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A Wounded Fawn

  • 2022
  • 16
  • 1 Std. 31 Min.
IMDb-BEWERTUNG
5,5/10
3917
IHRE BEWERTUNG
Sarah Lind and Josh Ruben in A Wounded Fawn (2022)
A serial killer brings an unsuspecting new victim on a weekend getaway to add another body to his ever-growing count. She's buying into his faux charms, and he's eagerly lusting for blood. What could possibly go wrong?
trailer wiedergeben1:25
2 Videos
17 Fotos
Folk HorrorSlasher HorrorHorror

Ein Serienmörder bringt ein ahnungsloses neues Opfer auf einen Wochenendausflug mit, um eine weitere Leiche in seine ständig wachsende Liste aufzunehmen. Sie verfällt seinem falschen Charme,... Alles lesenEin Serienmörder bringt ein ahnungsloses neues Opfer auf einen Wochenendausflug mit, um eine weitere Leiche in seine ständig wachsende Liste aufzunehmen. Sie verfällt seinem falschen Charme, und er giert eifrig nach Blut.Ein Serienmörder bringt ein ahnungsloses neues Opfer auf einen Wochenendausflug mit, um eine weitere Leiche in seine ständig wachsende Liste aufzunehmen. Sie verfällt seinem falschen Charme, und er giert eifrig nach Blut.

  • Regie
    • Travis Stevens
  • Drehbuch
    • Nathan Faudree
    • Travis Stevens
  • Hauptbesetzung
    • Sarah Lind
    • Josh Ruben
    • Malin Barr
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    5,5/10
    3917
    IHRE BEWERTUNG
    • Regie
      • Travis Stevens
    • Drehbuch
      • Nathan Faudree
      • Travis Stevens
    • Hauptbesetzung
      • Sarah Lind
      • Josh Ruben
      • Malin Barr
    • 47Benutzerrezensionen
    • 61Kritische Rezensionen
    • 75Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 3 Nominierungen insgesamt

    Videos2

    Official Trailer
    Trailer 1:25
    Official Trailer
    A Wounded Fawn
    Clip 1:38
    A Wounded Fawn
    A Wounded Fawn
    Clip 1:38
    A Wounded Fawn

    Fotos17

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    Topbesetzung10

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    Sarah Lind
    Sarah Lind
    • Meredith Tanning
    Josh Ruben
    Josh Ruben
    • Bruce Ernst
    Malin Barr
    Malin Barr
    • Kate Horna
    Katie Kuang
    Katie Kuang
    • Leonora
    Laksmi Priyah Hedemark
    Laksmi Priyah Hedemark
    • Julia
    • (as Laksmi Hedemark)
    Tanya Everett
    Tanya Everett
    • Wendy
    Marshall Taylor Thurman
    • The Red Owl
    Neal Mayer
    Neal Mayer
    • The Auctioneer
    Nikki James
    Nikki James
    • Joanna Bancroft
    Leandro Taub
    Leandro Taub
    • Marcel Champ
    • Regie
      • Travis Stevens
    • Drehbuch
      • Nathan Faudree
      • Travis Stevens
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen47

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    Empfohlene Bewertungen

    5Howling_at_the_Moon_Reviews

    Artsy indi flick with a disclaimer

    First and foremost, I would like to put a disclaimer that if you are not a fan of something without a distinct throughline, some artsy fartsy-ness and a true indipendent production... this is plainly not for you. Please, give it a shot, but your close minded 1 star review means nothing in that sense.

    Now, with that being said... this was a mixed bag for me and as an indi actor who knows much about the scene, I'll judge it accordingly. There were a lot of pros and cons to this one, yet there are still aspects to be appreciated and enjoyed despite it's missteps.

    The first thing you will notice is the grainy filter with dust specs all over it, giving it a 90s film reel feel. At first I was not a fan and found it distracting, but settled into it and liked the older filtered look with the over saturation while assisted by a lot of nice shots. Lots of artsy close ups that felt expected that I could have lived without but it's fine.

