Pathonpatham Noottandu
- 2022
- 2 Std. 38 Min.
IMDb-BEWERTUNG
6,8/10
1721
IHRE BEWERTUNG
Ein feuriger Sozialreformer des 19. Jahrhunderts und sein unbeirrbarer Kampf gegen die herrschende Unterdrückung durch die Oberschicht.Ein feuriger Sozialreformer des 19. Jahrhunderts und sein unbeirrbarer Kampf gegen die herrschende Unterdrückung durch die Oberschicht.Ein feuriger Sozialreformer des 19. Jahrhunderts und sein unbeirrbarer Kampf gegen die herrschende Unterdrückung durch die Oberschicht.
- Auszeichnungen
- 2 wins total
Senthil Krishna
- Chirukandan
- (as Senthil Rajamani)
Empfohlene Bewertungen
I had low expectations but this was even lower than that.
Siju Wilson did well and the nangeli actress kayadu also done well. Deepti sati , chemban Allencier etc supporting cast is also good.
There are some high production value and good constumes etc Some good songs and action sequences too.
Main problem is, this is a very artificial periodic drama. It is made as a low class masala movie , no justice to the periodical elements such as language and art.
Siju wilson has put lot of effort phisically, but all that got wasted. Cannot really judge if he has potential or not. Nothing more to write.
Siju Wilson did well and the nangeli actress kayadu also done well. Deepti sati , chemban Allencier etc supporting cast is also good.
There are some high production value and good constumes etc Some good songs and action sequences too.
Main problem is, this is a very artificial periodic drama. It is made as a low class masala movie , no justice to the periodical elements such as language and art.
Siju wilson has put lot of effort phisically, but all that got wasted. Cannot really judge if he has potential or not. Nothing more to write.
When i first saw the teaser of pathonpatham nootaandu, I was surprised to see a good level of production quality especially from a director like vinayan whose previous film aakashaganga 2 being a so bad its good film. Such quality I didn't see even in movies like maamangam and marakkar both starring two superstars. I just wanted to see whether the writing too was updated.
The biggest plus point of pathonpatham nootaandu is its uncompromising production values. Hats off to gokulam gopalan for making high quality period films like pazhassi raja, kammarasambhavam, kayamkulam kochunni and now this. Siju wilson spent nearly two years of his career for this film learning horse riding, bodybuilding and martial arts. And it reflects it on screen very well. Hope he becomes a superstar after this film. Another freshness I felt was presenting kayamkulam kochunni with grey shades.
Though the film has good production values, the script is strictly average. The film looses its steam after the capture of kayamkulam kochunni character. And despite having an ensemble cast of talented supporting actors none of them are in their best form. Just an okayish performance from everyone.
On the whole pathonpatham nootaandu had the production quality to become a mini baahubali but writing turned to be just basic.
The biggest plus point of pathonpatham nootaandu is its uncompromising production values. Hats off to gokulam gopalan for making high quality period films like pazhassi raja, kammarasambhavam, kayamkulam kochunni and now this. Siju wilson spent nearly two years of his career for this film learning horse riding, bodybuilding and martial arts. And it reflects it on screen very well. Hope he becomes a superstar after this film. Another freshness I felt was presenting kayamkulam kochunni with grey shades.
Though the film has good production values, the script is strictly average. The film looses its steam after the capture of kayamkulam kochunni character. And despite having an ensemble cast of talented supporting actors none of them are in their best form. Just an okayish performance from everyone.
On the whole pathonpatham nootaandu had the production quality to become a mini baahubali but writing turned to be just basic.
I like the way the mytho-historic genre is treated in this film. There is an element of 'larger than life' persona of a historic figure and also important chapter in the fight of the subalterns against the dominant upper casts who had proclaimed insulting rules such as 'breast tax'. To think that such a 'tax' even existed is shocking these days. One had to fight to even restore the basic human dignity of covering oneself itself will be an eye opener to many in modern India. How much resistance from the upper cast men who wanted to legitimize 'letching' or more way to keep the subalterns humiliated. Definitely an important film to watch for its portrayal of modern social equality movement in India. At the same time the film narrative and visualisation is in the heroic mode, with stylised fight sequence and other 'hero' cinema tropes. On the whole an enjoyable as well as an enlightening watch.
