Königreich des Verbrechens

The backdrop to this movie is Melbourne, Australia in the mid-1980's, which (according to the director) had one of the highest per-capita murder rates in the world. At the time, there were several deaths in Melbourne in which wanted and suspected criminals were killed by the police under suspicious circumstances. These killings in turn supposedly ignited a slew of retaliatory murders perpetrated on police officers (cf. the "Walsh Street" police shootings).

This is a movie about a young man (Josh or "J," played by James Frecheville) whose extended family are all criminals. Using the character of seventeen-year-old J as a sort of catalyst, the movie explores a variety of crime-related issues, from the effects of growing up in a world where criminal activity is the norm, to the escalation of crime that is a natural consequence of vigilantism (especially when the vigilantes are police).

The characters are all played very well, with exceptionally good performances given by Ben Mendelsohn, Jackie Weaver, Sullivan Stapleton and young James Frecheville in his debut as J.

While "Animal Kingdom" starts slowly (perhaps -too- slowly for some), it continually builds in intensity throughout the entire movie, culminating with an ending that is both shocking and yet inevitable. In particular, the movie has a very compelling scene played perfectly by Mendelsohn, with an awesome supporting role played by Luke Ford - I'm sure this scene repulsed many in the audience (it certainly repulsed me). At first, I feared that the scene was added by the director merely as a gratuitous exploitation of the audience's emotions. However, as the movie progresses, the scene's outcome becomes an integral part of the plot development, and is therefore necessary for the completion of the main story.

This movie will not be for everybody - the subject matter and the honest way in which the movie portrays it made the movie somewhat taxing at times to sit through. However, I think those willing to consider the necessity of telling the story of "Animal Kingdom" will find the movie entertaining and thought-provoking - I certainly did.

I don't know what it is about Australian cinema and filmmakers these past 15 years, but they are just getting better and better. OK, so we here in the Northern Hemisphere don't necessarily get to see the dross. Granted. But what we do see shows that there's talent galore down under. There are, of course, talented actors, writers, cinematographers and directors around the world, but at the moment Australia seems to have found its own voice, its own style which is not just unique, but interesting, accomplished and gripping.

Unlike so much high-energy Hollywood dreck, Animal Kingdom relies on a good script, a gripping story, good acting, solid characterisation and great directing. There is no gratuitous flashiness to cover up bald patches. This particular film's style is minimalist, the camera hand-held (as far as I can see) throughout. But that doesn't lead to tricksy artiness.

It allows the actors to act - it's what they do best after all - with none of them falling back onto the schtick they are always hired for - Bruce Willis being Bruce Willis, Tom Cruise being Tom Cruise, you get the picture. All I can say is if you get the chance to catch this, catch it. Oh, and keep making them, Australia.

"Animal Kingdom" is a highly respected Australian film that's apparently received a HUGE number of nominations for the Australian Film Awards--as well as an Oscar nomination for Jacki Weaver (as the matriarch of the family--who did a great job playing pure evil). And, I must say that technically speaking, it is a very good film. However, I must also say that it's a thoroughly unpleasant film that really had no payoff by the end. In many ways, it reminds me of "Winter's Bone"--though I think "Winter's Bone" handles similar material in a better and much more satisfying way.

The film centers on Josh (James Frecheville)--a very quiet and introverted young man who comes from an incredibly sick and twisted family. The film begins with his mother overdosing from drugs and he moves in with his grandmother and his uncles--and this new home is MUCH more destructive and sick! The uncles all sell drugs and are very violent men--and eventually the police home in on these sick folks and then things get REALLY crazy. I could say a lot more, but I don't want to ruin the suspense.

While I like films that fight against convention and formula, I had a problem with this film that you perhaps might not. I wanted all this sickness and dysfunction to somehow work out for the good and for there to be SOME sense of meaning. Instead, the ending just reinforced the complete lack of meaning and left me very cold. Well made but VERY depressing and unsatisfying--it's hard to like a movie where you really don't like anyone.

Director David Michod should be congratulated for his intelligent, quiet control over this strongly scripted, well-acted, distinctly Australian movie. All the parts came together with originality, which is not an easy task, especially with crime stories; but this one delves into the families & minds of criminals avoiding blatant stereotypes so often thrust upon the viewer. All the actors are perfectly cast and fine actors. Jacki Weaver, you nailed Smurf and Guy Pearce has become this wonderful chameleon & consummate actor who continues to surprise with his range. This is your first feature, David Michod, well I'm certainly looking forward to your second.

After his mother dies, 17 year old J comes to live with his estranged grandmother and uncles, a family of felons. He enters the animal kingdom of suburban crime and stumbles through a minefield of sociopaths, cops and lawyers, all claiming to protect him. J soon learns though that trust means nothing when people are desperate.

This is a dramatic, well-made film that haunts the mind. Highly cinematic, meticulously crafted, thrilling and poignant in equal measure. The director emphasises realistic dialogue, multi-dimensional characters and underplays violence. Still, the film is palpably tense, there are scenes that will leave you shaking, even where there is no bloody payoff. As the body count builds even a car slowly reversing down a driveway becomes a menacing sight. The ending is satisfying.

The film is very well acted, young Frecheville keeps it natural and holds his own amongst titanic performances from veteran Aussies. Mendelsohn as Uncle Pope is particularly brilliant, dressed at Christmas from Lowes, this dorky suburban thug bullies the weak (including his passive younger brother Darren, unhappily entrenched in a life he cannot escape from), and who's confrontational behaviour springs from a deep well of paranoia. His maladjusted moral compass so skewed he frequently crosses into psychopathic territory. And yet he remains all too human, he's a mundane monster. Weaver too, leaves a memorable impression, where revelations abound in the film's third act.

My only complaint is that I would have liked to have seen a courtroom scene that is left to the imagination, we see corrupt police in action, why not a demonstration of hypocrisy in the justice system too? But this is a minor whinge in the grand scale of this ambitious story.