Riceboy Sleeps

Watched it at the Kingston Canadian Film Festival. The movie was made on film so there was a grainy texture, an aged feeling. At times it felt like clips from someone's home video.

There was a lot of subtle humour, beautiful imagery, and endearing cultural input that I was very familiar with.

However, I was disappointed that the movie didn't excite me. Not excitement like joy or thrill. I just felt the movie was one cliche after another. It used a lot of common things that happened to immigrant families that got played out in numerous films already. I wished it had more character exploration and development outside of typical events. When they were so jam packed in a short time period, they didn't seem natural.

However, the film moved away from that in the third act. The ending felt like a breath of fresh air after being stuck in the basement for years.

I had to write this review, because I was a bit surprised to read that some reviews said the movie didn't go deep enough? That the movie didn't deliver? This movie was só much better than I expected! I liked the fact that the story was divided in three parts and if you have lived in the nineties, it's nice to recognize the clothes and other small details from that time. The characters were very realistic and very well played! Since I am an andopted Korean living in Europe myself, some of the things the boy did and felt were very recognisable. Although the story contains some really heavy issues, the director succeeds in keeping things 'light' by not overdoing heavy dramatic scenes. Just raw authentic emotions. Some stories inside the story of the movie were pure poetry and full of wisdom. I did cry a couple of times because of the beautiful way the movie shows how we are all connected to our roots.

Not for the faint of heart, Riceboy Sleeps is one of the finest films of the last few years. The coming-of-age story takes on many themes involving race, identity, and family while remaining an incredibly personal and original testament to the experience of an immigrant mother and son. It provides an insight into a world otherwise impossible to fathom. Excellent camera perspectives throughout and beautifully shot, following each character almost too long but with a beautiful intent. The aspect ratio changes several times throughout and appears to be on real film stock, giving marvelous saturation to each scene and the degree of realism is nearly unmatched, but could be likened to films including The Florida Project and Moonlight. It's a very tough and touching movie. I saw this by chance in the Madrid Film Festival and feel so lucky! I would not have known! Shim is a wonderful director and I can't recommend this highly enough.

In a movie world seemingly saturated with hyperbolic movies, this comes as a welcome surprise. This movie has no worm holes, no fight scenes that keep going even though the recipient of such violence would've perished in the first 5 seconds, no rags to riches, no spandex, no fancy anything, and yet it still delivers!

Good storytelling. Great acting. Clever cinematography. The sweeping camera work and frame changes was used very effectively.

As a white Canadian boy, I thought the movie did an excellent job with racial discrimination. It wasn't forced on the viewer, and yet it showed how these subtle (and not so subtle) biases affect minorities almost daily. The movie also did a great job of showing how painfully unaware us white Canadians were/are of how impactful these displays of ignorance are. Stanley Park.

What makes this movie though, is the plight of a single mother and son. Great chemistry between these 2 (3) actors. A perfectly paced arc of their growth together.

Brilliant movie. I hope it gets picked up by streaming so more people can see it.

Riceboy Sleeps, a film featuring So Young (Choi Seung-yoon) and her adolescent son, Dong Hyun (Ethan Hwang), elegantly portrays the challenges and triumphs associated with immigration. The narrative unfolds as So Young, a single mother, relocates to Canada in the 1990s, seeking a brighter future for herself and her son. However, racial discrimination, cultural conflicts, and personal hardships mar their journey. The escalating tensions in their relationship reach a pivotal moment, prompting a confrontation with their past and a quest for mutual understanding and healing.

While I perceive the portrayal as authentic, it is those who have endured similar experiences who can best attest to its veracity. The performances by the lead actors are compelling, effectively capturing the nuances of cultural identity and the dynamics of a mother-son relationship. Riceboy Sleeps is characterised by its prolonged shots and visually arresting scenes, fostering a contemplative viewing experience. The film delves into themes of identity, loss, and family dynamics, universal aspects of the human experience.

Despite receiving acclaim and numerous accolades, Riceboy Sleeps may not resonate with all audiences. The director's methodical storytelling approach may not appeal to some viewers, and the film's ambiguous ending could be a source of discontent for others. The movie's emphasis on subdued emotions and nonverbal communication might pose interpretative challenges.

It is important to note that Riceboy Sleeps is not a conventionally entertaining film. However, those seeking a thoughtfully crafted drama will appreciate its sensitive portrayal of the immigrant experience, the excellence of the performances, and the film's visually stunning cinematography.