The Offer

Matthew Goode as Bob Evans is some wonderful casting and he has the persona and voice down pat. If you are interested in how movies are made and who the people are behind them you'll find this fascinating. If you aren't, you won't.

I didn't really know what to expect from The Offer. Even though I love The Godfather as much as everyone else, I wasn't all the interested on how the film was made. I was wrong! After reading all the great reviews and seeing the great cast I thought I'd give it a chance. I'm absolutely blown away by how much I like this show. You don't have to be a fan of The Godfather or have even seen it to enjoy this show. It's not the best series I've ever seen but it's still a really good and interesting series. Miles Teller, Giovanni Robison, Matthew Goode and the rest of this fantastic cast all do an amazing job. If you have reservations like I did on how good a show about a a movie getting made can be...don't! I absolutely recommend this show!

I like movies in general but somehow "The Godfather" has eluded me. Maybe it's the lengthy running time, dark lighting, or gangster shenanigans, but it is just something I haven't sought out to sit and watch. Now I hear about a TV series called "The Offer," its critical acclaim and high ratings, so I get intrigued, especially when I learn that the subject matter is about the making of "The Godfather." Is it a documentary? Why is the rating so high? I give the first episode a whirl and quickly realize it's a dramatization of events in the making of this classic movie, of course. As the series progresses, because it is so exquisitely made, I become more and more interested in the actual movie and so I finally give it a watch. All this time, I have been missing out on the burgeoning talents of Al Pacino in the early days, the artistic storytelling, and all the drama from everyone involved. "The Offer" does great service to viewers like me, and without it, I would have been deprived of this classic cinematic experience.

This is a show about the making of a movie, but it's so very much more. It's about the people who birthed "The Godfather", and the extreme adversity which hindered the creation of this immortal film. I watched the first 5 episodes in a day.

We follow an amateur producer, Albert Ruddy (Miles Teller), with minimal experience on the Hollywood scene, but he is a force, a powerhouse with a vision. His primary role with Paramount is to make this "mafia" movie that it seems nobody (who was anybody) wants on the screen. There is a lot of pressure from Frank Sinatra, the government, the Italians, and others to halt the making of this film in its tracks. At any given time any or all of these powerful entities are fighting for any hint of this movie to be eradicated from existence - never to be conceived, and promptly to be forgotten. But Mr. Ruddy's persistence and sheer will are what eventually lead to the realization of the greatest, or at least one of the top five greatest films of all time. Miles Teller as an actor proves in this that he is literally capable of anything, and his inexhaustible skills are apparent. Bravo. 10/10. Award-worthy.

The over-indulgent and bloated executives at an ailing Paramount allow Ruddy to assemble what appears to be a bunch of aspiring indigents...novices so to speak; to piece together a fragmented but potentially splendorous film. This is their story.

Ruddy's persistence and focus alone is what brought this dream to fruition, but he needed direction, vision, and inspiration as well. A woman named Bettye McCart (Juno Temple), bulldozes her way into his good graces, and basically takes the assistant position. She senses his brilliance and unequaled drive immediately, and with her own seemingly limitless knowledge of "the biz", she is able to enhance his effectiveness. Ms. Temple gives a stellar performance. 9.0/10

Ruddy meets an alluring woman named Francoise Glazer (Nora Arnezeder), who wishes to share his aspirations, and they quickly fall in love. Kudos to Arnezeder's portrayal of this character, as I found her to be startlingly irresistible. Although her screen time was fairly minimal, her character was quite refined - yet another brilliant performance. 8.7/10

The executives at Paramount, Matthew Goode as Robert Evans, and Burn Gorman as Charles Bluhdorn are the most profound embodiment of uptight intensity that I've witnessed in a number of years. I'm reminded of some of the great Jack Nicholson roles. Gorman has a very bizarre tone unrivaled by most, and I found myself strangely drawn to his antics. 9.7/10. And Evans, the way he shows anger, disgust, and approval all in the same expression - is quite convincing, and fascinating. 9.3/10.

The writer of the novel "The Godfather", Mario Puzo, was also invited to write the screenplay for the movie, because Paramount had a limited budget. Oh how fate smiled upon these circumstances, because Puzo (Patrick Gallo) went on to write one of the greatest screenplays of all time. And Patrick Gallo engineered nothing short of a brilliance. I am amazed at all the great performances in this series, it's totally mind-boggling. 9.2/10

Guess what? There's still more...

Probably my favorite actor in this series is Dan Fogler who portrays Francis Ford Coppola. If Coppola's true nature is similar to what Fogler has illustrated - then I am in love with this man!! What a fascinating and thoroughly compelling director and person Fogler renders for us. The provocative style and essence of Coppola - sheer BRILLIANCE. I feel like I keep repeating that word. The way he fashions The Godfather, primarily sharing a co-vision with Puzo, it's so tangible and full of emotional depth. 10/10. Award-worthy.

Giovanni Ribisi as Joe Colombo (real mafia mob boss), is a very chummy sort of scary guy. You really want to like him, but we are reminded from time to time that he is indeed a real gangster, a true thug. Ribisi captures the essence of being a lovable bad guy. I have the faint impression that he wanted to be Marlon Brando (many similarities to Don Corleone), but was probably informed that it was too small a part. All said - 8.8/10

Colin Hanks as Barry Lapidus (another angry and impatient man) 8.5/10. I am surprised he had one of the very lesser roles in this, being such an accomplished actor himself.

Do you have to love The Godfather to love this show? I don't know, I love the Godfather, so I might be biased. However, my love for The Godfather notwithstanding, this is (and likely will remain) the #1 show of 2022 (for me). I find it difficult to imagine anything will surpass it. Everything is 10/10: writing, directing, pacing, cinematography, acting, dialogue.

I got sucked in with The Offer. Incredible sets and definitely period correct. Yes there's some exaggerated performances, and it's bloated as Hell with subplots, and I don't know why, but that's what makes The Offer fun. I'm hooked, flaws and all. I love period pieces, I'm a movie and a Godfather lover from way back.

I know there's some whining, rich painfully out-of-touch with reality Hollywood folks (I've heard it all a million times), name-dropping, and talking about they knew the real people portrayed in this series, saying this not how it happened, blah, blah, blah, and who think they know it all...they're annoying. No one ever said this series was a Ken Burns documentary. Get over yourselves. But for the rest of us who love period pieces, sometimes you just want to time travel for some escapist fun. So take the bad reviews with a grain of salt, because some of these professional movie critics, know the rich people complaining and want to stay in their good graces.

Miles Teller is superb as Al Ruddy and Juno Temple nails per part as his trusted sidekick/secretary/friend/shrink. And though. Giovanni Ribisi is getting dragged for his portrayal of an Italian crime boss, I think he's perfect in that role. And Matthew Goode as Robert Evans is hilarious, and from what I've heard, he's also spot-on. There is no bad casting in The Offer and it harkens back to an era of pure hedonistic pleasure, early 70s fashion and a studio system that had no real vision and The Godfather scared them because it stepped outside of the norm.