Burma VJ - Berichte aus einem verschlossenen Land

To create that sense of realism, tension and excitement even, the fad nowadays is for filmmakers to employ the use of the nausea-inducing shaky cam. For the multiple, independent video journalists in Burma documenting instances of oppression and suppression, crying for the attention of the outside world, it's not a technique used for vanity or stylistic reasons, but one stemming from sheer necessity. One can imagine if one is caught with a video camera recording street arrests and such, where the penalty would likely be endless interrogation, to put it mildly, and probably being conveniently forgotten.

"Joshua" and his crew from DVB – Democratic Voice of Burma – a group of clandestine journalists operating from within Burma, had plenty of footage that they manage to smuggle out of the country, either through online means, or trusted couriers, where news networks had used to tell of the plight of street protesters in September 2007. Utilizing small consumer cameras hidden in bags and whisked in and out for clips lasting seconds, you can feel that real sense of danger that these folks go through just to get actual ground conditions to the outside world.

Director Anders Østergaard had assembled various clips from that fateful event where the monks took to the streets, which for days an unexpected non-response from the military government provided that spark of optimism that change was coming. For those familiar with the aftermath from that affair, watching this on hindsight made one feel a little saddened even, because we know what would be coming up next. With some moments re- enacted and spliced together with actual footages, Burma VJ became a riveting documentary where the draw is having to become a witness to what's happening on the ground being in stark contrast to official state media's interpretation, and perhaps to think about how an event as this one shouldn't be allowed to just fade away.

And the footages are nothing short of amazing, astounding, and shocking even. There was a progression of sorts technically, probably stemming from collective courage of the masses where temporal point-and-shoot strategies gave way to lengthy unflinching recordings. From the journalists' first hand accounts as seen through their viewfinders, we take to the streets with them in a "people power" movement, even going right up to the villa where Aung San Suu Kyi was held under house arrest, appearing to greet the monks. We also get a sense of how the military's strength in numbers were called upon to cordon off areas and provided a standoff with their weapons locked and loaded, and executions at point blank were all caught on camera, from grainy digital zooming of lens watching from afar.

In some ways, the film progressed as per how the movement gained momentum, in a slow brew of relatively smaller demonstrations to a frenetic charge toward large masses, before night time raids and arrests of the protesting monks led to a systematic fizzling of drive and ultimate dispersal, and the flight for cover, as the DVB journalists had to lay low following crackdown by the secret police. For the superstitious as the military junta is touted to be, there's a quick mention of Typhoon Nargis too, which I recall when it struck had many tongues wagging that it was a celestial response to what was done to the monks, here in a scene that I've never seen, a lifeless body floating on a river with a cracked skull.

Burma VJ is a powerful documentary, and I do urge anyone who has the chance to watch this, to give it a go.

I knew very little about Myanmar prior to watching this film, but learnt much from it. It shows vividly how a military dictatorship can brutally suppress demonstrators who want to have more human rights and freedoms. This occurs in front of our eyes as brave camera people clandestinely film the "freedom movement" demonstrations. We see that as more and more people rally to the cause, the government and military react severely to suppress the manifestations, showing no tolerance whatsoever to their people. At the end of the documentary we learn that several of the camera people were arrested and their current whereabouts are unknown. Watch the special features for interviews with monks who bravely participated in the rallies and another short film on the civil war in Myanmar. If you are from a democratic country like myself, you realize how fortunate you are.

In 1962, the Burmese government was overthrown in a coup by the socialist military, who maintained control of the country until 2011. During this time, Burma deteriorated into poverty, while any protests or statements made against the ruling government were quickly crushed through intimidation, torture, outlandishly long jail sentences and executions. In 1988, a series of marches, rallies and protests now known as the 8888 Uprising were brought to a bloody end as the military killed 3,000 civilians in the streets.

With the media controlled by the state and a ban on any footage leaving the country, the Democratic Voice of Burma (DVB) has trained its journalists to work as guerrilla cameraman, working in the shadows to capture any acts of oppression or revolution. They work as a network but rarely meet, communicating using mobile phones and internet chatrooms, and frequently putting themselves at great personal risk. Being captured could mean death, with our narrator, known as 'Joshua', having his footage wiped early on by secret police and being forced into exile. Clever reconstructions of Joshua receiving updates on a new uprising now known as the Saffron Revolution, led by the Buddhist monks, forms a tense narrative.

The footage captured by the DVB is astonishing, with the action taking place right before your eyes. It is also, at times, incredibly intimate. Early on, the monks distrust the DVB, suspecting they are secret police. When the cameramen are attacked by plain-clothes military, the monks protect them and trust is immediately solidified. You are instantly swept up by the protesters elation and feel their incredible sense of hope, so it's absolutely shattering to see it all torn away. Director Anders Ostergaard weaves the footage together expertly, and the film is wholly deserving of its Best Documentary nomination at the Academy Awards in 2010 (and probably deserved to win). It's as close as you could get to being on the streets of a country under a crushing regime, and the results are frustrating and terrifying.

Burma is an oppressive military state. It's illegal to protest in public. Men with guns will come and take you away if you do it. In 2007 a massive uprising began in the country when fuel prices became too high.

The images of the monks marching in the streets were the defining image of this uprising but this documentary shows a lot more footage, the really important footage which is worth seeing.

The video journalists in Burma (Myanmar) record everything undercover and sneak the footage out of the country so it can be broadcast around the world.

The images are pretty stark, the army shooting unarmed civilians in the street, beating up and carrying away monks, a dead monk floating in a river the day after they were arrested.

This is a very good documentary about the people rising up and fighting what is pretty much an impossibly authoritarian force. The soldiers have guns, the civilians have flags and video cameras. It's not hard to see who will win when you think of it this way. And yet the students, monks and rest of the people in the streets never waiver. They march onward, even saying, "Those who don't fear death, come to the front". That's bravery. Our political fights in North America and the rest of the Western world, while important are a mere shadow compared to the people of Myanmar.

Burma is of course only one story of an authoritarian government, there are many more. Canadian and American companies regularly do business with this regime and rape the land of its resources. It's pretty obvious why Canadian troops are "fighting for democracy" in Afghanistan instead of Burma. We don't don't control the resources there, we do in Burma.

Burma (where, ironically, George Orwell was born) is perhaps the country in the world that most resembles an Orwellian nightmare, under the grip of a repressive military dictatorship for over 40 years. In the west, we don't usually hear much about it, which is, one suspects, much as its rulers would like. But this absorbing documentary tells the story of a (sadly failed) revolt that took place in 2007, as well as the story of those who reported it in defiance of the authorities. And it's a shocking film to see: if the monks protest against the government, the government has no qualms about killing the monks. When the army (for whatever reason) refused to break ranks with its generals, the revolution was doomed; fundamentally, no-one want to die. The generals' propaganda would almost be funny if it wasn't backed up by the utter willingness to use lethal force, even in the face of peaceful protest. 'Burma VJ' is an important testament to the grim reality of life in the country; but at the end, even the resistance leaders are despairing of hope.