IMDb-BEWERTUNG
7,1/10
19.404
IHRE BEWERTUNG
Boxen, in denen die Leute anonym ihre ungewollten Babys abgeben können.Boxen, in denen die Leute anonym ihre ungewollten Babys abgeben können.Boxen, in denen die Leute anonym ihre ungewollten Babys abgeben können.
- Auszeichnungen
- 11 Gewinne & 30 Nominierungen insgesamt
Empfohlene Bewertungen
The film takes us on a journey of sadness and hopes into the mysteries of modern society. On one hand, the film deals with an issue that is very hard on hearts, which is the abandonment and trafficking of children, and on the other hand, hope through good people who know nothing but giving by sheltering orphans and raising them. Despite the predominance of the sad side in the film, the events were not gloomy and dark, but rather random and spontaneous and a glimmer of hope begins to grow and spread in the middle to the end......even in the worst of people there is good.
Of course not forgetting the great performance from Song Kang-ho.
Of course not forgetting the great performance from Song Kang-ho.
Just as his previous films, Hiro Koreeda's "Broker" deals with existential themes like the meaning of family (or the lack of it). You may argue that the Japanese star director even doubles down on this, adding crime (selling babies) and even homicide to the mix. The fact that his recent film is set in Korea might even add a somber, heavy note - as most Korean films of the 2000s have confronted the impact of deep societal rifts with head-on cynicism (Parasite; Burning) or even brutality (Squid Game).
For all its melancholic atmosphere, though, "Broker" never loses its sense of humor and optimism: In its better parts, it even has a feel-good road-movie charm; in its weaker moments - including the somewhat saccharine ending - it feels more like a fairytale than the quietly realistic style Koreeda is famous for. Nonetheless, a few tears and moments of warmth can be beautiful at times, and the film's story is still worth dwelling more deeply on.
For all its melancholic atmosphere, though, "Broker" never loses its sense of humor and optimism: In its better parts, it even has a feel-good road-movie charm; in its weaker moments - including the somewhat saccharine ending - it feels more like a fairytale than the quietly realistic style Koreeda is famous for. Nonetheless, a few tears and moments of warmth can be beautiful at times, and the film's story is still worth dwelling more deeply on.
"Shoplifters," one of the best movies I've seen in recent years, led me to this film by the same director. "Broker" shares a lot in common with the other film, mostly in giving us another ragtag assortment of characters who ban together as a family in the absence of more traditional relatives. Both films are about family being defined by the people who support you in life, not necessarily those you share blood with. I liked "Broker," but not anywhere nearly as much as "Shoplifters." It's got a laid back road trip vibe, but it's also got a whole bunch of plot strands that don't completely get resolved satisfactorily. One in particular, about some gangsters after money owed them, feels especially unnecessary and even left me feeling a bit confused.
So not a home run, but there's still a lot in the movie to like and I would recommend it based on that.
Grade: B+
So not a home run, but there's still a lot in the movie to like and I would recommend it based on that.
Grade: B+
It's a great movie. Truly a masterpiece. It made me feel so many different feelings. I cried laughed scared and fell in love while watching it. The acting is really on point. There's no bad acting in this movie even cameos and child actors did a great job. The story made me really think about my existence, my relationships and my parents and I'm so grateful toward hirokazu koreeda for making this great,calm,thoughtful and encouraging movie👍
A journey of finding the best future for a baby. Instead of using the term of disfunctional family, I prefer to describe them as souls fated to meet and to heal their inner child's wounds.
Many said it is a slow paced film with beautiful cinematography, but for me it is nothing near slow paced.
Dir. Koreeda forced us to think non stop from the 1st scene.
All cast members acted perfectly and percisely, even the baby.
Song Kang Ho deserve his Best Actor title with no doubt.
He is the sweet bitterness of the film.
Many said it is a slow paced film with beautiful cinematography, but for me it is nothing near slow paced.
Dir. Koreeda forced us to think non stop from the 1st scene.
All cast members acted perfectly and percisely, even the baby.
Song Kang Ho deserve his Best Actor title with no doubt.
He is the sweet bitterness of the film.
Wusstest du schon
- WissenswertesThe young mother character is played by IU, who is a major pop star known as IU in South Korea. Director Hirokazu Koreeda cast her because he was impressed by her performance in Naui ajusshi (2018), a Korean show he watched during quarantine.
- Zitate
Dong-soo: It might rain. Take an umbrella
Moon So-young: Come and get me if it rains. With an umbrella.
Top-Auswahl
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Details
Box Office
- Bruttoertrag in den USA und Kanada
- 1.046.899 $
- Eröffnungswochenende in den USA und in Kanada
- 3.265 $
- 26. Dez. 2022
- Weltweiter Bruttoertrag
- 18.851.416 $
- Laufzeit2 Stunden 9 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1
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