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Petite Maman - Als wir Kinder waren

Originaltitel: Petite maman
  • 2021
  • 0
  • 1 Std. 13 Min.
IMDb-BEWERTUNG
7,4/10
19.808
IHRE BEWERTUNG
Petite Maman - Als wir Kinder waren (2021)
Nelly has just lost her grandmother and is helping her parents clean out her mother's childhood home. She explores the house and the surrounding woods. One day she meets a girl her same age building a treehouse.
trailer wiedergeben1:34
3 Videos
83 Fotos
ErwachsenwerdenDramaFantasie

Nelly hat gerade ihre Großmutter verloren und hilft ihren Eltern, das Elternhaus ihrer Mutter auszuräumen. Sie erkundet das Haus und den umliegenden Wald. Eines Tages trifft sie ein gleichal... Alles lesenNelly hat gerade ihre Großmutter verloren und hilft ihren Eltern, das Elternhaus ihrer Mutter auszuräumen. Sie erkundet das Haus und den umliegenden Wald. Eines Tages trifft sie ein gleichaltriges Mädchen, das ein Baumhaus baut.Nelly hat gerade ihre Großmutter verloren und hilft ihren Eltern, das Elternhaus ihrer Mutter auszuräumen. Sie erkundet das Haus und den umliegenden Wald. Eines Tages trifft sie ein gleichaltriges Mädchen, das ein Baumhaus baut.

  • Regie
    • Céline Sciamma
  • Drehbuch
    • Céline Sciamma
  • Hauptbesetzung
    • Joséphine Sanz
    • Gabrielle Sanz
    • Nina Meurisse
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,4/10
    19.808
    IHRE BEWERTUNG
    • Regie
      • Céline Sciamma
    • Drehbuch
      • Céline Sciamma
    • Hauptbesetzung
      • Joséphine Sanz
      • Gabrielle Sanz
      • Nina Meurisse
    • 96Benutzerrezensionen
    • 205Kritische Rezensionen
    • 93Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 9 Gewinne & 37 Nominierungen insgesamt

    Videos3

    Official Trailer
    Trailer 1:34
    Official Trailer
    Bande-annonce [OV]
    Trailer 1:41
    Bande-annonce [OV]
    Bande-annonce [OV]
    Trailer 1:41
    Bande-annonce [OV]
    Petite Maman
    Trailer 1:34
    Petite Maman

    Fotos83

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    Topbesetzung8

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    Joséphine Sanz
    Joséphine Sanz
    • Nelly
    Gabrielle Sanz
    • Marion
    Nina Meurisse
    Nina Meurisse
    • La mère
    Stéphane Varupenne
    Stéphane Varupenne
    • Le père
    • (as Stéphane Varupenne de la Comédie Française)
    Margot Abascal
    Margot Abascal
    • La grand-mère
    Florès Cardo
    • Dame maison de retraite
    Josée Schuller
    • Dame maison de retraite
    Guylène Péan
    • Dame maison de retraite
    • Regie
      • Céline Sciamma
    • Drehbuch
      • Céline Sciamma
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen96

    7,419.8K
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    Empfohlene Bewertungen

    JohnDeSando

    Warm mother-daughter tale brilliantly told.

    Fairy tales do come true, or so Disney would have us believe. The French, as in writer/director Celine Sciamma's Petite Maman, make a whimsical tale come true by using a technique Walt would have appreciated, magical realism.

    When an eight-year-old girl, Nelly (Josephine Sanz), meets her eight-year-old mother, Marion (Gabrielle Sanz), not only do they make you believe, but they also give dignity to a deeply-embedded longing we have to know our parents when they were our age.

    This all-too-brief 72 min fantasy reaches an imaginative high whereby the soft and precise longings of a bright adolescent girl to hold onto her mother take place in the traditional forest of fairy tales. Mom had built a hut here long ago and now emerges to greet her daughter, same age 8. They bond immediately, laugh girlie silly, and generally devour their friendship.

    As in fairy tales and life itself, the romance must end, especially since mom's operation on her leg is imminent, evidenced by her using her cane. Although the timing of the events is not always linear, Sciamma has made it clear she is not interested in accuracy but rather in the honesty of the emotions and the arc of the characters.

    While Sciamma crafted a far more popular, potboiling Portrait of a Lady on Fire, Petite Maman is like its title, a minimalist ode to the challenges of longing inherent in the mother-daughter romance. There will never be enough time, and no one will be able to know completely the most important person in their lives. Yet, Sciamma shows that small moments loom large in the memory, as when Nelly feeds mom cheese puffs from the back of the car, while Marion is driving. It's a ritual that binds.

    The Sanz twins (they call themselves "sisters born on the same day) are like fantasy actors, smart but not overbearing, never too cute but abnormally insightful. They deliver the emotional heart of this low-key film that posits a child may fantastically come to know a mother as a real person. Petite Maman is a lyrical song to mother and daughters, who never know their mothers well enough until a brilliant filmmaker shows them how.

    The best fantasy this year, the best mother-daughter tale ever.
    CinemaClown

    A Short & Delicate Drama Fantasy About Coping & Bonding

    From the writer-director of Portrait of a Lady on Fire comes yet another tender, touching & heartfelt drama fantasy that may not have the same intense, intoxicating passion brewing under the surface but it sure exhibits a similar intimacy in its approach. Petite Maman is a delicately crafted story that looks at love, loss, grief & innocence through the eyes of an 8-year old girl.

