Acht Jahre nachdem Anne Elliot überredet wurde, einen schneidigen Mann aus einfachen Verhältnissen nicht zu heiraten, treffen sie sich wieder. Wird sie ihre zweite Chance auf wahre Liebe erg... Alles lesenAcht Jahre nachdem Anne Elliot überredet wurde, einen schneidigen Mann aus einfachen Verhältnissen nicht zu heiraten, treffen sie sich wieder. Wird sie ihre zweite Chance auf wahre Liebe ergreifen?Acht Jahre nachdem Anne Elliot überredet wurde, einen schneidigen Mann aus einfachen Verhältnissen nicht zu heiraten, treffen sie sich wieder. Wird sie ihre zweite Chance auf wahre Liebe ergreifen?
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- 1 Gewinn & 1 Nominierung insgesamt
Ben Bailey Smith
- Charles Musgrove
- (as Ben Bailey-Smith)
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If you separate this adaptation from the book, it is a sufficient watch. However, considering what masterpiece it is based on, I'm sure Jane Austen is turning in her grave.
The story isn't anything like the Persuasion we know and love, it is trying too hard to be like Bridgerton, to be relevant and have modern touches. Some of the most beloved and iconic lines have been downgraded to weak decoctions. There is hardly any character development. In fact, the only character that I thought wasn't utterly flat was Mary. The cast is excellent but the script is beyond words... and not in the positive sense. For Anne to constantly be breaking the fourth wall was an excruciatingly bad decision. All in all, a painful adaptation that can surely only be enjoyed by viewers who aren't familiar with the work of Jane Austen.
The story isn't anything like the Persuasion we know and love, it is trying too hard to be like Bridgerton, to be relevant and have modern touches. Some of the most beloved and iconic lines have been downgraded to weak decoctions. There is hardly any character development. In fact, the only character that I thought wasn't utterly flat was Mary. The cast is excellent but the script is beyond words... and not in the positive sense. For Anne to constantly be breaking the fourth wall was an excruciatingly bad decision. All in all, a painful adaptation that can surely only be enjoyed by viewers who aren't familiar with the work of Jane Austen.
If you're going into this movie expecting a true adaptation of Jane Austen's Persuasion, you will probably be disappointed. However, on its own it's a nice movie. Not something I immediately want to rewatch, but especially for a Netflix movie it's perfectly enjoyable.
If you loved the novel or are a purist, stop now and find another film.
This one has major changes and the main character has the tendency to tell you the story (literally, eyes into the camera) rather letting the performance show what the plot is about.
On the positive side, the camera work is beautiful. The score uplifting. And I'd say the cast did quite well, given the script they got.
However, no amount of Netflix money can cover the odd anachronisms and weak story telling that drop a classic to only slightly above average.
If you have good source material, why do this? Or at least if you want to experiment, do it right?
This one has major changes and the main character has the tendency to tell you the story (literally, eyes into the camera) rather letting the performance show what the plot is about.
On the positive side, the camera work is beautiful. The score uplifting. And I'd say the cast did quite well, given the script they got.
However, no amount of Netflix money can cover the odd anachronisms and weak story telling that drop a classic to only slightly above average.
If you have good source material, why do this? Or at least if you want to experiment, do it right?
I don't understand all the hate. Does it follow Jane Austen's novel to the letter? No. However, I don't mind. I think this new take is funny, fresh and it made my heart flutter. I enjoyed it.
Netflix, please stop ruining our favourite books. Just stick with original screenplay and stories when creating new shows. I hated every minute of this version of Persuasion, I can't even start to list all the things wrong with that movie.
Wusstest du schon
- WissenswertesHenry Golding & Cosmo Jarvis's Costumes Reflected Their Personalities. Wentworth's minimalist closet allowed him to "fit in" without making a big fashion statement, while Golding's performance demanded a "sort of a swagger," so beautifully fitted dark dusters and frock coats were made to emphasize his "brilliant confidence."
- PatzerThe look and words Mr. Elliot has with Captain Wentworth during their first encounter on top of the cliffs would had been considered quite an insult for the time period. Common courtesy would have dictated an immediate apology, followed by a written one. Otherwise, such an exchange would have sparked a duel..
- Zitate
Sir Walter Elliot: What use is a title if you have to earn it? What use is anything if you have to earn it?
- SoundtracksQuietly Yours
Written by Birdy (as Jasmine Van Den Bogaerde)
Performed by Birdy
Produced by Rich Cooper
Strings Arranged by Jordan Lehning
Courtesy of Warner Music UK Ltd
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- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprache
- Auch bekannt als
- Persuasión
- Drehorte
- Bath, England, Vereinigtes Königreich(Exterior scenes)
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- Laufzeit
- 1 Std. 48 Min.(108 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.1 : 1
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