IMDb-BEWERTUNG
6,5/10
4100
IHRE BEWERTUNG
Der Moderator einer erfolglosen Wissenschaftssendung für Kinder versucht, sich seinen Kindheitstraum vom Astronauten zu erfüllen, indem er in seiner Garage ein Raketenschiff baut.Der Moderator einer erfolglosen Wissenschaftssendung für Kinder versucht, sich seinen Kindheitstraum vom Astronauten zu erfüllen, indem er in seiner Garage ein Raketenschiff baut.Der Moderator einer erfolglosen Wissenschaftssendung für Kinder versucht, sich seinen Kindheitstraum vom Astronauten zu erfüllen, indem er in seiner Garage ein Raketenschiff baut.
- Auszeichnungen
- 3 Gewinne & 6 Nominierungen insgesamt
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Jim Gaffigan plays Cameron Edwin, a gentle man, and aspiring astronaut with a daughter and wife who is to soon divorce him. When the job he loves as a children's tv science program presenter is taken from him, he decides to do something special - with the help of his ailing father he sets out to build a rocket to take him into space. Strange little things start taking place which Cameron doesn't understand including an old woman's frequent appearance and the fact that the father of his daughter's new friend looks very much like Cameron.
Sweet natured, rather lovely film with a glowing, fatherly turn from Gaffigan. The events, whilst strange and often without motive, reason or real direction don't trouble the viewer and all in all it's an enjoyable, bewildering but pleasant journey. Where it will really get to you is in the clever and slightly heart wrenching climactic 15 minutes where everything that has occurred is explained - and it doesn't disappoint.
Sweet natured, rather lovely film with a glowing, fatherly turn from Gaffigan. The events, whilst strange and often without motive, reason or real direction don't trouble the viewer and all in all it's an enjoyable, bewildering but pleasant journey. Where it will really get to you is in the clever and slightly heart wrenching climactic 15 minutes where everything that has occurred is explained - and it doesn't disappoint.
I thought I was watching paint dry as I watched this film play out and in many ways I was. The slow pace, bland(ish) story and somewhat fantastical elements left me wondering where the film was taking me and why they had to present such mundane elements of life to get there. But I nevertheless persevered, motivated only by the hope that some radical conclusion could bring this story together and redeem the past 90 minutes I had been watching it for.
These 90 mins mostly comprised of reflections of failed careers, past regrets and a budding teenage romance all interspersed across the backdrop of a dysfunctional family's lives uprooted by the collision of a rocket in their backyard. Of course these tropes have been played out many times before and the film struggles to find originality in these core themes, though is nonetheless entertaining as it presents them through the lense of pop-science and the spacecraft that fueled our imaginations as children; a thematic element that strikes a deep chord of nostalgia throughout the film.
But make no mistake, this is a fantastic movie, because not only did the movie tie these seemingly separate stories together brilliantly, the movie concludes with one of the most poignant endings i've experienced in film for a very long time.
As each brush stroke played out across the screen it was not until the final stroke and the drying of the paint that it was clear where this movie was heading, and had been heading all along. A perfect reflection of the underlying tragedies experienced by the characters and the beauty of love persevering through it all.
Though my mind did correctly glance across possibilities of the conclusion before it ended and perhaps some allusions to the climax were a little on the nose, I nonetheless found tears streaming uncontrollably down my cheeks as the movie ended. While the credits rolled I left the film in a state of deep reflection, pondering the true nature of each character and the film's diverse imagery, this state of reflection I can only attest to being the quality of a great film.
These 90 mins mostly comprised of reflections of failed careers, past regrets and a budding teenage romance all interspersed across the backdrop of a dysfunctional family's lives uprooted by the collision of a rocket in their backyard. Of course these tropes have been played out many times before and the film struggles to find originality in these core themes, though is nonetheless entertaining as it presents them through the lense of pop-science and the spacecraft that fueled our imaginations as children; a thematic element that strikes a deep chord of nostalgia throughout the film.
But make no mistake, this is a fantastic movie, because not only did the movie tie these seemingly separate stories together brilliantly, the movie concludes with one of the most poignant endings i've experienced in film for a very long time.
As each brush stroke played out across the screen it was not until the final stroke and the drying of the paint that it was clear where this movie was heading, and had been heading all along. A perfect reflection of the underlying tragedies experienced by the characters and the beauty of love persevering through it all.
Though my mind did correctly glance across possibilities of the conclusion before it ended and perhaps some allusions to the climax were a little on the nose, I nonetheless found tears streaming uncontrollably down my cheeks as the movie ended. While the credits rolled I left the film in a state of deep reflection, pondering the true nature of each character and the film's diverse imagery, this state of reflection I can only attest to being the quality of a great film.
This movie has its funny moments but is definitely not a comedy. Jim Gaffigan is great. Rhea is great. The movie is more like Cloud Atlas though. When it all comes together at the end, one is pleasantly surprised. We were waiting for the funny that never really happened. Couple of plot holes that are never filled in. Glad it was only six dollars to watch. I'd recommend waiting till it's free somewhere. Jim Gaffigan shows he can do drama in this one. You see some of Rhea Seahorn's fun side toward the end but she could extend upon that. I'm glad I rented this flick but it was definitely not a typical comedy.
