Inspiriert von den tatsächlichen Akten von Pater Gabriele Amorth, dem Chefexorzisten des Vatikans, folgt The Pope's Exorcist Amorth, wie er die schreckliche Besessenheit eines kleinen Jungen... Alles lesenInspiriert von den tatsächlichen Akten von Pater Gabriele Amorth, dem Chefexorzisten des Vatikans, folgt The Pope's Exorcist Amorth, wie er die schreckliche Besessenheit eines kleinen Jungen untersucht.Inspiriert von den tatsächlichen Akten von Pater Gabriele Amorth, dem Chefexorzisten des Vatikans, folgt The Pope's Exorcist Amorth, wie er die schreckliche Besessenheit eines kleinen Jungen untersucht.
- Auszeichnungen
- 1 Gewinn & 3 Nominierungen insgesamt
Alexandra Essoe
- Julia
- (as Alex Essoe)
Edward Harper-Jones
- Young Amorth
- (as Edward Harper Jones)
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I honestly went in their with really low expectations. I walked out of The Devil in Me as we've seen it all before it's the same formula and nothing ever will live up to the original Exorcist. I think I can name 3 good exorcism movies. The Exorcist, Exorcist 3 and the Exorcism of Emily Rose. The plot really gets moving fast! There's no real character building but what I will say is Russell Crowe really does play the part well. It's a mixture of a great performance and a parody..whatever it is it works! It doesn't really do anything new, we've seen it all before but for some reason or another this was better than expected. Give it a watch.
Finally, I am sick to death of horror movies that solely rely on jump scares to call it a horror, this story had a bit of weight to it and I was happy overall.
So it's your average story, the chief exorcist is sent to do an exorcism, what changes this movie is that it has a nice to to the Vatican and the church dating way back and many hidden secrets.
Russel Crowe was fantastic, having an actor that can bring a certain charm to a role like this is definitely drawing.
The "scenes" were all good and it took a route I wasn't expecting. The CG was good along worth an effective score and good prosthetics. The supporting cast were good and i especially enjoyed father Thomas.
There were some times that felt a little unnecessary BUT the good outweighs the bad in this one and I can honestly see a sequel if it does well. I'd recommend going out to see it in cinema !
So it's your average story, the chief exorcist is sent to do an exorcism, what changes this movie is that it has a nice to to the Vatican and the church dating way back and many hidden secrets.
Russel Crowe was fantastic, having an actor that can bring a certain charm to a role like this is definitely drawing.
The "scenes" were all good and it took a route I wasn't expecting. The CG was good along worth an effective score and good prosthetics. The supporting cast were good and i especially enjoyed father Thomas.
There were some times that felt a little unnecessary BUT the good outweighs the bad in this one and I can honestly see a sequel if it does well. I'd recommend going out to see it in cinema !
It's a double edged sword when an actor becomes super famous. On one side, they are extremely marketable and gain great roles. However, on the other side, we tend to see the actor in the movie and not the character which distracts from the experience of the story.
This was not the case with this film. I'm not an accent specialist nor a native Italian speaker, but Russell's portrayable had me convinced.
The story itself was exciting and intriguing. There were some nonsensical aspects of course. Its a very fictional film with its own share of contradictions that are noticeable. The authenticity of the Vatican traditions and language barriers might have been compromised, but as a normal viewer, none of it was recognizable thus not bothered.
Overall I give this a 7. It's not going to leave a lasting impression on me, but It was a good to watch.
This was not the case with this film. I'm not an accent specialist nor a native Italian speaker, but Russell's portrayable had me convinced.
The story itself was exciting and intriguing. There were some nonsensical aspects of course. Its a very fictional film with its own share of contradictions that are noticeable. The authenticity of the Vatican traditions and language barriers might have been compromised, but as a normal viewer, none of it was recognizable thus not bothered.
Overall I give this a 7. It's not going to leave a lasting impression on me, but It was a good to watch.
Like clockwork we have at least 2 possession films each year around the same time. Easter and Halloween it seems. They're usually hit or miss with the same cliches strewn about with maybe some attempts at being slightly innovative. While this doesn't break away too much from the plot formula, Crowe's powerhouse performance does and amplifies the overall film to enticing levels. He has clearly found his late career niche with thrillers/horrors of late and it works extremely well. The scares are serviceable and the story is as well. Visually it's one of the best possession films I've seen in quite sometime with fantastic settings and terrific practical and cgi features. This doesn't mean the cliches don't hinder it at times but overall a very welcome film for the genre.
I was pleasantly surprised at how much I enjoyed The Pope's Exorcist. After initially seeing the trailers, I wrote this movie off as a standard possession film that I have seen time and time again, and while most of that is still true, there is something about this film that made it a joy to watch.
The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here."
My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways.
My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb.
Score: 63% 👍 Verdict: Decent.
The film does not attempt to do anything particularly new or groundbreaking in the genre, but everything it has is handled with care and precision. The direction is fantastic, with a very quick pace that makes each scene have a sense of urgency as our characters attempt to perform the exorcism. There is particularly deep lore that is established within the church structure, with different factions and politics at play that add a slightly different dimension rather than just your run-of-the-mill "insert random priest here."
My favorite aspect of the film is the acting. I think all of the adult characters do a tremendous job here. Russell Crowe kills it in every scene he is in and definitely gives an entirely different take on the exorcist character. Where most are intensely serious and melodramatic, Crowe adds a bit of whimsicalness and youth to the character that creates a calming presence to every intense scene. His rapport with Daniel Zovatto is excellent. The two really play off each other well and carried the film in many ways. Alex Essoe was great, although underutilized. The two children were okay. The boy gave a very stereotypical portrayal of a possessed child, and the daughter was flat in many ways.
My only complaint about the entire film is its lack of originality and the story. Every single beat is something that we have seen before; there were no new or fresh ideas that were interjected into the story. The tension was fine, but nothing was particularly scary. Overall, if not for the film's fantastic director and cast, it would have been a bomb.
Score: 63% 👍 Verdict: Decent.
Wusstest du schon
- WissenswertesWhile researching the life and work of Fr. Gabriel Amorth, Russell Crowe discovered that Amorth's personal favorite movie was Der Exorzist (1973), so much so, that Amorth became good friends with its director William Friedkin who later directed a documentary of Amorth's work as an exorcist, The Devil and Father Amorth (2017). This would be the second to last film Friedkin directed to be released in his lifetime before his death on August 7, 2023.
- PatzerThe symbol used for The Spanish Inquisition is NOT in fact correct. They apparently Google searched Inquisition symbol and used Dragon Age:Inquisition..a video games symbol.
If they had searched Spanish Inquisition they would have gotten the correct one.
- Zitate
Father Gabriel Amorth: A mother's love is the closest thing we know to God's love.
- VerbindungenFeatured in Projector: The Pope's Exorcist (Russell Crowe) (2023)
- SoundtracksShe Sells Sanctuary
Written by Ian Astbury (as Ian Robert Astbury) and Billy Duffy (as William Henry Duffy)
Performed by The Cult
Courtesy of Beggars Banquet Records Ltd.
By arrangement with Beggars Group Media Limited
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Details
- Erscheinungsdatum
- Herkunftsländer
- Sprachen
- Auch bekannt als
- El exorcista del papa
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 18.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 20.009.380 $
- Eröffnungswochenende in den USA und in Kanada
- 9.006.368 $
- 16. Apr. 2023
- Weltweiter Bruttoertrag
- 76.987.621 $
- Laufzeit
- 1 Std. 43 Min.(103 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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