Der letzte Exorzismus

Every. Single. Thing. in this movie is done right. Crips direction, incredible acting, phenomenal sound design and score, just overall yes yes yes to this. Ashley Bell is OUTSTANDING as the chipper and innocent daughter. Her enthusiasm when she gets to put the red boots on is just the most adorable thing. When it comes time for her possession, you can't possibly imagine this young woman being scary and nasty......but OMG does she pull it off without a hitch. Incredible transformation. A+++++

Saw this as a preview in London.

I do not blame any of my fellow reviewers here for slamming this down as the worst horror film. Indeed it is, if you watch this expecting to be scared out of your wits.

But this is not that film. The marketing for this movie, though brilliant, is criminally misleading.

This is a movie with a very clever spin on the normal exorcist fare. What this turns out be is a fascinating suspense drama using exorcism as a narrative tool.

I found the script to be very clever and entertaining. The main lead actor who plays the reverend is very charismatic and carries the whole movie. Admittedly, the movie would be half of what it is without his performance. The other actors, particularly the teenage victim who maybe possessed by a demon, are very good too.

What I didn't like most is the very end. It felt tacked on for the sake of living up to its misleading marketing. I can honestly say that if the film ended 10 minutes earlier, I would have been totally satisfied with a complete film and was ready for the credits.

However, there are attempts to make you jump out of your seat but unfortunately, these moments are too copy cat of the techniques used in Sixth Sense and similar. It may be effective to some but I feel it could have been done better and hence live up to the marketing hype after all! But those are small negatives. This is a movie very much worth watching, if you don't hate mockumentary style films. Lower your expectations, ignore the marketing and just enjoy a clever suspense drama. If you jump a few times, then think of it as a bonus.

This is Hollywood storytelling at its frustratingly safest; an attempt to appease everyone and but in the end not pleasing anybody. It will not please horror fans because of the lack of scares and gore; it will not please the general audiences looking for a thriller because of its logic defying supernatural events that muddles up the storytelling and I suspect it will not appease the religious audiences since it takes a bit of negative view of exorcism and preaching. I think part of this is the reason that the pacing of the story is completely off; it builds up slowly and then bam, it's completely over the top.

The movie starts off rather well with the pastor looking to expose exorcism as a hoax with a documentary team that lands them in a perfect breeding ground for the possessed. It is at its best when it slowly builds up the situation careening out of control, not by supernatural forces but by the characters themselves. However, at this point the movie itself gets too scared to make its way to a conclusion and takes the way out via ambiguity trying to appease as broad an audience as possible. The end is so rushed and muddled that it just ends up as confusing and unfinished; someone in the audience actually said that a sequel better be made, mistaking the ending for a cliffhanger.

The whole setup here is that we have a professional actor - paid to put on shows about fire and brimstone - who will need to discern over the course of the film who is putting on the show he finds himself in. A film crew is turning this into a movie, presumed to reveal hidden mechanisms that move spectators. Turns out something else is controlling the thing and moving parts we thought we knew all about and possibly us. This will test his mettle as a showman himself, let's say his faith in the healing power of his act (art?). Is the girl acting out some repressed sexual trauma? Is the father, at the same time covering his tracks with Jesus babble? Or is the demon, the great trickster? (a mild problem here is that, the film being what it is, we never really wonder, do we?)

This is excellent stuff and could have worked as more than horror. Indeed, until the last part horror is intermittent here. Our focus is on juggling one show as part of another while getting to decide which one horrifies more. The choice for 'found footage' is one of the better applications I've seen in terms of structure; it means we have one more show running behind the other two, and one that we use to look for the real root of horror. There are many dramatic shots in the flow, but we can chalk these to the presence of a professional cameraman.

The ending has been reported as problematic. Oh, it is graphic but in ways that have become a staple in films dealing with some extraordinary demonic darkness; Polanski, Rosemary as well as Ninth Gate, the Hammer shocker The Devil Rides Out, Night of the Demon, recently Drag me to Hell. Many viewers bemoan the revelation and tend to prefer the whole thing coated in whispers and rumors. Fair point.

It works for me because it allows us to recast evil as another staged trick. Another group of people are brought in at the last moment to enact a show, the real deal this time. Real fire and brimstone. Death comes as storyboarded earlier.

If you're interested in the scam priest angle, it's only a light-hearted jab at faith here. Watch Marjoe for a more chilling portrait, the '72 documentary on the "World's Youngest Ordained Minister".

In Baton Rouge, Louisiana, the evangelical Reverend Cotton Marcus (Patrick Fabian) was raised by his father to be a preacher. He agrees that the filmmaker Iris Reisen (Iris Bahr) and the cameraman Daniel Moskowitz (Adam Grimes) make a documentary about his life. Cotton tells that when her wife Shanna Marcus (Shanna Forrestall) had troubles in the delivery of their son Justin (Justin Shafer), he prioritized the doctor help to God and since then he questions his faith. Further, he tells that exorcisms are frauds but the results are good for the believers because they believe it is true. When Cotton is summoned by the farmer Louis Sweetzer (Louis Herthum) to perform an exorcism in his daughter Nell (Ashley Bell), Cotton sees the chance to prove to the documentary crew what he has just told. They head to Ivanwood and they have a hostile reception from Louis's son Caleb (Caleb Landry Jones). Cotton performs the exorcism in Nell, exposing his tricks to the camera, but sooner they learn that the dysfunctional Sweetzer family has serious problems.

"The Last Exorcism" is a good movie that follows the same style of "The Blair Witch Project", "Cloverfield", "(Rec)", "(Rec2)" and "Paranormal Activity"), with a hand-held camera simulating a documentary. The acting is very realistic but unfortunately the poor conclusion ruins the ambiguity of the good story. Anyway I liked this film, specially the great performances of Ashley Bell, Patrick Fabian and Louis Herthum. My vote is seven.

Title (Brazil): "O Último Exorcismo" ("The Last Exorcism")