Garbo: El espía

A compelling account of Juan Pujol, an extraordinary Spanish double agent during WWII and the only spy to be decorated by both sides . ¨Garbo: The Spy¨ , also known as Garbo, the Man Who Saved the World and Garbo: El Espia , is a Spanish documentary about Juan Pujol Garcia's role in the Second World War, well directed by Edmon Roch. It contains interviews , stock footage and fragments of films as ¨The longest day¨ with Curd Jürgens , ¨Patto¨n with George C. Scott , ¨Our Man in Havana¨ with Alec Guinnes, ¨Mata Hari¨ with Greta Garbo , ¨Appointment in Berlin¨ with George Sanders and ¨cartoon movies¨.The documentary reconstructs the career of "Garbo," who formed the centerpiece of Allied deception and counter-information to have the Nazis believe that D-Day landing would occur in Pas-de-Calais and not in Normandy , called Operation Fortitude . This documentary Garbo premiered at the Rome Film Festival on October 20, 2009, opened in Spain on December 4, 2009 and opened at the Village East Cinema in New York 2010.

It deals with his moving life , as in 1939, during the early days of World War ll, Pujol decided that he must make a contribution "for the good of humanity" (and to oppose the Franco regime) by helping Poland, Britain - which, with some of its Commonwealth realms and France, were Germany's only adversaries at the time.He initially approached the British three different times including through his wife , but they showed no interest in employing him as a spy. Therefore, he resolved to establish himself as a German agent before approaching the British again to offer his services as a double-agent.Pujol created an identity as a fanatically pro-Nazi Spanish government official who could travel to London on official business; he also obtained a fake Spanish diplomatic passport by fooling a printer into thinking Pujol worked for the Spanish embassy in Lisbon.He contacted an Abwehr agent in Madrid. The Abwehr accepted Pujol and gave him a crash course in espionage (including secret writing), a bottle of invisible ink, a codebook, and £600 for expenses. His instructions were to move to Britain and recruit a network of British agents.He moved instead to Lisbon, and - using a tourist's guide to Britain, reference books, and magazines from the Lisbon Public Library, and newsreel reports he saw in cinemas - created seemingly credible reports that appeared to come from London .During his time in Portugal, he stayed in Estoril .He claimed to be travelling around Britain and submitted his travel expenses based on fares listed in a British railway guide. Pujol's unfamiliarity with the non-decimal system of currency used in Britain at the time was a slight difficulty. At this time Great Britain's unit of currency, the pound sterling, was subdivided into 20 shillings, each having twelve pence. Garbo was unable to total his expenses in this complex system, so simply itemised them, and said that he would send the total later.During this time he created an extensive network of fictitious sub-agents living in different parts of Britain. Because he had never actually visited the UK, he made several mistakes, such as claiming that his alleged contact in Glasgow "would do anything for a litre of wine", unaware of Scottish drinking habits or that the UK did not use the metric system.His reports were intercepted by the British Ultra communications interceptions programme, and seemed so credible that the British counter-intelligence service MI5 launched a full-scale spy hunt. In February 1942, either he or his wife approached the United States after it had entered the war, contacting U.S. Navy Lieutenant Patrick Demorest in the naval attache's office in Lisbon, who recognised Pujol's potential. After he passed the security check conducted by MI6 Officer Desmond Bristow, Bristow suggested that he be accompanied by MI5 officer Tomás Harris to brief Pujol on how he and Harris should work together. Pujol's wife and child were later moved to Britain. Pujol operated as a double agent under the XX Committee's aegis; Cyril Mills was initially Bovril's case officer; but he spoke no Spanish and quickly dropped out of the picture. His main contribution was to suggest, after the truly extraordinary dimensions of Pujol's imagination and accomplishments had become apparent, that his code name should be changed as befitted 'the best actor in the world'; and Bovril became "Garbo", after Greta Garbo. During planning for the Normandy beach invasion, the Allies decided that it was vitally important that the German leaders be misled into believing that the landing would happen at the Strait of Dover by means of Operation Furtitude . In order to maintain his credibility, it was decided that Garbo should forewarn the Germans of the timing and some details of the actual invasion of Normandy, although sending it too late for them to take effective action. Special arrangements were made with the German radio operators to be listening to Garbo through the night of 5/6 June 1944, using the story that a sub-agent was about to arrive with important information. However, when the call was made at 3 AM, no reply was received from the German operators until 8 AM. This enabled Garbo to add more, genuine but now out-of-date, operational details to the message when finally received, and thus increase his standing with the Germans. Garbo told his German contacts that he was disgusted that his first message was missed, saying "I cannot accept excuses or negligence. Were it not for my ideals I would abandon the work. Part of the "Fortitude" plan was to convince the Germans that a fictitious formation-First U.S. Army Group, comprising 11 divisions , commanded by General George Patton-was stationed in southeast Britain.

Garbo: The Spy hit me like Fire in the Heartland. Again, here's a topic that I feel I am familiar with. i have seen movies about World War II, read books about the Invasion of Normandy. So, why have I never heard about this guy? Why don't I know how critical he apparently was to the whole Allied effort? If you've seen Alias or the Bournes, you know that a good spy has handlers. Garbo is the codename he received from his British handlers, because he took on various roles so well. In reality, he grew up in the Catalan region of Spain, the child of well-to-do parents, in the days before Franco. He wants to get involved. And, I will tell you we don't get to know much about his actual motivations or personality. The guy's a ghost, really. But, we get to find out what he did, offering his services to the Third Reich and to the Allies. Garbo set up an elaborate ruse that may have turned the tide of the war. He must have had iron clad insides to pull off some of these capers. I don't want to give too much away, but it's just an incredible story. And, to get it on the screen, since we don't have anything but talking heads and documents to illustrate the story, Director Edmon Roach intersperses scenes from spy films and movies about World War II that mirror real life events. It's a beautiful device and a remarkable piece of storytelling. I give Garbo: The Spy an 9 out of 10.

As a WW2 buff I am reasonably au fait with the deceptions around the Normandy landings. However that was not really relevant as the film provides enough information for any viewer.

In a quirky film that teases you along it is a little gem and a great story - but true story. The director manges to in a sense bamboozle the viewer so what is true and what is mirage is not really explicit until one is gripped by the tale. The inter-cutting of news reels and fictional spy movies provides atmosphere and refreshes the memory on what a confused arena Europe was in the thirties and forties.

I defy anyone not to be better informed and amused by this excellent film.

This story is one of the more memorable footnotes to World War II - the tale of Joan Pujol Garcia, a man who ends up being a double-agent during a pivotal moment in history. And his appearance on the world stage couldn't be more important: his counterintelligence was designed to undermine the D-Day invasion.

It's obviously not a big-budget documentary, but uses a variety of talkies and newsreel footage to round out the story. The cast of interviewees is relatively small; and the inclusion of inappropriate (or confusing) sound effects and garbled film editing makes for a less than compelling story. The story itself was the most memorable segment in Ben Macintre's Operation Zigzag, and the film's running length of 88 minutes suggests that the filmmaker had run out of material. If only he'd read Macintire's book first.

This documentary deserves to be remade by professionals. Characters speak in different languages with no translation. People come and go with no segways. it has potential. I see my friend Nigel West in the credits. perhaps he can shed some light.