In einer besseren Welt

After his mother's death, Christian moves once again, and starts in a new school. He meets Elias, and defends him against bullies. The latter's father works as a doctor in Africa, with a sadistic crime lord nearby. And so we have the setting for a drama exploring revenge, as well as power struggles, loss and fear. The overall moral isn't going to surprise anyone(and it isn't entirely consistent), and this does occasionally stoop to a cliché. However, it remains a gripping and effective film, and it manages to interject a lot of insight and truth, seeing situations from multiple different perspectives. This is the second movie by Bier that I watch, and I am confirmed in my assertion that Things We Lost in The Fire was a fluke, and not representative of her level of talent(it should be noted that the main problem with that one was the script, and she had nothing to do with that). She abandons the eyeball shots, and there is much rejoicing. The camera is close at times, though no longer oppressively so. This has a cinematography similar to the show NCIS, with hand-held cameras. I didn't feel like the nature footage added anything, at least not that of Denmark. The editing puts you right there, without being annoying or particularly drawing attention to itself. This is written by the man behind Den Du Frygter, Mørke and Blinkende Lygter(and other famous ones, but those are the ones I've seen and liked), and his skill and credible, human characters(that are the focus) shines through. Everything is set up, and most of it pays off. The acting is excellent, without exception, the kids especially. Our half-way orphaned lead captures every look and movement to perfection, and they really did find someone who could be Thomsen's son. Bodnia returns to a typecast role for him, and delivers. The vast majority of the humor works, and nearly none of it detracts from the serious and important subject. Everyone can recognize the little brother in someone they do or have known. The music is appropriate and not distracting. Dialog is great. No soap opera moments, it all comes across as entirely genuine, and nothing comes out of the blue. The tone is mature and honest; we don't feel preached to, or lectured, this respects its audience and honestly understands what it has to say, it isn't merely repeating a mantra. There is gore(think ER) and disturbing content in this. I recommend it to anyone that this at all appeals to. 8/10

Is there any subject more mistreated in movies than retaliation? No, I don't think so. There's a dishonourable and long history about it and calling some of the stuff redneck and primitive is being unfair to the whole redneck movement.

Susanna Bier puts other dimensions to it. The boy being bullied at school is also an old subject, but here the real painful questions about so called pay-back are thrown in our faces. A revenge is seldom just a revenge; it brings other consequences too. That sounds like a cliché, but Susanne Bier says it in a way which concerns us. Like vengeance movies seldom do.

Great performance by Mikael Persbrandt, well known for misusing his talent too many times. But not here.

'IN A BETTER WORLD': Three and a Half Stars (Out of Five)

This Danish drama won Best Foreign Language Film at the 83rd Academy Awards (as well as the 2011 Golden Globe). It deals with violence in Denmark among children when two ten year olds meet at school and form an unhealthy alliance against bullies. The film was titled 'Haevnen' in Danish which means 'The Revenge'. It was directed by Susanne Bier and written by Anders Thomas Jensen. It stars Swedish actor Mikael Persbrandt (and some of the film is spoken in Swedish, as well as English) as well as Trine Dyrholm, Ulrich Thomsen, William Johnk Nielsen and Markus Rygaard. I found the film interesting and well made but not nearly as good as all the critical acclaim and accolades it's gotten.

The film focuses on a boy named Elias (Rygaard) who is constantly picked on and abused by bullies at his school in Denmark. His father, Anton (Persbrandt), is a doctor who works at a refugee camp in Africa and is constantly commuting back and forth. Anton and Elias's mother, Marianne (Dyrholm), have not been getting along and are contemplating a divorce. Elias's younger brother has not been effected by this as much as he has but his parent's problems combined with the bullying at school has caused a lot of emotional problems for Elias. When a new kid named Christian (Nielsen) moves to town with his father, Claus (Thomsen), from London Elias finally finds a good friend and someone he can relate to. Christian, having just lost his mother to cancer, has psychological issues of his own and is eager to help Elias with his problems. They first get revenge on the main bully picking on Elias at school in a somewhat brutal way but when Anton is assaulted by another father their ideas for revenge turn much more dangerous.

I could really relate to the outcast elements of the film and the issues of dealing with bullying and finding that one friend you can really relate to but I didn't understand the depression issues that pushed the kids towards violence so easily. I've read that's part of the film's point, exploring "how little it takes before a child - or an adult - thinks something is deeply unjust" (as said by Bier herself, according to Wikipedia). In that way the film works but I couldn't really find it relatable. For a film to really work for me it has to strike certain emotions and I have to connect with it in some kind of way (either emotionally or on a pure entertainment level) and this film didn't do that for me (as well made as it is). The acting, directing and writing are all more than adequate but in my opinion it's far from a great film.

Watch our review show 'MOVIE TALK' at: http://www.youtube.com/watch?v=UUMkZYiXwNQ

Saw this in Toronto and it remained with me for days afterward. Shattering filmmaking! The size and elegance of a Hollywood big budget, with the honesty and challenge of an indy. The performances, especially those of the two boys, are riveting, but I was also impressed with the deep focus photography, the haunting score. Went to see this because I had so enjoyed After the Wedding - but feel this is even better. Only the ending conflict resolution is, perhaps, a little too easy-- but not unearned. And oh boy, was I grateful for it. I want to see this with my son, because I want him to experience the moral and emotional snake pit Bier and her screenwriter toss us into: every guy --no matter what age-- will get it, and none of us will like it very much. To me, Bier speaks about what it SHOULD mean to be a man. Is vengeance built into our genes? I hope not. And I hope this wins the Academy Award this year, and everybody in America goes to see it.

This movie is a far more direct and disturbing probe into some of our more troubling inclinations than anything I've seen since becoming a fan of Lars von Trier's movies. The topic here is vengeance and its consequences, more or less. I was a little surprised to find it had been directed by a woman, Susanne Bier. I've always thought women would be good at this kind of near melodrama but have never actually seen one tackle such a project, to my knowledge. The story centers around two boys and their developing reaction to first school house bullying, but then a much more serious instance of it in their home life. The acting is beautifully done and none of the leads seem to have held back in the slightest. One dad is a doctor who, it appears, donates his services to a part of Africa wrought with violence. Despite his obvious good nature, he and his wife, also a doctor, are having problems.

It's unusual in my experience to have a woman show just how much more selfless a man might be than his wife, but that is exactly what is done here. And it's quite refreshing. But the sweep and breadth of this movie is quite satisfying on its own, spanning from Africa to modern day Denmark. This is a trip I wouldn't hesitate recommending to anyone.