IMDb-BEWERTUNG
4,3/10
6590
IHRE BEWERTUNG
Eine junge Frau entfesselt furchterregende Dämonen, als die übernatürlichen Kräfte, die einer jahrzehntealten Kluft zwischen Mutter und Tochter zugrunde liegen, unbarmherzig ans Licht kommen... Alles lesenEine junge Frau entfesselt furchterregende Dämonen, als die übernatürlichen Kräfte, die einer jahrzehntealten Kluft zwischen Mutter und Tochter zugrunde liegen, unbarmherzig ans Licht kommen.Eine junge Frau entfesselt furchterregende Dämonen, als die übernatürlichen Kräfte, die einer jahrzehntealten Kluft zwischen Mutter und Tochter zugrunde liegen, unbarmherzig ans Licht kommen.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 2 Nominierungen insgesamt
Michael J Rogers
- Michael
- (as Michael J. Rogers)
Christopher Wardrop
- Detective
- (as Chris Froese)
Andrea Agur
- Cashier
- (Nicht genannt)
Nelson Conway
- Venatores soldier
- (Nicht genannt)
Emma Jonnz
- Dominique
- (Nicht genannt)
Empfohlene Bewertungen
A decade ago I loved South African director Neill Blomkamp for his wonderful sci-fi movie DISTRICT 9, and I thought ELYSIUM was pretty good too (although CHAPPIE not so much). The last I heard of him was of his thwarted idea for an ALIENS sequel with not only Ripley but Hicks and Newt returning alive and well too; I thought that sounded like a great idea, but alas, it wasn't meant to be. So out of nowhere comes DEMONIC (2021), Blomkamp's newest movie as director, but watching this very ordinary possession movie you wouldn't notice his presence.
The first thing apparent is that this was shot on a very low budget during the pandemic, so expect closed sets and a small cast. The second thing is that it simply isn't very good. Possession flicks are ten-a-penny these days and all kind of roll into one, and this one goes through the same motions with contorting bodies and histrionics. I found it very tiresome, and to try to make it different they add in a load of CGI effect "dreamscape" stuff, but that bored me too. Let's hope Blomkamp bounces back from this misfire and gets some of the old magic back.
The first thing apparent is that this was shot on a very low budget during the pandemic, so expect closed sets and a small cast. The second thing is that it simply isn't very good. Possession flicks are ten-a-penny these days and all kind of roll into one, and this one goes through the same motions with contorting bodies and histrionics. I found it very tiresome, and to try to make it different they add in a load of CGI effect "dreamscape" stuff, but that bored me too. Let's hope Blomkamp bounces back from this misfire and gets some of the old magic back.
Nah...couldn't have been...this was low budge messiness...rushed ideas, no vision and some silly dialogue....or better yet what I like to call "nothing talk"...it's almost as if he was contracted to make a movie to pay back the studio ??
I'll make this short. Horror is my life; whether it's movies, shows, games or books. Horror is my niche. A 4 is generous which sucks Bc I loved District 9, Elysium and Chappie. Where to start. The main protagonist was utterly trash and annoying. The cinematography was actually cool with the whole VR portrayal. The action was limited. One minor scare. The biggest thing which could have brought it to a 7 for me was the fact that he didn't include what could have constituted a wicked action scene with a Vatican Spec Op Unit; either a lack of budget or time, but regardless it will hurt reviews given time. A Redbox rental at best.
Carly (Carly Pope) is estranged from her mother Angela who was convicted of burning down her care home workplace and killing some 21 people some twenty years ago. She further poisoned another five. Carly is haunted by nightmares of Angela. She has also been estranged from longtime friend Martin after those events and then he contacts her with news about her mother.
When this popped up, I didn't realize that it's a new Neill Blomkamp film. I figured it to be another low budget inconsequential B-horror movie. The initial assumption is not far from the reality. The premise is similar to Jennifer Lopez in The Cell except its visuals are nowhere near as imaginative nor compelling. This story needs something much more basic than that. It needs a ticking clock and stakes and motivation for Carly. If an evil corporation is going to all that trouble, it should do something much more coercive to bring her into the experiment. It has non of that. She just agrees to join this weird experience for no apparent reason. At least give her a beat and a nightmare in between the asking and the doing. She could do the procedure to confront her nightmarish visions and her mother. There is a clear deterioration in Blomkamp's writing and his visual style has stalled at best. There are basic concepts of motivation and characterization that are missing.
When this popped up, I didn't realize that it's a new Neill Blomkamp film. I figured it to be another low budget inconsequential B-horror movie. The initial assumption is not far from the reality. The premise is similar to Jennifer Lopez in The Cell except its visuals are nowhere near as imaginative nor compelling. This story needs something much more basic than that. It needs a ticking clock and stakes and motivation for Carly. If an evil corporation is going to all that trouble, it should do something much more coercive to bring her into the experiment. It has non of that. She just agrees to join this weird experience for no apparent reason. At least give her a beat and a nightmare in between the asking and the doing. She could do the procedure to confront her nightmarish visions and her mother. There is a clear deterioration in Blomkamp's writing and his visual style has stalled at best. There are basic concepts of motivation and characterization that are missing.
Beneath the glossy surface of unique visual ambition and a slew of intriguing, potential-filled ideas and concepts, this is unfortunately just 100 minutes of more of the same nonsensical writing, weak characters, and unbearably stupid dialogue and clichés that have plagued the horror genre for decades.
How is this the same filmmaker behind District 9?
How is this the same filmmaker behind District 9?
Wusstest du schon
- WissenswertesFilmed secretly in Canada over the course of the Covid-19 pandemic.
- PatzerWhen Carly is shown back home after the first interlink with her Mother she is in the kitchen with her back to the kitchen bench. You then hear the kettle whistling to tell you it's at its boil. Only when Carly turns round you see that the kettle is electric. To have a whistling kettle it would have to be on a gas stove. Edit: There are electric kettles that do whistle. You've just never seen one until now. Furthermore; It does not matter if a kettle is on a gas or electric stove. The water boiling is what produces the whistle. Not what causes the water to boil.
- VerbindungenFeatured in Half in the Bag: Demonic (2021)
- SoundtracksPiano Sonata No. 14 in C sharp minor, Op. 27 No. 2 'Moonlight' I. Adagio sostenuto
Composed by Ludwig van Beethoven
Published by Flipper srl APM (ASCAP)
Appears courtesy of APM Production Music
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 71.334 $
- Eröffnungswochenende in den USA und in Kanada
- 40.683 $
- 22. Aug. 2021
- Weltweiter Bruttoertrag
- 366.656 $
- Laufzeit
- 1 Std. 44 Min.(104 min)
- Farbe
- Seitenverhältnis
- 2.00 : 1
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