    The story started out solidly engaging, which the first act was more successful with that than the second. You will notice a lot of spoon fed foreshadowing along with a decent amount of contrived dialogue. Neither were super horrible and almost felt like it was in a purposeful 90s style... at least we can hope. I will say, in the first act they did not do a great job at establishing the level of her and the "mystery mans" relationship. It was like one line would feel like they were strangers, next it would feel like they have known each other for two months, the next three dates.

    The second half was when it went into full mania, slowed down a bit and kind of fell off the rails. I'm sure there were plenty of metaphors and allegories that went over my head, which is okay, but if you don't mix that in with a little bit of laymans then your message gets lost and doesn't reach as many people as it could... and if you're not making a movie for the masses, that's fine too but it also runs the risk of edging on pretension.

    As far as the acting goes, this was also a mixed bag. On one hand i thought the lead girl did a great job. Her delivery was natural and down to earth yet still had a little flair making it her own and unique. I would love to see her in something else. Whereas our psycho dudeman maybe paled in comparison a bit. He totally looked the part, but a lot of his delivery felt a tad "silly" which could have lent itself to that socially awkward, quirky psychopath... However, it just didn't quite get there for me and came off more stilted and contrived for the majority of it unfortunately. I did however love that extended final shot. So weird and disconcerting. I know that was uncomfortable and not easy, so good job.

    Some technical stuff - as I said before I ended up really liking the way it looked. The audio levels were off at times making dialogue a little difficult to hear. Also the sound design/effects were a little much at times and edged on distracting. The score was interesting and I liked it. Loved the costume design, particularly in the first act. Owl man and the reveal both looked a little juvenile and silly while horned twig man was the most creepy and successful. I was pleased with the special effects/ gore for the level of production this was, I thought they did a good job. The only thing was the color of blood was off.

    Over all I think that this was a successful indi flick and should be judged as such. This is not meant to be your typical, brainless Hollywood blockbuster...so keep that in mind. I do think that there were a lot of ideas here and maybe their "mission statement" got a little convoluted but with a plethora of ideas there are going to be hits and misses. I don't usually write reviews this long, so when I do I always say it obviously made me feel something. So I'd rather that, than not. Would recommend.
    6kevin_robbins

    I recommend this to all horror enthusiasts as something different

    A Wounded Fawn (2022) is a unique film that I recently watched on Shudder. The storyline follows a young couple that recently started dating and go on a trip to a house in the country just outside the city they met. When they get there strange things are observed and start happening around the young lady. When she requests to go home her date snaps...

    This movie is directed by Travis Stevens (Jakob's Wife) and stars Sarah Lind (The Humanoty Bureau), Josh Ruben (Scare Me), Malin Barr (Honeydew) and Katie Kuang (Westworld).

    This is one of those movies if you watch it for just the horror elements it's very entertaining. The storyline is cliche, straightforward, doesn't always make sense and just seems to be there to get to the next great horror scene...but the next horror scene is great. The kills are tremendous, gory and unique. There's a head wound sequence that's insane and very good...everything after the head wound is a bit trippy, but the hand claw was crazy, how it's used was very good, and the ending on the ground was epic and an easy 10/10 scene. The background music is good and creates several eerie circumstances and the ladies in the picture are gorgeous. The acting by Ruben is outstanding, especially at the end. I'm not sure the owl like creature did as much for this film as intended.

    Overall, this is a bad movie but average horror picture. I recommend this to all horror enthusiasts as something different. I would score this a 6/10 and recommend seeing it once.
    8jcooloti

    I liked it. Arthouse horror shot on film

    Let's just start of by saying this film isn't for everyone. So please spare me the whiny reviews from all of the people out there that aren't willing to immerse themselves in something pretty far out.

    I really loved the practical fx and the cinematography of this film. Seeing something shot on film in 2022 was great. It's a straight forward but very unconventional little tale about a serial killer who's victims manifest themselves as some kind of Greek/Roman demons inside the killer's insane and damaged mind. Needless to say, things become very surreal by the end. There is also a great sense of humor behind it all. A scene with a dog sporting woman's head comes to mind as the funniest part... it's pretty entertaining.

