IMDb-BEWERTUNG
7,6/10
7268
IHRE BEWERTUNG
Ein Mann kämpft nach seiner Entlassung aus zehn Jahren politischer Gefangenschaft.Ein Mann kämpft nach seiner Entlassung aus zehn Jahren politischer Gefangenschaft.Ein Mann kämpft nach seiner Entlassung aus zehn Jahren politischer Gefangenschaft.
- Auszeichnungen
- 21 Gewinne & 17 Nominierungen insgesamt
Empfohlene Bewertungen
Damn, it ends like a Russian novel too. The lonely silhouette against the troubled sea, the emptiness, the hopelessness, the sadness, the cold.
Another Turkish movie set in a small village in the mountains where time stood still and people live at their own pace, in stark contrast to city people. I always love seeing those houses, the interiors, the simple people, the daily chores, the mountains, the rivers, the fog, the rain, the greenery all around. These tend to be slow, contemplative movies but I wouldn't mind watching them cause it reminds me of my childhood in a sense and of simpler times.
There's nothing simple about Yusuf's situation. His ideals have been dashed, his health is shot, his life is uncertain, his future as foggy as the mornings to which he wakes up every day. He's also got some PTSD from jail and who knows what else is going on in his head. And what is the use after all. His friend Mikhail is a mirror of what his life could have been in the village. Then a woman comes into his life, cause there's always a woman in movies. But there's a lot more behind Yusuf's dark eyes. Surprisingly it's also a political movie to a small extent. But the ending is open cause how else could you end this pile-up on poor Yusuf...
Another Turkish movie set in a small village in the mountains where time stood still and people live at their own pace, in stark contrast to city people. I always love seeing those houses, the interiors, the simple people, the daily chores, the mountains, the rivers, the fog, the rain, the greenery all around. These tend to be slow, contemplative movies but I wouldn't mind watching them cause it reminds me of my childhood in a sense and of simpler times.
There's nothing simple about Yusuf's situation. His ideals have been dashed, his health is shot, his life is uncertain, his future as foggy as the mornings to which he wakes up every day. He's also got some PTSD from jail and who knows what else is going on in his head. And what is the use after all. His friend Mikhail is a mirror of what his life could have been in the village. Then a woman comes into his life, cause there's always a woman in movies. But there's a lot more behind Yusuf's dark eyes. Surprisingly it's also a political movie to a small extent. But the ending is open cause how else could you end this pile-up on poor Yusuf...
before to start this movie,i heard lots of good comment about it.and also the people said that the theme is really good.it also contains politics,lazish culture-especially lazish language- and the others.
the movie was started about some politic issues that this topic was used lots of times in Turkish cinema.there was no diversification.yes maybe the movie is only about that but it s not so strong in the movie finally.
first there were not so much people.the movie was turning around a couple of people.yes sometimes it can be advantage but it just made me bored in this movie.because the tempo of the movie was slow and so depressive.
second some part of the movie looked like they just put it for the landscape.it s truth that the landscape is perfect but the connection was lost sometimes.
the good things were the lazish dialogs,the relationship between yusuf and "scarlet woman" and the great -and sad- ending
the movie was started about some politic issues that this topic was used lots of times in Turkish cinema.there was no diversification.yes maybe the movie is only about that but it s not so strong in the movie finally.
first there were not so much people.the movie was turning around a couple of people.yes sometimes it can be advantage but it just made me bored in this movie.because the tempo of the movie was slow and so depressive.
second some part of the movie looked like they just put it for the landscape.it s truth that the landscape is perfect but the connection was lost sometimes.
the good things were the lazish dialogs,the relationship between yusuf and "scarlet woman" and the great -and sad- ending
Honestly, I cannot find fault with this movie. If you are a fan of fast-pace,thrilling and noisy Hollywood movies or any other foreign films that are obsessed with the portrayal of sex, then you should not even bother to comment on this movie. Also, if you want to compare this film to Tarkovsky, you are ruining the name of this Turkish director. Tarkovsky's film is like watching the paint dry without any real substance, but this film is a whole level above the self-indulgent art films with ridiculously long shots that offer no meaning. The feeling of the protagonist blends perfectly with the wonderful portrayal of nature and meticulously handled cinematography to create a deeply satisfying feeling that one can rarely get from performing most of the activities in our lives. This movie succeeds on many levels, whether it be symbolical, existential and emotional level. It totally rivets the audience as we watch every sequence of the character's life unfold and are absorbed into the authentic, life-like mood of the Autumn. It is a truly enjoyable and profound experience. Because of this movie, i will be a loyal fan of the Turkish cinema for many years to come. Not only the movie shows what a real movie should be like, it can also be seen as a book of wisdom that reveals eternal truth or problems that are hidden in human lives.
A poet says 'To one thing on the earth my heart burns for / those who passed away in the spring of their life'. And it is Autumn: Sonbahar which in Turkish means the last spring. Ozcan Alper's debut is about the evils the seasons do against the political prisoner Yusuf who was released for health reasons. Because of his socialist convictions he spent the spring-time of his life in prison. He comes back to his hometown. His mother takes care of him. He meets a Georgian girl and they fell in love. She suffers from the post-socialist conditions in her native country and is left with no other option than prostitute. Two victims of the same ideology, two lonely and tortured souls find a sheltering love in each other. But Yusuf's days are countable! Shot in beautiful locations in the Black Sea region which is also my hometown, the visuals of AUTUMN are simply magic and breath-taking. The Black Sea is the heart and inner world of Yusuf. Black Sea is an angry and rough, undulated sea. It is a rebellious sea as you'll see in one of the most beautiful scenes of the film where Yusuf walks over the sea on the small breakwater. The film has a sad end, the characters fall aside like Autumn leaves.. What else to say: the film is a beauty like a black pearl! It was also a box-office success in Turkey for an art-house film. Just see the film to discover more! 8 out of 10...
The characters are clearly under-developed, it would've added more depth to the film if there were more conversations, decent ones, and if the stimulating of the memories of prison wasn't through news materials. For more over all the film was a satisfying experience and I'm giving it 9 mainly for the great cinematography.
Wusstest du schon
- WissenswertesYusuf and his mother speak in Homshetsi with each other- a dialect primarily spoken in Turkey's Black Sea region and South Caucasus, blending in elements of Turkish and Armenian.
- VerbindungenFeatures Onkel Wanja (1970)
Top-Auswahl
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Box Office
- Weltweiter Bruttoertrag
- 741.768 $
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