Als John Connor, Anführer des menschlichen Widerstands, Sergeant Kyle Reese zurück ins Jahr 1984 schickt, um Sarah Connor zu beschützen und die Zukunft zu sichern, schafft eine unerwartete W... Alles lesenAls John Connor, Anführer des menschlichen Widerstands, Sergeant Kyle Reese zurück ins Jahr 1984 schickt, um Sarah Connor zu beschützen und die Zukunft zu sichern, schafft eine unerwartete Wendung der Ereignisse eine gebrochene Zeitleiste.Als John Connor, Anführer des menschlichen Widerstands, Sergeant Kyle Reese zurück ins Jahr 1984 schickt, um Sarah Connor zu beschützen und die Zukunft zu sichern, schafft eine unerwartete Wendung der Ereignisse eine gebrochene Zeitleiste.
- Auszeichnungen
- 9 Nominierungen insgesamt
Matt Smith
- Alex
- (as Matthew Smith)
Gregory Alan Williams
- Detective Harding
- (as Greg Alan Williams)
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Paradoxes puzzle and abound, contradictions, conflict, chaos all confound, no rhyme or reason to the madness, no method to the flatness, just concept caged confusion to astound.
It's all a bit cobbled and confused, inconsistent, quite erratic and diffused, some spectacular set pieces, the action seldom ceases, but the arc, the arch, the story's all bemused.
It's all a bit cobbled and confused, inconsistent, quite erratic and diffused, some spectacular set pieces, the action seldom ceases, but the arc, the arch, the story's all bemused.
The story starts a bit confusing, but after a short time it's back to business. It's a great addition to the series and it's nice to see Arnold back in this role. The special effects are not always the best, but most parts look great. The new type terminator is great, but the old T800 is still not obsolete. The story is convincing enough and can be the prelude of new additions to this series. I hope Arnold will be part of these. It's a pity 3D is still the norm in most cinemas. This movie is best viewed in normal 2D. It's dark en there are no special benefits in 3D. The movie gives also a good critical note about our dependency of our smart-phones, tablets and the Internet integration. Genisys might be more true that we realize ;)
If it wasn't part of such a genre redefining franchise as Terminator, Genisys would be a perfectly serviceable action sci-fi. Sure the dialogue is clunky as hell, the convoluted time travel conceits don't ever really make sense and despite one decent twist it's a tad predictable. But hey this is blockbuster cinema and the action is great, the film rattles along at pace and the acting is genuinely not bad (Courtenay spending a large part of the film topless didn't hurt either!). But you can't escape the legacy. This IS supposed to be part of the Terminator mythology. Despite Arnie's best comedic efforts (he steals most scenes he's in) you can't get past what an inferior addition this is to join at least two of the most iconic sci-fi films of the 20th century. Whilst enjoyable enough in its own right, hopefully this will be the last attempt to resurrect the past Terminator glories.
"Terminator Genisys" brings a fresh perspective to the iconic Terminator franchise, blending elements of nostalgia with new twists to create an engaging and action-packed sci-fi film.
The film begins by revisiting key moments from the original "Terminator" movie, but quickly diverges into its own storyline featuring a reimagined timeline. This approach may be polarizing for some fans, but it breathes new life into the series and allows for unexpected developments.
The casting is strong, with Emilia Clarke portraying a determined and fierce Sarah Connor, and Arnold Schwarzenegger reprising his role as the iconic T-800 Terminator with charm and humor. Jai Courtney and Jason Clarke also deliver solid performances as Kyle Reese and John Connor, respectively.
One of the highlights of the film is its impressive visual effects, particularly during the action sequences involving futuristic warfare and high-stakes chases. The CGI is seamlessly integrated, adding to the overall spectacle of the movie.
However, the plot can be convoluted at times, with multiple timelines and twists that may require a suspension of disbelief. Some viewers may find the storytelling a bit complicated, especially if they are not familiar with the previous films in the series.
Overall, "Terminator Genisys" is a worthy addition to the Terminator franchise, offering a mix of thrilling action, heartfelt moments, and intriguing reinterpretations of familiar characters. Fans of the series will appreciate the nods to the original films, while newcomers can enjoy it as a standalone sci-fi adventure.
