Brotherhood

The strength of this movie definitely lies with the brilliant actors in it and the director's ability to let them shine.

I didn't expect the story and the plot to be perfect and it wasn't. The main character Lars' decision to get involved with the Nazi community is a tiny bit contrived but no more than you would expect when it is told with a few short scenes before the movie is allowed to focus on the human aspects of the story and dwell on the consequences of the character's action without being judgmental or painting any of the characters solely in black or white. Something that is rather a bit of an achievement with this particular subject matter. Enough good cannot be said of the amazingly honest and heart-wrenching performances of the two lead actors. They are both incredibly talented and the director obviously appreciated this. The result is a chilling but also a very intimate and at times tender film. Well worth seeing.

A gay romance happening inside a Danish Neo-Nazi clique, what a crack idea! The film intriguingly narrates a compassionate experience of a former Danish serviceman Lars (Thure Lindhardt, the winsome blond from ANGELS & DEMONS 2009), whose passionate courtship with Jimmy (superbly played by David Dencik from A SOAP 2006, another 8/10 film from Denmark, a frenzy macho role sheerly contrasts with his transsexual image in the latter film), who is the fervent skinhead among a gay-bashing Neo-Nazi group. (Speaking of Nazism, my downright ignorance thwart me from the knowledge of how exact the film tackles with the thorny issue, judging by the film, it is basically understated I suppose).

There are abundant cinematic conflicts in the plot, although predictable, but applied deftly (by a poignant performance from the two leads and a fine-tuned hand-held camera movement, it never cease trembling). An exemplary northern Europe topography and scenario imbues an obscure hue of cruelty and restlessness.

The performances are solid (Morten Holst, who plays Jimmy's younger brother, might be a tad histrionic), both the chemistry between two lead actors and the impending tragedy are brewed perfectly on time and the sex scenes are aesthetically beguiling. More encouraging, the film doesn't take either stand to beautify or disparage the Neo-Nazi image, while love happens everywhere, so does gay love. An ambiguous deus ex machina aptly averts any cliché in the over-exploited gay-theme melodrama sub-genre although melodramatic might not be a meritorious adjective for a film under the background of a sternly violent context, but also demystifies the remotely tangible target to a humane understanding and transmits a positive message to the preconception-ridden society.

I rarely take the time to sit down and write a review after watching movies, but for Brotherhood I opted to make an exception. This movie was so wonderfully composed I hardly know where to begin. It had everything I look for in a movie, depth, superb acting, chemistry between characters, intriguing/thought provoking plot, and a well-choreographed cinematography.

Let's just start with the two main characters, Lars and Jimmy. I mentioned already that the two of them had great chemistry, and nowhere is that more apparent then in scenes where the two of them become intimate. There is a wonderful tenderness between the two that is communicated simply through body language and fleeting glances. You can tell exactly what they're thinking about one another with every glance.... the fear, hesitation, longing, it's all said without words. Beautifully done.

What makes the relationship between Lars and Jimmy even more striking is by having it take place against the backdrop of the intolerant Neo-Nazi organization that both men belong to. It adds a whole new sense of irony and suspense to the story, while also casting a looming sense of foreboding over their entire relationship.

You just know after watching the beginning scene (in which a gay man is brutally beaten into hospitalization by the brotherhood), that something terrible is going to happen to Jimmy and Lars if anyone ever finds out. I found myself biting my nails through the whole movie just hoping that they'd avoid that type of situation.

Unfortunately, there is a fair bit of violence at the end, but perhaps not from places you might expect it from initially. In any case, I felt more or less content with how the director chose to resolve the film. He didn't pretty anything up for us or give us a fairytale ending by any means, but he didn't completely crush our spirits either.

What he did do was deliver us a movie that was both deeply moving and tragically human. Mistakes were made, pain was delivered, betrayals were made, but intertwined throughout all the bad, there was beauty, compassion, acceptance, and love. It was a great movie and I would definitely recommend it to others without hesitation.

My one qualm with this movie has to do with Jimmy's background story. I would have liked just a bit more information as to what really motivated him to join the Aryan Brotherhood in the first place. Other than that, it was wonderful!

This is a very strong movie in many respects. It has a compelling and very strong story to tell, concerning subjects of great importance, and in many ways, as the movie shows, very contradictory. It has at least four very strong performances by both of the two leading characters (David Dencik and Thure Lindhardt) and some of the supporting characters (especially Nicolas Bro and Morten Holst). It contains some very strong but also very different situations of on one hand very strong violence and on the other hand strong love and passion. One of the biggest strengths of this movie is, imo that a lot of things are never said, but only hinted at or shown by facial expressions, gestures or in some cases simply silence. Those elements added makes it a movie worth watching - if you have the stomach for it! I for one must say that the last 15 minutes of the movie left me with a very cold and very unpleasant feeling, that I have not yet been able to shake completely off two days later!

at first sigh, a strange , unrealistic story. at the second, a good job. in fact, only a hypothesis about a men click and the clash between feelings and ideology. not new idea but used in wise manner. cold, cruel, with subtle references to Greek mythology, Brotherhood has a lot of virtues. the acting, the script, the set, the atmosphere, the not comfortable situations, the culture of hate against an exotic form of heresy. a film who propose a bitter subject who could not be represented only by gay relation but the manner to define the pillars of national identity, the courage and the national virtues. a film about a group and its broken rules. and a brilliant art of exploration of details.