Ein Mann versucht, nach Hause zu seinem Hund zu gelangen, findet sich jedoch in einer Zeitschleife wieder, in der er eine tödliche Begegnung mit einem Polizisten wiedererlebt.Ein Mann versucht, nach Hause zu seinem Hund zu gelangen, findet sich jedoch in einer Zeitschleife wieder, in der er eine tödliche Begegnung mit einem Polizisten wiedererlebt.Ein Mann versucht, nach Hause zu seinem Hund zu gelangen, findet sich jedoch in einer Zeitschleife wieder, in der er eine tödliche Begegnung mit einem Polizisten wiedererlebt.
- 1 Oscar gewonnen
- 2 wins total
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I understand that there's two sides to every story, but if you're basing this off the belief that it's trying to recreate the awful situation that hit the news or it's one-sided storytelling, then I think you missed the point.
Nominated for Best short film at the Oscar this year, this wonderful little film uses the "old" Groundhog Day formula to great effect and does something which is not just completely new within a genre which never ceases to surprise me, but also manages to deliver one of the most important moral lessons and heartbreaking message.
It might not be subtle, but the circumstances are such that subtlety is meaningless at this point.
The names over the credits serve as a reminder of how much out of hands this has gone. Just as I am writing this the news of 20-year-old Daunte Wright was killed by a policeman who "accidentally discharged a "handgun".
Yes, it is the real groundhog day.
Beautiful, clever and very effective.
Wusstest du schon
- WissenswertesThe title is a nod to Tupac Shakur's song "Changes," which features the line, "Learn to see me as a brother instead of two distant strangers." (The song "That's the Way it Is" by Bruce Hornsby and the Range upon which "Changes" is based is a recurring tune in the film.) Tupac's quote is featured at the very end of the credits.
- PatzerAlle Einträge enthalten Spoiler
- Zitate
Carter: Officer Merk!
Merk: Wait, what?
Carter: Look, man, I'm not sure what the fuck is going on. Maybe some racist deja vu shit, but I think we're stuck in some kinda loop where I keep running into you and you keep fucking killing me, man.
Merk: Now I know you're smoking...
Carter: Yeah, you think my cigarette is not a cigarette. We've been through this, look...
Merk: Hey, back up. Show me some ID. Keep your hands where I can see 'em.
- VerbindungenReferenced in Film Junk Podcast: Episode 795: Nobody (2021)
- SoundtracksToo Late For Tears
Written and performed by Andrea Fodor Litkei and Ervin Litkei
Top-Auswahl
Details
- Laufzeit32 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1