This could have been an epic, landmark movie ! In terms of production and costumes the movie might be one, but had the storytelling be tighter, editing a bit more crispier, some insights into main character's origin or struggles or "thoughts" (we only see his final actions and repercussions of those actions.
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
Now coming to the movie itself - the actions sequences were well shot - but got repeating and quite honestly boring towards the end. I was almost sleeping through some in the Theatre after a while ( yeah there is bunch of similar slow motion action sequences which definitely could have been cut)
The idea of clubbing Nangeli, Kochunni and Velayuda Panikar as a creative liberty would have been fine had they made a significant difference - here these are done in a messy and pretty ridiculous manner. And king asking Panikar to capture Kochunni and Kochunni stealing from a poor priest are really doing injustice and totally wrapping history cruelly and un-necessarily as well ( it doesnt really after the overall narrative other much )
I am kinda confused as to why I found this one to be surprisingly the best one among the recent lot of period dramas that came and went without any real engaging experience.
It doesn't do anything better than the period dramas that came before but idk it maybe coz it didn't have that kind of elevations like them too.
The sets weren't very striking except for a few ones like the ones put up for the port? The others looked good but at the same time the artificiality could also be easily seen.
The performances were decent enough and i guess I found it engaging and entertaining coz of the narrative and major plot points, which I felt were delivered neatly and with needed seriousness in it..... which I didn't find effective in those other malayalam period dramas (if being honest MAMANGAM did have a partially effective one though but it faltered on most of the other stuff) of recent times.
Siju Wilson delivers in a good if not exceptional way and the other supporting cast members too contributed decent performances.
The script was missing with good and striking character elevations and dialogues and the action sequences too weren't anything gripping.
Everything felt really grounded from the get go but the climatic action sequences was the one that finally did the very much needed character elevation and stylish(even if with a bit overused slowmotion effect)and engaging and the whole of it even made me root for AVP :)
Overall even with the lack of good and memorable character expositions, quality compressions and lack of tightness in script I really found it to be an engaging and enjoyable period action drama fr.
PS the voiceover from ikka at the end. Lit af
6.5/10.
It doesn't do anything better than the period dramas that came before but idk it maybe coz it didn't have that kind of elevations like them too.
The sets weren't very striking except for a few ones like the ones put up for the port? The others looked good but at the same time the artificiality could also be easily seen.
The performances were decent enough and i guess I found it engaging and entertaining coz of the narrative and major plot points, which I felt were delivered neatly and with needed seriousness in it..... which I didn't find effective in those other malayalam period dramas (if being honest MAMANGAM did have a partially effective one though but it faltered on most of the other stuff) of recent times.
Siju Wilson delivers in a good if not exceptional way and the other supporting cast members too contributed decent performances.
The script was missing with good and striking character elevations and dialogues and the action sequences too weren't anything gripping.
Everything felt really grounded from the get go but the climatic action sequences was the one that finally did the very much needed character elevation and stylish(even if with a bit overused slowmotion effect)and engaging and the whole of it even made me root for AVP :)
Overall even with the lack of good and memorable character expositions, quality compressions and lack of tightness in script I really found it to be an engaging and enjoyable period action drama fr.
PS the voiceover from ikka at the end. Lit af
6.5/10.
Wusstest du schon
- SoundtracksKarumbaninningu Varumo Kaare
Written by Rafeeq Ahammed
Produced by M. Jayachandran
Performed by Nikhil Raj, Narayani Gopan, Arun Gopan, Unni Elayaraja, Poornasree Haridas, Anna Baby and Neethu Naduvathettu
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Pathonpatham Noottandu?Powered by Alexa
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- Puli the 19th Century
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 250.000.000 ₹ (geschätzt)
- Weltweiter Bruttoertrag
- 220.699 $
- Laufzeit2 Stunden 38 Minuten
- Farbe
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen