Incroyable mais vrai
- 2022
- 1 Std. 14 Min.
IMDb-BEWERTUNG
6,4/10
5454
IHRE BEWERTUNG
Alain und Marie sind in das Haus ihrer Träume in einem Vorort gezogen. Aber der Immobilienmakler hat sie gewarnt: Was sich im Keller befindet, könnte ihr Leben für immer verändern.Alain und Marie sind in das Haus ihrer Träume in einem Vorort gezogen. Aber der Immobilienmakler hat sie gewarnt: Was sich im Keller befindet, könnte ihr Leben für immer verändern.Alain und Marie sind in das Haus ihrer Träume in einem Vorort gezogen. Aber der Immobilienmakler hat sie gewarnt: Was sich im Keller befindet, könnte ihr Leben für immer verändern.
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
Léna Laprès
- Mimi - l'hôtesse de l'air
- (as Lena Lapres)
Michel Hazanavicius
- Le photographe de mode
- (Nicht genannt)
Empfohlene Bewertungen
This brilliant short long movie (74 minutes) is defined as comedy drama fantasy. In fact it's a sci-fi satire but since fantasy and sci-fi are next of kin I'll accept the term. As for comedy drama - it's a non term to begin with but satire seem to confuse many since it uses humor as its main weapon.
That was all I'll speak about definitions, regarding the movie itself - like all good sci-fi it speaks about the world we live in and more specifically about our gadget worshiping culture. We get here two gadgets one is straightforward gadget - mechanical - Japanese namely coming from the country in which gadgets are the new state religion so it's a gadget with a kosher stamp on it. The other gadget is more of an unexplained device, but as far as I'm concerned it works just like a gadget. It performs a very special trick which the movie accepts as true - unbelievable but true - as the movie title's declares. And its being used by one of the leads in the movie just like any other gadget, so that the way I'll refer to it. As a rule - and that's the reason we get two gadgets in the movie so we can establish a rule and not discuss an episode of a sort - gadgets are born from voids in our lives we need to fill - but voids tend to remain empty no matter how much one tries to fill them. Here lies the problem - trying to fill a void can quickly become an addiction and addictions are dangerous.
So if the fact we all know addictions are dangerous means that this movie is predictable - not really - it means that it establishes its own set of rules and quickly demonstrates to us how these rules correspond with the rules we live by and bring about the same results, for me that's not being predictable but rather brilliant script writing. Combine this with very good acting performances with Lea Drucker topping the list, with very efficient camera work that doesn't need any cinematic fireworks but does deliver. And in my personal book you get a near masterpiece. Go see it - Quentin Dupieux is a director to watch.
That was all I'll speak about definitions, regarding the movie itself - like all good sci-fi it speaks about the world we live in and more specifically about our gadget worshiping culture. We get here two gadgets one is straightforward gadget - mechanical - Japanese namely coming from the country in which gadgets are the new state religion so it's a gadget with a kosher stamp on it. The other gadget is more of an unexplained device, but as far as I'm concerned it works just like a gadget. It performs a very special trick which the movie accepts as true - unbelievable but true - as the movie title's declares. And its being used by one of the leads in the movie just like any other gadget, so that the way I'll refer to it. As a rule - and that's the reason we get two gadgets in the movie so we can establish a rule and not discuss an episode of a sort - gadgets are born from voids in our lives we need to fill - but voids tend to remain empty no matter how much one tries to fill them. Here lies the problem - trying to fill a void can quickly become an addiction and addictions are dangerous.
So if the fact we all know addictions are dangerous means that this movie is predictable - not really - it means that it establishes its own set of rules and quickly demonstrates to us how these rules correspond with the rules we live by and bring about the same results, for me that's not being predictable but rather brilliant script writing. Combine this with very good acting performances with Lea Drucker topping the list, with very efficient camera work that doesn't need any cinematic fireworks but does deliver. And in my personal book you get a near masterpiece. Go see it - Quentin Dupieux is a director to watch.
"Incredible But True" is a Drama - Fantasy movie in which we watch a couple moving to their new suburb house but their real estate agent informs them about their unique basement and what it can do, this will change their lives.
I liked this movie because it had a simple but interesting plot and the direction which was made by Quentin Dupieux who is also the writer, it was good. He succeeded on presenting very well his main characters and their connection while he made clear the plot of the movie. The interpretations of both Alain Chabat who played as Alain Duval and Léa Drucker who played as Marie Duval were very good and the difference of their characters created a nice result. To sum up, I have to say that "Incredible But True" is a nice movie and I recommend everyone to watch it.
I liked this movie because it had a simple but interesting plot and the direction which was made by Quentin Dupieux who is also the writer, it was good. He succeeded on presenting very well his main characters and their connection while he made clear the plot of the movie. The interpretations of both Alain Chabat who played as Alain Duval and Léa Drucker who played as Marie Duval were very good and the difference of their characters created a nice result. To sum up, I have to say that "Incredible But True" is a nice movie and I recommend everyone to watch it.
The myth of eternal youth as seen by Quentin Dupieux. Original and quite funny, and also a little sad since eternal youth is a myth. With excellent performers, in particular Alain Chabat, Lea Drucker, Benoît Magimel and Anaïs Demoustier.
Predictable, super vulgar, old comedic effects, caricatures here we come. Seriously what happened to Dupieux. The image is disgusting, acting is off besides tertiary roles and Anaïs Demoustier. Luckily it was 70 minutes.
"INCREDIBLE BUT TRUE commences with an intriguing question mark hanging over audience's heads, only when the answer is revealed (in a two-fold step implemented through slightly confusing montages), the story goes less fantastic than it promises, the immemorial obsession of a woman gets her youth back (so she can be a model, no less) is tiring and its 'skin deep' revelation also feels too facile. The ensuing marital discord never reaches its boiling point, and the entire third act is composed of dialogue-less, fast-forward, rapidly spliced shots that condense years of story into one predictable combo, it seems Dupieux himself has lost patience to the banality of the script and just wanted to reach the finish line as quickly as possible."
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Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- Unglaublich, aber wahr
- Drehorte
- La Celle-Saint-Cloud, Yvelines, Frankreich(villa exteriors: Avenue André Le Notre)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 4.340.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 2.329.813 $
- Laufzeit
- 1 Std. 14 Min.(74 min)
- Farbe
- Seitenverhältnis
- 2.39:1
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