Ein Werwolf, ein Vampir und ein Geist versuchen, zusammenzuleben und miteinander auszukommen.Ein Werwolf, ein Vampir und ein Geist versuchen, zusammenzuleben und miteinander auszukommen.Ein Werwolf, ein Vampir und ein Geist versuchen, zusammenzuleben und miteinander auszukommen.
- Nominiert für 3 BAFTA Awards
- 11 Gewinne & 11 Nominierungen insgesamt
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"A ghost, a vampire and a werewolf walk into a..." Okay, I'm sure you've heard it a hundred times and it sounds like the beginning of a really bad joke but it really is the beginning to some of the best spec-fic TV you'll probably ever see. George the werewolf, Annie the ghost and Mitchell the vampire are roommates in an apartment in Bristol where they try to live a "normal" life. But they find that life after life is complex and unforgiving. And the "normal" people can be as frightening as the monsters. Dealt with allegorically in the show are addictions, clinical behavioral problems and mental illness to name a few. Well-rounded characters and oddly familiar situations tinged with the supernatural keep us eager to walk the road with the series' three protagonists. Be advised...this is not Twilight. This is grown-up TV with all the blood, sex and blue language that keeps it interesting for the post-pubescent set. The writing and acting are top-notch and each ensuing episode makes you ravenous for the next. Season II can't come soon enough.
Drama, mystery, self discovery, angst and "desperation for relief" comedy is spattered through out this well written and acted show. In 2 very short runs (16 in all?)I care more for these unlikely group of supernatural misfits than all the seasons of "Friends". Annie, Mitchell, George, and Nina sit on the fence between worlds, running from what they are and leaving claw marks in their past. The third set of shows have just started and I can't wait to see my friends again. I think it is best to watch the show, if you can, as they aired on BBC. When the shows makes the crossing on the pond some of the grittiness gets watered down. On a personal note, if you have watched the SyFy version, it pales by comparison.
When I first saw the pilot episode, I had several problems with it, all of which were fixed in episode one. It's my first foray into British television and I'll admit I'm confused by "remakes" and other such terms, but whatever; I don't care what they're doing as long as they keep this show on the air. It's smart, witty, funny, interesting, and manages to avoid being a tired rehash of the same monster mythology running around the entertainment industry. Lenora Crichlow is a greatly improved version of Annie, and something about her performance makes it far easier to find the character likable. Aidan Turner is an even better Mitchell than Guy, and thankfully Russell Tovey is still around; he's absolutely perfect as George. I haven't been so excited about a new show in years, and I love the way they blend the dramatic, the humorous, the mystical and the mundane. This show takes all the appeal of myth and legend and flawlessly applies it to modern life, allowing us to connect to the characters on a human level while still giving us a well-done version of the occult. No other show on the air today delivers so many forms of entertainment at once.
Excellent off-beat drama about a vampire, werewolf and ghost who share a flat in suburban Bristol. The script was intelligent, with thoughtful but compelling story lines that did not treat the audience like complete idiots, was perfectly paced and matched to the main characters. The entire cast was excellent, with quality supporting performances as to be expected from Adrian Lester, Natalie Armin & others. The audience response was so good, it has now been remade by the BBC as a full series. As a whole, this was a perfect short film that deserved a lot more recognition. Sadly only one of the original main actors makes it into the remake, but hopefully the BBC won't screw up by trying to overplay their hand. If the rest of the production crew and cast have been retained this could be another classic in the making.
I am very pleased with Being Human.
I believe that the US have lost sight of what's really important in film/TV, particularly depth of character. All I see in American film and TV these days are a bunch of clichéd characters who speak in one-liners and catch-phrases.
Not the case with British film and TV - apart from Guy Ritchie films, tic.
Like "Dog Soldiers", Being Human relies on old technology to make their Werewolf work. So what, the wolf looks fake. You can look beyond it as the rest of the show is excellent.
Being Human has stayed true to the crux of Horror, which is the Supernatural element. Nowadays too often we see "genetically mutated" monsters, which takes the fear factor out of it all. If it bleeds, we can kill it (and easier than we thought).
Being Human is beautifully written, superbly cast and has its own feel; one you can immerse yourself in. It's simple viewing without being too predictable or too tame.
I'm pretty sure I would be happy to watch further installments of this show for the next 5 years and not be bored with it, provided the writing remains as refreshing as it is at the moment.
For me, Being Human is about the relationships between the characters and the anticipation of something "big" happening in each episode. It hasn't let down so far!
I believe that the US have lost sight of what's really important in film/TV, particularly depth of character. All I see in American film and TV these days are a bunch of clichéd characters who speak in one-liners and catch-phrases.
Not the case with British film and TV - apart from Guy Ritchie films, tic.
Like "Dog Soldiers", Being Human relies on old technology to make their Werewolf work. So what, the wolf looks fake. You can look beyond it as the rest of the show is excellent.
Being Human has stayed true to the crux of Horror, which is the Supernatural element. Nowadays too often we see "genetically mutated" monsters, which takes the fear factor out of it all. If it bleeds, we can kill it (and easier than we thought).
Being Human is beautifully written, superbly cast and has its own feel; one you can immerse yourself in. It's simple viewing without being too predictable or too tame.
I'm pretty sure I would be happy to watch further installments of this show for the next 5 years and not be bored with it, provided the writing remains as refreshing as it is at the moment.
For me, Being Human is about the relationships between the characters and the anticipation of something "big" happening in each episode. It hasn't let down so far!
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- WissenswertesAnnie (Lenora Crichlow)'s eyes are normally brown but they turn blue when she is visible to humans and turn violet when she is haunting.
- PatzerAnnie's headstone changes from season 1-2. The first time she views it, it reads "beloved fiancée.." In season 2 when her mother is viewing it, it simply states her name. Unless of course her family had it changed when Owen confessed to killing her, but they never mention it.
- VerbindungenFeatured in Breakfast: Folge vom 6. Januar 2010 (2010)
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cena za ľudskosť
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
- Laufzeit
- 1 Std.(60 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.33 : 1
- 1.78 : 1
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