Raaz: The Mystery Continues

the director presents a thriller that will make you watch every scene cautiously. forgetting the first 15 minutes. then the movie gets the treatment it has to. it covers in all aspects. a good suspense till the end that will make the watchers crazy. rock solid songs and good background score that thrills and makes you sweat for fear. a good suspense and crisp storyline. i like a movie when it covers all the elements like story , action , romance , comedy , revenge , tragedy , emotion. the movie covers story well. it holds romance in the first half. revenge is the crux and suspense . tragedy and emotion is not applicable for this movie. comedy is way too far for a thriller. since it covered most of the elements in the right way. this movie is a good flick .

The first half of this movie was acceptable. Credit goes to Emraan Hashmi. The second half was abysmal to say the least. The theatre was packed. If it wasn't for Emraan Hashmi's brilliant performance & entry, I would certainly have left the theatre during the interval. The beginning of the film was somewhat bizarre. I kept on watching expecting explanations for what I just witnessed. As the plot unfolds, you realise that this movie is balderdash. The script was absolutely weak. This is a horror film and I was laughing. That isn't a good sign. Kangana Ranaut's acting skills were good. Adhyayan Suman is abominable as Kangana Ranaut's boyfriend/lover. He should quit acting altogether or at least improve his acting knowledge by joining 'ACTOR PREPARES'. His dancing was beyond ridiculous. The climax of this film was hilarious, especially Jackie Shroff's entry. This film is one to avoid at all costs. Only go to watch this film to witness Emraan Hashmi's revitalising performance. He's the anchor that saves this film from drowning.

Bonne chance.

Movie does not appear to be a horror or thriller because of its predictability. At least not for horror movie afficiandoes. Half way through I already was able to get a hint of what the end would be like.

Without spoiling too much for those who are still waiting to watch this movie. What? Am I kidding? Its been 6 months since it came out but anyways I think nothing makes it worth watching than Kagna alone. My only complain is that she looks too cute to look scary even in a ghostly appearance. That apart she does a good job at genuinely putting life into a character that builds on you. I like a horror movie which ends with a lot of tension and shock leaving behind the viewer with a climax that sticks in their mind for a long long time. But unfortunately the whole thing dissolves in the end particularly because the concern for Kangna's character gets removed by the end.

In fact other than watching her and commenting on her dresses in some not so "demanding" scenes all we were doing was laughing away at some of the "scary" scenes. The graphics have been done well for a bollywood movie... but its too late for them.

OK so my final say is watch it for Kangna otherwise skip it.

Well, you are bound to raise the expectations bar high if you tag it as a sequel to one of the highest grosser of 2002. While the former was a rip-off of an Hollywood movie, the writing/ story in the sequel seems to be an original piece of work - barring the few scenes which are heavily borrowed from famous horror movies.

Emraan Hashmi:: Reprises his "Awaarapan" role. Look is copied from "Iron Man". But safely to say, he is confident.

Kangana:: This lass is getting better as each movie passes by. One gets to feel, she has yet again done a bit of Fashion in here too. And yes, her choice of costumes is indeed commendable.

Adhyayan Suman:: Confident for a new-comer and perhaps can polish his skills as he goes along.

Jackie Shroff:: Was good for his part however better writing was warranted to make his track integrate seamlessly with the plot.

When the Raaz unfurls, you feel a bit letdown. So is the father-son relationship which is quite Bollywoodish. I never the got the logic of linking this movie to Raaz - could have been a stand-alone in its own right.

Happened to watch back-to-back with "1920" and felt the latter a few notches above.

The first Raaz starring Bipasha Basu has nothing to do with this film. The mystery indeed continues here in name only, just like how the Thai horror franchise The Art of the Devil 2 having no relation to Part 1. It's a totally different story altogether with no return of characters from the first film, so this rose could be called any other name, and would it smell as sweet? There's a certain formula followed here and comes with the obligatory "logical" explanation, but the story could have been nipped and tucked a little to help in the pacing.

Fashion model Nandita (Kangana Ranaut who seems stuck in such roles, the last of which was the recent Fashion) and her fiancé Yash (Adhyayan Suman) seem to hit all the right notes as a successful yuppie couple. At first we're told the relationship is on the rocks, but then a quick reconciliation over an awards ceremony meant happy days for both. For her, she's at the height of her career, and for him, being the successful producer-director of a long running reality television series called Superstition, which explores the many myths and beliefs in Indian culture, and goes about deconstructing and debunking them. So of course, things start to go bump in the night, but seemingly affecting Nandita more, to the point of insanity.

We get introduced to an artist Prithvi (Emraan Hashmi), who falls into a drunken trance with a few swigs, and ends up painting masterpieces of people he doesn't know, only to find that the impressions of his paintings are predictions of future occurrences. Recognizing that his drawings lately have resembled the high profile model, he takes it upon himself to explain things, and this sets everything up for a romantic triangle, where his brooding demeanor doesn't put him in the good books of flamboyant Yash.

Things with Nandita start to get worst, and just as you wonder if there would be any inkling of Hollywood come smacking in the face of the film, there had to be some homage paid to movies like Ghostbusters (Kangana's rendition of the Gatekeeper, anyone?) and The Devil's Advocate, but this being Bollywood meant it's a clothes on affair in the display of deep- rooted scars in front of a church altar. Shades from Asian horror like The Ring also gets overused here. Songs have to be worked in, and this was done fairly smartly in having to set it in pubs, private serenading and a much unwanted dream-like fantasy of Prithvi lusting after Nandita (well, it did seem that way).

Director Mohit Suri employed every trick in the scare book in order to work up some boo- moments, some of which still get effectively delivered, while others dallied on the anticipation too long and backfired. From mirror images to shaky doorknobs, from copious amounts of blood stained walls to deserted underground car parks, sound effects in the theatre were maxed out to give that sense-surround creepy feeling, with whispers and creaky doors used to great effect. Alas the narrative failed to exploit the technical brilliance at the film's disposal, and investigations by both Prithvi and Nandita (the character of Yash does get forgotten for a while) take their toil as they take just too darn long to get to where they should (about 40 minutes!).

Unfortunately we don't get to see a lot of footage of superstition which could've been milked for various scenes. Instead, it becomes a rather bland X-Files episode where the superstitious and the non-believers go head on toward unraveling the mystery of the worshippers and rites of a remote town, with some environmental concerns thrown right in just because it's the in thing. The link that binds the characters together were too weak to say the least, becoming too trying especially in its final revelation with a last ditch attempt.

If it had tightened its pace and felt no need to explain everything in verbatim, this could clock way below 2 hours, and a tighter thriller could result. Not a bad experience for my first Hindi thriller, but it had room to be much better.