the win but of the other Best Original Score nominees (which included 'Jackie', which should never have been nominated) 'Passengers' for me was one of the better ones.
There are many moments where 'Passengers' provokes a lot of thought and is intriguing, raising some very interesting questions and ideas. The story on the most part didn't lose me, while it is not your conventional thrilling sci-fi film with lots of special effects and action it has its fair share of poignancy and intrigue. The initial fiery animosity turning into a beautiful love story was convincing thanks to the chemistry between Pratt and Lawrence. The direction isn't mind-blowing but is competent before not knowing what to do with itself in the final quarter or so.
Pratt is more understated than usual, in a cast against type dramatic role for an actor better known for comedy. He handles it very well and commands the screen. Lawrence gets a lot of hate here, but to me she is one of the better actresses today under 30 (her acting actually has a beyond her years feel to it). Here she is luminous and touching. Believed these two as lovers and found myself caring for their love story due to their success in keeping it alive. It's not just them though, Michael Sheen is amusing as Arthur and while his screen time is short (too short) Laurence Fishburne gives his characters pathos and dignity.
On the other hand, 'Passengers' doesn't live up to full potential. Its biggest flaw is the last 30 minutes, it would have worked better as something more suspense or action-oriented but instead felt like a tacked on logic-free anti-climax where too many things felt unresolved and it was too over-the-top and ridiculous.
While the writing did intrigue and provoked a lot of thought, it didn't always work. Some of it did get confusingly over-complicated, with things needing to be made clearer and less vague, and other parts were forced. Pacing also could have tightened in places, the beginning while interesting in what was explored takes a little long to get going but the film really gets going properly once Lawrence's character wakes up.
In conclusion, was not sure what to expect but got a well above-average, to me it was good despite a few problems. 7/10 Bethany Cox
Wusstest du schon
- WissenswertesThe voice of The Starship Avalon belongs to voiceover artist Emma Clarke, who is also one of the iconic 'Mind the Gap' voices on London Underground.
- PatzerWhen Aurora is trapped in the water bubble, she appears to be unable to swim out of it. Even in zero gravity Newtons third law of action equaling reaction still applies. Pushing water backwards (through swimming movements) would easily push her forward to the surface and out of the bubble.
- Zitate
[last lines]
Aurora Lane: [voice over] A friend once said, "You can't get so hung up on where you'd rather be that you forget to make the most of where you are." We got lost along the way. But we found each other. And we made a life. A beautiful life. Together.
- Crazy CreditsThe first half of the end credits feature images of celestial objects in space, such as nebulas and galaxies.
- VerbindungenFeatured in Film '72: Folge #45.8 (2016)
- SoundtracksLike a Rolling Stone
Written and Performed by Bob Dylan
Courtesy of Columbia Records
By arrangement with Sony Music Licensing
Top-Auswahl
- How long is Passengers?Powered by Alexa
Details
Box Office
- Budget
- 110.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 100.014.699 $
- Eröffnungswochenende in den USA und in Kanada
- 14.869.736 $
- 25. Dez. 2016
- Weltweiter Bruttoertrag
- 303.144.152 $
- Laufzeit
- 1 Std. 56 Min.(116 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1