IMDb-BEWERTUNG
6,3/10
1263
IHRE BEWERTUNG
Nachdem ihr Leben in New York unerwartet auseinanderbricht, kehrt die Börsenmaklerin Sam Wallace in den Ferien in ihre kleine Stadt zurück und nimmt wieder Kontakt zu ihrer High-School-Liebe... Alles lesenNachdem ihr Leben in New York unerwartet auseinanderbricht, kehrt die Börsenmaklerin Sam Wallace in den Ferien in ihre kleine Stadt zurück und nimmt wieder Kontakt zu ihrer High-School-Liebe auf.Nachdem ihr Leben in New York unerwartet auseinanderbricht, kehrt die Börsenmaklerin Sam Wallace in den Ferien in ihre kleine Stadt zurück und nimmt wieder Kontakt zu ihrer High-School-Liebe auf.
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Sam's new investment job unexpectedly falls apart in New York and she ends up back home for Christmas for the first time in eight years. Sam's boyfriend Will and his partner buyout Sam's new company and she decides she needs some space.
Noah, Sam's high school sweetheart and local cafe owner, and Sam have an awkward reunion...there is clearly more to their story, with tension you could cut with a knife.
"The years fly by but time has a way of standing still."-Bob.
The actress who plays Val really steals the show.
"I'm not sure I really fit in here anymore."-Sam.
Noah, Sam's high school sweetheart and local cafe owner, and Sam have an awkward reunion...there is clearly more to their story, with tension you could cut with a knife.
"The years fly by but time has a way of standing still."-Bob.
The actress who plays Val really steals the show.
"I'm not sure I really fit in here anymore."-Sam.
Overall this was a nice Christmas themed movie with predictable storylines but still enjoyed it
I like it. For simplicity of story, for the main actors, for the nice dialogue, for fair use of social side and for the relation between characters. But first, for the wise way to be only a story, with familiar end, without demonstrating something, being not pathetic and proposing a story of redefinition of two young people , with a common past, front to new beginning.
Another virtue - the food bank. Yes, not original for a Hallmark film but wise used in this case , because it is just a honest perspective about people, their needs and problems. So, predictable slices and a new breath. And, good start for Corey Sevier at his first try as director.
Another virtue - the food bank. Yes, not original for a Hallmark film but wise used in this case , because it is just a honest perspective about people, their needs and problems. So, predictable slices and a new breath. And, good start for Corey Sevier at his first try as director.
This story has been way overdone by Hallmark. These actors didn't bring anything new or energetic to the screen. The second half was better than the slow first half. I did enjoy the scenery, and that was the high point for me. I can't imagine what Vanessa Lengies and the hair/makeup crew were thinking with her hair. Absolutely. Awful. Not sure if it was meant to be ombre, but if so, it missed the mark and looks very unhealthy. I found it quite distracting throughout the movie. Even still, it was a fairly enjoyable Hallmark holiday piece.
The premise is like dozens of others - woman loses her job and goes home to small town where she encounters an old flame. One difference is that she quit because her brand new dream job got turned into the same old grind she's been knocking herself out in for years. And her current boyfriend did it to her, not intentionally, but still. The situation with the old flame is pretty bitter until of course, well you know what happens through the rest of the movie. Throw in the charity drive she pulls out of nowhere, with no time to do it. We get the same theme that runs through almost all of the Hallmark regular Christmas movies, and many on other networks - big city crush bad, small town community good.
Vanessa Lengies is energetic as Sam once she stops acting like a victim. She eventually settles down in a likeable role once she has a mission. She and Corey Sevier develop some chemistry once Sevier's Noah stops pouting about the past. Not that Noah doesn't have reason to be upset, and he's pretty much a saint besides. Following them in the movie is nice, but it's not great.
There's another woman interested in Sam who keeps flirting with him, but that character is just filler. Most of the acting is decent, although Bill Lake as Bob goes a little overboard in his role as clueless.
The movie is textbook predictable. It even has some of the standard plot devices to throw a temporary monkey wrench into the inevitable.
I've said this about a lot of Christmas movies - there are no great highs or lows or surprises. Something does happen just before the climax that might have been a little surprise if it wasn't such a typical plot device. It was presented a little differently than the usual.
Observation: Writers often present a character whose personality never could have gotten that character to where the backstory places her (or him) at the beginning off the story. Sam is presented in the first few minutes as someone to count on to get things done in a prominent NYC agency. She is a bit of a people pleaser, but the first scenes establish her as eminently successful in a high stress, high performance, cutthroat environment. Then she gets home and she adopts a timid personality. She's afraid to see anyone and afraid to go anywhere. She absolutely avoids any confrontation. This woman wouldn't have lasted 5 minutes in the environment the movie started her in, which is too bad. She eventually regains her competence, but I'm talking about personality. Sam's personality wouldn't last in that cutthroat NYC world because she's too sensitive and has too much self doubt.
Plea to directors: please make text messages readable to everyone who watches.
Vanessa Lengies is energetic as Sam once she stops acting like a victim. She eventually settles down in a likeable role once she has a mission. She and Corey Sevier develop some chemistry once Sevier's Noah stops pouting about the past. Not that Noah doesn't have reason to be upset, and he's pretty much a saint besides. Following them in the movie is nice, but it's not great.
There's another woman interested in Sam who keeps flirting with him, but that character is just filler. Most of the acting is decent, although Bill Lake as Bob goes a little overboard in his role as clueless.
The movie is textbook predictable. It even has some of the standard plot devices to throw a temporary monkey wrench into the inevitable.
I've said this about a lot of Christmas movies - there are no great highs or lows or surprises. Something does happen just before the climax that might have been a little surprise if it wasn't such a typical plot device. It was presented a little differently than the usual.
Observation: Writers often present a character whose personality never could have gotten that character to where the backstory places her (or him) at the beginning off the story. Sam is presented in the first few minutes as someone to count on to get things done in a prominent NYC agency. She is a bit of a people pleaser, but the first scenes establish her as eminently successful in a high stress, high performance, cutthroat environment. Then she gets home and she adopts a timid personality. She's afraid to see anyone and afraid to go anywhere. She absolutely avoids any confrontation. This woman wouldn't have lasted 5 minutes in the environment the movie started her in, which is too bad. She eventually regains her competence, but I'm talking about personality. Sam's personality wouldn't last in that cutthroat NYC world because she's too sensitive and has too much self doubt.
Plea to directors: please make text messages readable to everyone who watches.
Wusstest du schon
- WissenswertesMovie directorial debut for Corey Sevier.
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