Linoleum starts off as a quirky little indie comedy about a nice guy whose life isn't going so well and he gets an idea to build a rocket. There are all sorts of goofy confusing things happening and a few things that outright make no sense...until they do. The movie blindsided me with a hard turn towards the end that not only explained everything I didn't understand, but wrapped it all up into a neat package.
Jim Gaffigan was excellent! I was particularly impressed with the second character he played, who was more outside of his wheelhouse. He almost could have been mistaken for Ned Beatty at moments. Gabriel Rush is becoming a fine young actor. Rhea Seehorn is good, but she needs to break out from that career oriented woman role she always plays.
The overall look and feel of the movie was just right. I'll be keep an eye out for this director. I may be a little be generous with an 8, but I'm rounding up.
Jim Gaffigan was excellent! I was particularly impressed with the second character he played, who was more outside of his wheelhouse. He almost could have been mistaken for Ned Beatty at moments. Gabriel Rush is becoming a fine young actor. Rhea Seehorn is good, but she needs to break out from that career oriented woman role she always plays.
The overall look and feel of the movie was just right. I'll be keep an eye out for this director. I may be a little be generous with an 8, but I'm rounding up.
Linoleum is a film that defies easy categorization. It starts as a realistic drama about Cameron Edwin (Jim Gaffigan), a struggling children's TV host and scientist who dreams of going to space. He lives with his wife (Anna Gunn) and two kids in a rundown house with a leaky roof and linoleum floors. He also has a secret project in his basement: a homemade rocket that he hopes will take him to orbit.
The film gradually shifts gears into a dark comedy and then into a sci-fi thriller, as Cameron's plan takes an unexpected turn that affects his family and the world. The film is full of twists and surprises that keep the audience guessing until the end. It also has a lot of humor and satire, poking fun at the media, politics, religion, and human nature.
The film's biggest strength is Jim Gaffigan's performance as Cameron. He brings depth and nuance to his character, balancing his passion, frustration, desperation, and madness. He makes us care about his journey, even when he does questionable things. The supporting cast is also solid, especially Anna Gunn as his loyal but conflicted wife.
Linoleum is not a perfect film. It has some pacing issues, some plot holes, and some tonal inconsistencies. But it is an original and daring film that offers something different from the usual Hollywood fare. It is a film that will make you laugh, think, and wonder.
The film gradually shifts gears into a dark comedy and then into a sci-fi thriller, as Cameron's plan takes an unexpected turn that affects his family and the world. The film is full of twists and surprises that keep the audience guessing until the end. It also has a lot of humor and satire, poking fun at the media, politics, religion, and human nature.
The film's biggest strength is Jim Gaffigan's performance as Cameron. He brings depth and nuance to his character, balancing his passion, frustration, desperation, and madness. He makes us care about his journey, even when he does questionable things. The supporting cast is also solid, especially Anna Gunn as his loyal but conflicted wife.
Linoleum is not a perfect film. It has some pacing issues, some plot holes, and some tonal inconsistencies. But it is an original and daring film that offers something different from the usual Hollywood fare. It is a film that will make you laugh, think, and wonder.
Wusstest du schon
- WissenswertesIn a 2023 interview with Filmmaker magazine, Colin West spoke in detail about the rocket engine prop and how it was emblematic of the independent nature of the production: "It was a legitimate rocket engine built by NASA. What the characters describe in the movie is exactly what it was: a backup engine made for the Apollo missions which was was never actually used. Its purpose was to be the last engine that gets the actual capsule to the moon and back. A lot of the NASA [equipment] was built in Los Angeles back in the day, so there's still a lot of rocket refuse left over in warehouses in the Valley. Through the years, I've befriended a man named Carlos [Guzman], who runs a place up in the Valley called Norton Sales ["the only prop house in America specializing in vintage aerospace and industrial props from the atomic and space age"] and I've worked with him on a few short films. He has this massive warehouse that's packed with dusty old space crap and I always feel like a kid in a candy store when I visit [laughs]. Carlos knows everything that's stored in there, what it's used for and why. I'll often just go to poke around and have fun. One of Carlos's all-star pieces is this rocket engine that I asked to use. We talked it through and I was able to [use it]. I ended up buying a box truck here in Los Angeles, packed it with a bunch of rocket stuff from Carlos's warehouse, then drove it across the country to upstate New York by myself where we shot the film. A few months later, I drove all the stuff back in the box truck, dropped it off to Carlos, then sold the truck for about a thousand dollars more than I had originally paid for it. As this was an indie movie, that was the kind of thing that all of our cast and crew were doing. We were trying the best we could to make the film appear as realistic as possible, but in a way that wouldn't require us to buy everything outright. We were begging and borrowing and stealing to make the film happen."
- PatzerCameron states in his show that you have to travel 600,000 feet to reach space. The Kármán line is generally regarded as the edge of space at only 330,000 feet. The US armed forces defines the edge of space at 264,000 feet.
- VerbindungenFeatured in Projector @ LFF: Linoleum (Jim Gaffigan) (2023)
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Box Office
- Bruttoertrag in den USA und Kanada
- 87.786 $
- Eröffnungswochenende in den USA und in Kanada
- 20.892 $
- 26. Feb. 2023
- Weltweiter Bruttoertrag
- 87.786 $
- Laufzeit
- 1 Std. 41 Min.(101 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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