The film begins by revisiting key moments from the original "Terminator" movie, but quickly diverges into its own storyline featuring a reimagined timeline. This approach may be polarizing for some fans, but it breathes new life into the series and allows for unexpected developments.
The casting is strong, with Emilia Clarke portraying a determined and fierce Sarah Connor, and Arnold Schwarzenegger reprising his role as the iconic T-800 Terminator with charm and humor. Jai Courtney and Jason Clarke also deliver solid performances as Kyle Reese and John Connor, respectively.
One of the highlights of the film is its impressive visual effects, particularly during the action sequences involving futuristic warfare and high-stakes chases. The CGI is seamlessly integrated, adding to the overall spectacle of the movie.
However, the plot can be convoluted at times, with multiple timelines and twists that may require a suspension of disbelief. Some viewers may find the storytelling a bit complicated, especially if they are not familiar with the previous films in the series.
Overall, "Terminator Genisys" is a worthy addition to the Terminator franchise, offering a mix of thrilling action, heartfelt moments, and intriguing reinterpretations of familiar characters. Fans of the series will appreciate the nods to the original films, while newcomers can enjoy it as a standalone sci-fi adventure.
Arnie is back again in a Terminator movie, and while all the special effects and explosions are back in all their twisted glory - the story just makes no sense whatsoever.
It's really not even comprehensible. I mean, I tried and all. However the story writers decided to seriously complicate the plot from a "Back to the Future" understanding of time travel and fast forward it all the way to a "Primer" levels of time travel. The end result is an incomprehensible mess of a story.
If the plot is just so utterly jumbled - that even IF I were to sit down and motivated to even try to understand it - it really doesn't matter. The end result is a story we don't understand. A story we don't care about. A story about people we don't understand and couldn't care less about - because we have no idea who what or why anything is even happening. It's as if the movie wants to say "Things are going to blow up! Just accept it!".
Terminator Genisys is a pure example about how movies can ultimately say nothing about the human condition and for all the special effects effectively mean zilch - and be all the worse for it. There was some subtle theme about being too trusting of technology with all our connected devices in there but it was so limp-wristed, so pathetically tacked on, and half-hearted that it deserves to be ignored.
But by golly, by jingo, by jimminy willers, there were a lot of explosions!
It's really not even comprehensible. I mean, I tried and all. However the story writers decided to seriously complicate the plot from a "Back to the Future" understanding of time travel and fast forward it all the way to a "Primer" levels of time travel. The end result is an incomprehensible mess of a story.
If the plot is just so utterly jumbled - that even IF I were to sit down and motivated to even try to understand it - it really doesn't matter. The end result is a story we don't understand. A story we don't care about. A story about people we don't understand and couldn't care less about - because we have no idea who what or why anything is even happening. It's as if the movie wants to say "Things are going to blow up! Just accept it!".
Terminator Genisys is a pure example about how movies can ultimately say nothing about the human condition and for all the special effects effectively mean zilch - and be all the worse for it. There was some subtle theme about being too trusting of technology with all our connected devices in there but it was so limp-wristed, so pathetically tacked on, and half-hearted that it deserves to be ignored.
But by golly, by jingo, by jimminy willers, there were a lot of explosions!
Wusstest du schon
- WissenswertesParamount green-lit two sequels to this film before it even opened, because regardless of how well it would do at the box office or with critics, all film rights to the Terminator series would revert back to James Cameron in 2019. However, both sequels were canceled after the film's critical and commercial failure, paving the way for Cameron to produce Terminator: Dark Fate (2019). Unfortunately, the latter turned out to be an even bigger loss at the box office.
- Patzer(at around 1h 27 mins) Heavy vehicles, such as school buses use air brake systems. When a loss of pressure is experienced in the system, such as when John destroys the air tanks, the brakes auto-apply. The bus would therefore come to an immediate halt, not continue on with "no brakes" as is seen in the movie.
- Crazy CreditsThere is an extra scene during the credits.
- VerbindungenEdited into The Green Fog (2017)
- SoundtracksThe Terminator Theme
Written by Brad Fiedel
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The Amazing Arnold
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Terminator: Génesis
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 155.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 89.760.956 $
- Eröffnungswochenende in den USA und in Kanada
- 27.018.486 $
- 5. Juli 2015
- Weltweiter Bruttoertrag
- 440.603.537 $
- Laufzeit
- 2 Std. 6 Min.(126 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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