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4,1/10
1508
IHRE BEWERTUNG
In dieser abgefahrenen, frechen Neuauflage des Serienklassikers schlägt sich eine neue Generation der Familie Evans in einem Sozialwohnprojekt in Chicago durchs Leben.In dieser abgefahrenen, frechen Neuauflage des Serienklassikers schlägt sich eine neue Generation der Familie Evans in einem Sozialwohnprojekt in Chicago durchs Leben.In dieser abgefahrenen, frechen Neuauflage des Serienklassikers schlägt sich eine neue Generation der Familie Evans in einem Sozialwohnprojekt in Chicago durchs Leben.
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I can't believe what I just watched. Saw someone post a screenshot of this and thought I'd give it a shot. Wow. Thinks actually embarrassing. Why as black people do we want to perpetuate stereotypes that have harmed our communities and our own well-being. We've come so far and now this????? Whatever intelligent comedy there may be here is lost because we have to sit through gun violence by children (literal babies!), roaches in the apartment, glorifying "hoes"...when it first started and they referenced the "white Jesus" episode of the original show I though we were going somewhere empowering, but no. Just another act of self-hatred billed as art. We have to do better.
I understand the reboot and the concept but the stereotypes are killing me I couldn't get pass the first episode its actually embarrassing. I can't believe the actors went along with a 1 year old selling drugs, then they say he's a mirror to stewie from family guy naww. I honestly believe they felt the show was funny and they would get the best response from it. Being from Chicago we try to stay away from stereotypes but as a whole this set us back like 50 years. This is not why we work hard to be portrayed like this on TV I didnt find this show funny at all, it actually looked like a good a watch but i couldnt continue.
In the past year, Netflix has shifted gears, abandoning the pursuit of quality in favor of becoming a mere content aggregator. Nowhere is this more evident than in their treatment of Black Stories-shallow, tokenistic offerings that scream, "Here's something we think the community will tolerate," devoid of any genuine effort to deliver quality entertainment.
Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.
Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.
Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.
We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.
Take, for instance, their recent Shirley Chisholm Movie debacle. It looked as though they threw spare change at it and managed to get everything about Chisholm wrong.
Now Good Times. This insulting portrayal, steeped in old stereotypes, is just the tip of the iceberg. And I highly doubt this poorly executed, offensive mess will win them any new audience.
Netflix originals have become increasingly unbearable. From the disaster that was the Zack Snyder debacle to the mishandling of "3 Body Problem," it's evident that Netflix's enthusiasm for new creators and bold ideas has waned, replaced by tired clichés and a race to the bottom.
We may be witnessing the twilight of the streaming golden age, but I never imagined quality would plummet to such depths in a business model reliant on subscriber retention.
Other than the characters names this show has absolutely nothing to do with the message that the original tv show was trying to get across, and what idiot thought a baby selling Crack was going to be funny? Black people have come to far for this BS and need to let Netflix know it, don't know why in the year 2024 anyone would make such garbage, it is embarrassing and an insult to all black people, except Tim Scott and Byron Donald's who think we act this way in real life, I really wonder what audience was this actually made for, was it made for an African American family or was it made to further the racism being brought about in politics.
In 1974, lear, Monte and others, created one of the greatest tv shows of all time, good times, it had humor, laughs and great performances throughout, even, The catchphrase dynomite was cool as well, as for this new one and it is total garbage, there is only some chuckle or two, the performances are horrible, the animation is worthless, the teleplay is pathetic and the writing is just b.s. Throughout, let's just say that I hated every inch of this reboot, even more offensive than the grotesque splatter is the use of a baby as a drug dealer, now I found that to be completely cynical and truly dreadful, this is yet another reason why I turned the TV off, the first in 12 years, this new good times is just truly pathetic and it's heading on my list of the worst television of 2024 and it deserves to be
I gave good times a big fat f.
I gave good times a big fat f.
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- WissenswertesThis was one of two animated sequel series to popular African-American sitcoms released in 2024, the other was Everybody Still Hates Chris (2024).
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