IMDb-BEWERTUNG
5,2/10
6850
IHRE BEWERTUNG
Der Versuch einer humanoiden KI, das Herz einer Witwe zu erobern, bringt sie in die Schusslinie eines Regierungsagenten, der versucht, den Aufstieg des Maschinenbewusstseins aufzuhalten.Der Versuch einer humanoiden KI, das Herz einer Witwe zu erobern, bringt sie in die Schusslinie eines Regierungsagenten, der versucht, den Aufstieg des Maschinenbewusstseins aufzuhalten.Der Versuch einer humanoiden KI, das Herz einer Witwe zu erobern, bringt sie in die Schusslinie eines Regierungsagenten, der versucht, den Aufstieg des Maschinenbewusstseins aufzuhalten.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Nominierung insgesamt
Mercedes Leggett
- Agent Vasquez
- (as Mercedes Legett)
Empfohlene Bewertungen
For a normally breezy 95 min runtime, this film felt endlessly long. It's terribly slow pacing was part of the problem, but mostly the issue here was the overall underwhelming filmmaking. From the story that's been done many times before and better that felt less intelligent and more artificial, to the directing that lacked any real urgency from scene to scene with annoying, predictable and repetitive sub-narratives. There was a lot of style, but very little substance to be an engaging viewing, even in its short runtime. I found myself constantly impatient for something more suspenseful and thrilling to happen, that never did. Even the all-star casting couldn't elevate the depressingly-toned slow story. Director April Mullen's lack of effective cast direction made it feel like all the actors were half asleep reading their lines. I will however say that the cinematography was excellent, the score very fitting, and the S/VFX quite passable, for a low budget B film.
I really enjoyed this as it keeps you guessing right until the end. You are never quite sure how it it going to play out or how the characters will react to certain tense situations. It's well acted by all and feels like a possible future. It has a lot of soul considering it is a story about androids and AI.
The violence necessary to the story is blessedly kept to a minimum and there is very little gore, for a change. If you want an ultra noisy wham, slam, bang sort of film, then this one will disappoint you as it has rather a slow but very interesting plot development that is also a welcome change.
The violence necessary to the story is blessedly kept to a minimum and there is very little gore, for a change. If you want an ultra noisy wham, slam, bang sort of film, then this one will disappoint you as it has rather a slow but very interesting plot development that is also a welcome change.
I liked the movie and I believe it deserves a higher score of at least 6+.
There are a lot of movies being made today and a lot of them have flashy graphics and cool action, but they do miss any serious point fequently.
Well, the good thing about this one is that it has a point and a good one, it's interesting and even thought it has been raised before it still seems to entertain and entagle thoughts, as A. I. future is more close now than ever.
It's not a flashy blockbuster, it is quite slow paced, some character actions are questionable, dialogue is simple, some scenes seem quite cheaply made, yet I did enjoy this movie.
It has some style.
And I liked it's soul.
There are a lot of movies being made today and a lot of them have flashy graphics and cool action, but they do miss any serious point fequently.
Well, the good thing about this one is that it has a point and a good one, it's interesting and even thought it has been raised before it still seems to entertain and entagle thoughts, as A. I. future is more close now than ever.
It's not a flashy blockbuster, it is quite slow paced, some character actions are questionable, dialogue is simple, some scenes seem quite cheaply made, yet I did enjoy this movie.
It has some style.
And I liked it's soul.
The lack of suspense in the narrative and the predictable unfolding of events make for an unenjoyable movie. The filmmakers attempt to explore profound questions regarding the relationship between humans and machines. However, the execution lacks any sense of creativity or enthusiasm. In the movie, all Simulates must obey four precepts: 1) Do not inflict harm on any human being. 2) Do not modify yourself or any other Simulate. 3) Do not commit crimes against international or local law. 4) Obey all commands from your masters. As soon as these rules are read out in the film, you know that they will be broken. All is too predictable. Even the A. I. is not worked out properly. The script, though, indeed looks like something that could be generated by ChatGPT. Simulant is naïve nonsense that asks, "What does it mean to be human?" and answers the question by changing the code of simulates and recommending them a Dostoevsky book! Literally! Do not waste your time. Skip this one.
Simulants are artificial humanoid robots. They are restricted by programming, but someone is trying to hack them. Artificial Intelligence Compliance Enforcement agent Kessler (Sam Worthington) apprehends Esme (Alicia Sanz), a simulant which had its programming altered. Evan (Robbie Amell) and Faye (Jordana Brewster) are a loving couple, but it's not what it seems. Casey (Simu Liu) is a hacker.
This premise has been done before. It is straight out of the Asimov's 3 laws of robotics which is eighty years old. I kept waiting for something new, but this is mostly derivative. The freshest aspect may be Simu Liu having sex with Alicia Sanz. It's still a little unusual in Hollywood for an Asian man to have sex with a white girl. The Evan-Faye couple does have an interesting reveal, but that surprise reveal can't be done more than once. I was expecting it for all the other reveals. There is potential for something else, but the movie doesn't go there until the last scene. I do want to mention the filming locations. For the most part, I've never seen those places and that's good. It's a side issue, but it does add a little freshness to the movie.
This premise has been done before. It is straight out of the Asimov's 3 laws of robotics which is eighty years old. I kept waiting for something new, but this is mostly derivative. The freshest aspect may be Simu Liu having sex with Alicia Sanz. It's still a little unusual in Hollywood for an Asian man to have sex with a white girl. The Evan-Faye couple does have an interesting reveal, but that surprise reveal can't be done more than once. I was expecting it for all the other reveals. There is potential for something else, but the movie doesn't go there until the last scene. I do want to mention the filming locations. For the most part, I've never seen those places and that's good. It's a side issue, but it does add a little freshness to the movie.
Wusstest du schon
- WissenswertesThe four precepts mentioned at the start of the movie are a homage to Isaac Asimov's Three Laws of Robotics. 1: A robot may not injure a human being or, through inaction, allow a human being to come to harm. 2: A robot must obey orders given it by human beings except where such orders would conflict with the First Law. 3: A robot must protect its own existence as long as such protection does not conflict with the First or Second Law.
- PatzerKessler enters the barn and climbs a ladder, but when Evan catches up to him, there's a car in the background as if they're at ground level. Kessler exits the barn without going back down the ladder and a wide shot shows the area around the barn is flat.
- VerbindungenReferenced in Celebrity Family Feud: Simu Liu vs. Nathan Chen and Monica vs. So So Def (2022)
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Details
Box Office
- Weltweiter Bruttoertrag
- 237.109 $
- Laufzeit1 Stunde 35 Minuten
- Farbe
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- 2.39:1
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