The Swap

Don't be duped by this. This is a poor movie. I made better in high school in the early nineties. It's preposterous that they had any right to use old footage of the great Robert DeNiro. Don't watch, it leaves a bad taste in your mouth.

Great material for some future SNL skit. This one was a real stinker even back in the day as I recall. There's not much good that one can say about this film however it does give a reasonably realistic feel for the times back then.... but "groovy" it is not. I think this movie could be redone as a comedy however several attempts may have already been tried (aka Starsky & Hutch, The Legend Of Ron Burgundy,and, well you get the picture). I'm sure Mr DiNiro still winces when this one is brought up in conversation....but hey, it was "the crazy sixties" and decent indie vehicles were just in their infancy back then. The plot is overly simplistic and the film quality is grainy and basically matches the content for quality, or lack thereof. I wouldn't consider this film as "awful" but it won't be on my next Saturday Night At The Movies list for sure. (terrible waste of good popcorn!)

One of Robert De Niro's earliest films was a bad and forgettable film called "Sam's Song". A decade after its release, some unscrupulous boobs decided to integrate a few tiny clips of him from this film into a new film in order to capitalize on his recent successes such as "The Godfather" films as well as "Taxi Driver". And, to further exploit his fame, they gave him top billing even though he's barely in "The Swap" at all! Apart from the intro and a few tiny clips used here and there, he isn't even in the film!

As for the plot, it is also a rip-off. Clearly it's a reworking of the excellent Michael Caine film, "Get Carter". In both, a guy is in prison when his younger brother is killed--and he's determined to find and punish those responsible. Caine's film is a classic--this other version features wooden acting, terrible editing of the old and new film footage and almost zero energy. Overall, it's an awful little film that is better forgotten.

Vinnie gets out of jail after serving 10 years and tries to find out who killed his younger brother - played by a young Robert de Niro.

Some plot.

DeNiro is VERY young in this movie that looks like it was financed with mob money.In fact, his scenes are taken from a 1969 movie called Sam's Song!!!And when I say scenes, DeNiro is literally in the movie 90 seconds despite getting top billing!!!!

The crazy director went on to teach at City University in NY. Sybil Danning has blue hair. Why? We never find out. A couple scenes later it's brown.

The movie is pretty bad.

Incorporates scenes from the 1969 film "Sam's Song" of Robert DeNiro (as Sam) playing an aspiring director who meets a couple (Warren and Mickey) and an apparently single woman (Crawford) with whom he develops mutual bonds over one party-filled weekend at the beach. But when he's murdered, his fiercely protective brother (Charnotta) vows to avenge his death and ten years' later upon his release from gaol, he pieces together Sam's final days to seek retribution.

Neither DeNiro nor Warren - whose stars had risen in the intervening years between the 1969 footage and this 1979 re-edit - appear in the subsequently shot scenes, though naturally much is made of their names in the credits for marquee value. Both Mickey and Crawford reprise their roles, but Charnotta is essentially the central character here, his interrogations abetted by Lisa Blount as his frustrated chauffeur who once 'worked' for his brother. James Brown has a couple of scenes as a detective warning Charnotta not to dig too deeply into his brother's murder, and the sultry Sybil Danning playing the modern-day Warren role is entirely wasted sitting behind a desk.

Tedious attempt at a film noir, bereft of action and suspense, just a dreary series of one-on-one conversations interspersed with flashbacks of the melodramatic romantic quartet, making the most out of DeNiro's scant, unrelated footage. Though there's an occasional promise of something entertaining, it never eventuates. Even the film's climax is a non-event, hampered by a shoestring budget that teases, but fails to deliver.