    Written & directed by Céline Sciamma, the film is only 70 mins long and follows a young girl coping with the death of her grandmother by bonding with her mother. Sciamma's nuanced portrait of childhood & imagination allows her to address the necessary themes by merging harsh realism with fantastical escape, thus preserving the innocence & purity of youth, while narrating her tale with sensitivity.

    Despite the brief runtime, Sciamma never hurries through the proceedings and lets the story unfold & unravel at its own pace. The film is also shot with elegance, told with compassion & benefits from sincere performances from the whole cast. Joséphine Sanz plays her part with emotional honesty under Sciamma's supervision and she is well-supported by her twin sister who plays the 8-year old version of her mother.

    Overall, Petite Maman finds beauty in simplicity and is another fascinating addition to Céline Sciamma's oeuvre. A sweet & poignant story about coping & bonding between a daughter & her mother that's rendered on screen with unfailing warmth & tenderness, Sciamma's latest is as arresting on visual fronts as it is stirring on the emotional scale, and doesn't make the mistake of overstaying its welcome. Definitely recommended.
    8Xstal

    Endearing & Imaginative...

    ... just like eight year old Nelly, whose vivid imagination is brought to life when she meets her doppelganger Marion after her mother absents herself from her life for a few days. Beautifully filmed and acted, it may get you reflecting on your own perceptions of the world when you were that age or even as you got older, if you were lucky enough to carry that imagination with you.
    8Bramnfsette97

    Beautiful!

    Great movie! A wonderfull masterpiece of love, loss, magic and time.

    This director surprises me more and more, with her delicate stories, her sensitive photography, and this film is a clear example of what she can create.
    7Pjtaylor-96-138044

    You didn't invent my sadness.

    'Petite Maman (2021)' is an extremely low-key movie about a young girl who makes a new friend while staying at her recently deceased grandmother's house as her parents sort through the late matriarch's belongings. Even its subtle but significant fantastical elements (the exact nature of which are suitably ambiguous) are presented in a very realistic, down-to-earth way. It may very well just be the first social-realist children's fantasy film I've ever seen and it works far better than it perhaps ought to. Its lack of exaggeration allows it to hit home especially hard, as it feels like an experience that almost all of us will be able to relate to on some level. It acts as a sort of pseudo nostalgic retrospection for adults and, I'd imagine, an in-the-moment reflection of reality for children. Because of this, I actually think that it would be a good flick to watch with your own kids, especially since it deals with themes surrounding the relationship between parent and child. It isn't sappy like most movies dealing with a similar subject; in fact, it has a rather potent underpinning of melancholy to it. This sadness is profound yet benevolent, a representation of the slightly intangible and partially existential dread that inevitably exists on the fringes of everybody's own existence. The film posits that sadness is simply a part of life, something to be dealt with as it arises rather than pushed deep down below the surface. At the same time, the flick isn't even close to dour (evidence of that can be found in the genuine joy it is able to inspire simply by portraying the innocent laughter of children). It just represents reality as most of us experience it: flawed, somewhat monotonous and filled with ups and downs. There's an uplifting vibe to the overall affair and it all actually feels rather poignant. Though it isn't the most straightforwardly exciting or compelling piece, it does have a distinct effect and lingers with you for quite a while after it is over. It's a lovely film, despite its motifs of sadness and grief. It's also pretty unique in its own way. It's really good. 7/10.

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    Handlung

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    Wusstest du schon

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    • Wissenswertes
      Céline Sciamma served as costume designer as well as writer and director for the film, as she did for Mädchenbande (2014).
    • Zitate

      Marion: Did I want to have you?

      Nelly: Yes.

      Marion: I'm not surprised. Because I'm already thinking of you.

    • Crazy Credits
      During the end credits the lyrics to the song are displayed one word at a time in the lower left corner.
    • Verbindungen
      Featured in Radio Dolin: Dolin goes to Chukotka, talks about Ridley Scott's "The Last Duel" and chooses "Miss Twin Peaks" (2021)
    • Soundtracks
      La Musique du Futur
      Composed by Jean-Baptiste de Laubier

      Arranged by Arthur Simonini

      Lyrics by Céline Sciamma

      Interpreted by the Maîtrise Notre Dame de Paris

      © Lilies Films / Para One / Savoir Faire

      (p) 2021 Lilies Films

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    FAQ

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    Details

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    • Erscheinungsdatum
      • 17. März 2022 (Deutschland)
    • Herkunftsland
      • Frankreich
    • Offizielle Standorte
      • Official site (Japan)
      • Official site (Taiwan)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Petite Maman
    • Drehorte
      • Cergy-Pontoise, Val-d'Oise, Frankreich
    • Produktionsfirmen
      • Lilies Films
      • France 3 Cinéma
      • La Région Île-de-France
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 2.800.000 € (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 829.065 $
    • Eröffnungswochenende in den USA und in Kanada
      • 45.764 $
      • 24. Apr. 2022
    • Weltweiter Bruttoertrag
      • 1.990.331 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 13 Minuten
    • Farbe
      • Color
    • Seitenverhältnis
      • 1.85 : 1

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