Füge eine Handlung in deiner Sprache hinzuA former war photographer and her physician husband are caught up in a riot when locals in an Andean village vent their unhappiness with contamination from a nearby mine.A former war photographer and her physician husband are caught up in a riot when locals in an Andean village vent their unhappiness with contamination from a nearby mine.A former war photographer and her physician husband are caught up in a riot when locals in an Andean village vent their unhappiness with contamination from a nearby mine.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 5 Gewinne & 10 Nominierungen insgesamt
Edgar Condori
- Nilo
- (as Edgar Alcides Condori)
- …
Kian Lawson-Khalili
- Reza
- (as Kian Khalili)
Antonio Quevedo
- Un soldat
- (as Marco Antonio Quevedo)
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This movie needed an editor with a sharp machete to make it flow and not appear to be so aimless. The actors look so conscious of the camera that they at times look to be characters in a newscast when they are surprised by a news crew and reporter. But above all, my goodness, a good editor is worth his/her weight in gold (not mercury!) - You need to be a mystic movie goer infatuated with the ghosts of Daly & Luis Buñuel to sit through this film. It is so aimless and so lacking in focus. A movie is supposed to be a story and this is just a bunch of moving National Geographic type of photographs without a focused story telling.
10Goranaaa
After seeing Khadak, the first film of the creative duo behind Altiplano, I was totally blown away. Soon after I got to see Altiplano and the feeling left after watching Khadak was even topped by the later one. As much as with its story as with its powerful images, Altiplano grabs your attention and doesn't let go until the very end. Some visual moments reminded me of a more comprehensible version of Tarkovsky. Same with the previous film, Khadak, directors here don't aim the entertainment-seeking audience, but the one with higher standards. Visually, it is completely different from Khadak, but the same cinematic "language" of the directing duo can be felt in both. The leading star Magaly Solier gives a remarkable performance, which is a carrier of the whole film. Music is a very big part of this film. It blends with every image perfectly and gives extra power to every scene. Bottom line, I would warmly recommend this film to anyone that has the chance to see it.
I saw this movie a few days ago on TV (should have been a movie theater though) and what I write has no link to the fact one of the directors being... Belgian. I'm even ashamed that, upon now, I hadn't been aware of his (joint) work!
I rate this beauty "only" a 9, because, to me, 10 means perfection. This one is only just short of it and I really can't understand the 6.7 global rating...
Furthermore I can't but subscribe to what "janlhoest" says in his review.
Maybe I would add that to me; this is something like a symphony of images, sound and sheer poetry...
I rate this beauty "only" a 9, because, to me, 10 means perfection. This one is only just short of it and I really can't understand the 6.7 global rating...
Furthermore I can't but subscribe to what "janlhoest" says in his review.
Maybe I would add that to me; this is something like a symphony of images, sound and sheer poetry...
It has been noticed that films which deal with multiple themes often fail to strike a chord in viewers' minds. It is due to the fact that while watching films,most viewers have a limited attention span which gets impaired when an endless array of plots and subplots is revealed.Belgian film "Altiplano" suffers enormously from this fate as the richness of its themes cause active viewers to question whether there is something which will tie these loose themes or they have just been included in order to get an opportunity to speak about world's problems.The main reason to watch this film is Olivier Gourmet-a famous Belgian actor who has acted in various well made,offbeat as well as excellent commercial films.Apart from Olivier Gourmet's presence viewers might develop a liking for the film's South American setting where visually rich religious imagery characterizes the behavioral patterns of its inhabitants.Finally,how human beings reach out to each other in times of grief is one of this film's recurring leitmotif.Film critic Mr.Lalit Rao saw this film during 18th European Film Festival 2013 which was held at Alliance Française De Bangalore.
What to say, have no words to describe... but sheer beauty.
The magnificent combination of story, images and music takes it to a higher level, literally! Carefully chosen shots, no more then the necessary words and all through the music, as if it came out of the camera resulting into a complete experience for all senses. You'll find yourself blown away after this movie, and it takes a couple of days to get back to life.
Can't wait to see Khadak and State of Dogs, more work from this fine producers Peter Brosens and Jessica Woodworth.
GO EXPERIENCE!
The magnificent combination of story, images and music takes it to a higher level, literally! Carefully chosen shots, no more then the necessary words and all through the music, as if it came out of the camera resulting into a complete experience for all senses. You'll find yourself blown away after this movie, and it takes a couple of days to get back to life.
Can't wait to see Khadak and State of Dogs, more work from this fine producers Peter Brosens and Jessica Woodworth.
GO EXPERIENCE!
Wusstest du schon
- WissenswertesFilmed in 43 days.
- SoundtracksFire of the Dove/Epilogue
Composed by Richard Einhorn
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Auch bekannt als
- Fragments of Grace
- Drehorte
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Box Office
- Bruttoertrag in den USA und Kanada
- 2.961 $
- Eröffnungswochenende in den USA und in Kanada
- 1.269 $
- 22. Aug. 2010
- Weltweiter Bruttoertrag
- 157.796 $
- Laufzeit
- 1 Std. 49 Min.(109 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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