Für immer und ewig

Clarisse (Vicky Krieps) leaves his seemingly nice close family. Dysfunction within the family is slowly revealed. Some seems to be memories, some an alternate world, and some surreal. The reality is eventually revealed.

This is directed by Mathieu Amalric who I know more as a great character actor. I was a bit confused with the first half. The movie kept slipping away as the confused plot kept piling on the tangential arcs. In some ways, the visuals need to be more surreal. There are ways for Clarisse to show some more clarity especially during her moments. Of course, it all comes together with the older girl pianist. It's a nice a-ha moment. It's a very devastating reveal.

Mathieu Amalric's new movie is another (very) beautiful piece of work, piece of art. It is full of intelligence and subtle emotions ; sound and footage are brilliantly edited. All actors are delivering great performances, especially Vicky Krieps. She's more than gifted, she's breathtaking. Irresistible. The movie lingers in your head for quite a while after you've watched and "felt" it...

I don't write reviews at all but in this case I wanted to share my experience. I watched this movie twice and I think it's extremely hard to catch everything in first round. And partially that's the beauty of this movie. Second round closed the circle for me. There's so many nimble moments I missed and revealed.

It is one of the most underrated movies I ve seen.

I understand that sometimes it's hard to find time to watch a movie let alone twice. I found it so rewarding in this case.

Im wondering how many people really understood this movie.

Beautiful, sad, hard, Life. Masterpiece.

9,5 / 10.

Matthieu Amalric's fine French film HOLD ME TIGHT begins with a woman leaving her husband and two kids (a boy and a girl) and driving away while they sleep. Or, so it seems.

Clarisse (Vicky Krieps) does leave her husband Marc (Arieh Worthalter) and children (played by four different actors at various points). But, was it this morning? Yesterday? Tomorrow? Or, ever? Amalric's screenplay adaptation of Claudine Galea's play, immediately makes it clear that little of what we see can be taken either linearly or even, literally.

Clarisse reveals herself slowly, but it's all purposely fragmented: She travels to a resort in the mountains. Visits a friend at a coffee shop. Takes on a part-time job. Flirts with men. All the while, she imagines what is happening to her family back home. Do they miss her? Are they angry with her decision? Better off without her? Amalric is constantly challenging the viewer. At various points, Clarisse seems to be almost telepathically communicating with her husband and children, even physically moving through their lives like a form of ghost.

Amalric's deft handling of difficult material shows a strong director's sense, Best known in the U. S. for his acting in QUANTUM OF SOLACE, GRAND BUDAPEST HOTEL and DIVING BELL AND THE BUTTERFLY, Almaric has now directed a half-dozen features and his experience on both sides of the camera are on clear display here. Amalric is abetted by the exceptional Krieps (PHANTOM THREAD, BERGMAN ISLAND) in the leading role. Krieps has a natural presence where she can appear to be both accessible and mysterious at the same time - open, yet never truly revealing. It's those very qualities which make the movie so intriguing no matter how inscrutable it may seem at times.

At a couple of key moments, we see Clarisse fumbling over a stack of old Polaroids. Are they her experiences? Her memories? Or, apparitions? After all, what are ghosts but memories? Moments in time to hold on to. And cherished in the moment.

Hold Me Tight, directed by Mathieu Amalric, opens with Clarisse, a woman who seems to make a sudden, baffling decision. She wakes early, tidies the house, and quietly leaves, abandoning her husband and two children as they sleep. Panic sets in when her family realizes she's not coming back, and questions loom over her disappearance. Amalric's unconventional structure begins to reveal itself as we follow Clarisse's journey in a hazy, fragmented timeline that blurs the boundaries of reality and fantasy, leaving us uncertain about the truth.

From early on, we sense that something isn't quite right with Clarisse. She confronts a stranger, accusing him of mistreating her son, and then, strangely, applies fish-market ice to her face. These moments are surreal yet grounded, gradually revealing how Hold Me Tight plays with the very fabric of time and memory. Amalric masterfully guides us through a narrative that jumps across time, space, and even Clarisse's own imagination. As scenes transition lyrically between what's real and what might not be, a deeper, darker truth emerges, reshaping our understanding of her departure.

The film's driving force is Vicky Krieps' deeply nuanced performance as Clarisse, whose portrayal becomes even more compelling as the layers of her story unravel. By the time we reach the film's midpoint, we're able to confront her situation more directly, and Amalric's fragmented narrative begins to come into clearer focus. In the end, Hold Me Tight is an exploration of grief and longing that resists conventional interpretation, inviting us instead into a complex, hauntingly beautiful meditation on loss.