    I'd like to see this filmmaker make something a little more grounded. I loved the technical aspects of the film. Was it a little too artsy? Maybe By the end. But that doesn't mean I didn't enjoy it. Definitely worth a watch if you appreciate the type of things. I think this filmmaker could potentially evolve into a pretty great one if he kept things a little more grounded. Or he could just keep making things like this and that's fine too because it's pretty good. 8.7out of 10. B+
    5paul_m_haakonsen

    Watchable, but...

    When I stumbled upon the 2022 horror movie "A Wounded Fawn" here in 2024, I had never actually heard about it. But I will say that I was initially intrigued by the movie's synopsis. Plus, the fact that it was a horror movie that I hadn't already seen, also helped to make me sit down and watch it.

    Writers Nathan Faudree and Travis Stevens, with the latter also directing the movie, put together a fair enough script and storyline. It was pretty straightforward, if actually not somewhat generic and predictable. But the added elements of supernatural horror definitely helped to spruce up the movie. It was an adequate movie, but nothing outstanding really.

    I was not familiar with the cast ensemble in the movie, but I will say that leading actress Sarah Lind (playing Meredith Tanning) and leading actor Josh Ruben (playing Bruce Ernst) put on good performances and carried the movie quite nicely.

    Visually then "A Wounded Fawn" was okay. It was not a movie that made use of an abundance of special effects or CGI, not that it really required such. Whatever effects were in the movie were fairly okay, and helped to promote whatever they were intended to do, so that means it was effective.

    Director Travis Stevens makes use of some dark imagery throughout the course of the movie, especially in the last quarter of the movie, which adds something unique to the movie. And the costumes with the masks and the wardrobes definitely added a layer of oddity to the movie.

    Watchable for what it was, however "A Wounded Fawn" is hardly a movie that I will ever return to watch a second time. If it worth sitting down and watching it, if you are an avid horror fan.

    My rating of "A Wounded Fawn" lands on a five out of ten stars.
    8brianmccarthy-09778

    Creative dark horror comedy

    I'm going to make a bold statement here: most reviewers here are wrong. This is neither a 'modern' horror movie, nor is it just arthouse weirdness.

    It is a dark horror comedy comprised of separate 'acts'. The first two 'acts' are set-up. The remainder of the movie is the pay-off, featuring psychedelic gobblydegook that is purposefully weird and pretentious.

    The classical art/art snob/art dealer scene is what is being mocked/sent up here, and very well. Josh Ruben brilliantly portrays a maniac who has wholly immersed himself in art snob culture, and it is that lifestyle, and his attempts to evade blame for his evil actions, that lead to the hallucinations he experiences throughout the film.

    One hallucination involving the owl figure towards the end crossed the line from amusing to outright ridiculous for me, but overall I was really into it.

    Also, the entire film is tied together very neatly with an excellent end scene that continues into the end credits.

    If you view this movie with the above perspective--this is what a pretentious art snob foodie who happens to be a serial killer sees--then I think you'll like it more than either just trying to enjoy a horror film or trying to find some deeper meaning.

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    Handlung

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    • Wissenswertes
      The statue is of The Wrath of the Erinyes
    • Patzer
      Despite using an Android phone, Meredith's text messages play sounds from Apple's iMessage.
    • Zitate

      Meredith Tanning: Wow. This is...

      Bruce Ernst: I said it was remote. Don't worry.

      Meredith Tanning: I'm not worried. It's just...

      Bruce Ernst: What?

      Meredith Tanning: It's dark as hell.

      Bruce Ernst: Well, yeah. That's just the woods.

      Meredith Tanning: Yeah. No kidding.

    • Soundtracks
      Nothing's Gonna Hurt You Baby
      Written by Greg Gonzalez

      Performed by Cigarettes After Sex

      Courtesy of Partisan Records

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    Details

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    • Erscheinungsdatum
      • 1. Dezember 2022 (Vereinigte Staaten)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • official amazon
    • Sprache
      • Englisch
    • Auch bekannt als
      • Im Kopf des Killers
    • Drehorte
      • New Jersey, USA
    • Produktionsfirmen
      • BarBHouse
      • Genco Pictures
      • HorrorHound Films
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    • Laufzeit
      1 Stunde 31 Minuten
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      • 1.78 : 1

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