The Life of Chuck

Summed up, Mike Flanagan made a deep, multilayered yet beautiful film about the value of life. It's really hard to explain but Flanagan does not waste a single shot. There is a narration throughout the movie, yet right from 'Act Three,' everything seen and experienced unfolds perfectly in 'Act One.' Ejiofor & Gillan are fantastic in Act Three but if The Life of Chuck is to be nominated for anything, it has to be the sound. From the cosmic elements in 'Act Three' to the dancing scenes in 'Acts Two & One,' Flanagan did an exceptional job incorporating the sound throughout.

Of course, everyone was focusing on Hiddleston and his character, but Tom even mentioned it was really a team effort in Act Two and Annalise Basso, Hiddleston's dance partner in Act Two, and Taylor Gordon (who is in the credits as The Pocket Queen), the busker, all three combined with their choreographers Mandy Moore & Stephanie Powell really make the dance scene sing. Taylor Gordon is a talent in herself in her brief, but excellent role.

What surprised me was how Act One was with young Chuck and no one talks about how excellent the kids were. Their performances were just as brilliant as the adults, if not more so when young Chuck receives a very haunting monologue from his grandfather (an unbelievable Mark Hamill) about certain choices in life. Act One really helps put the puzzle together that was Act Three, where the cosmic elements can be off-putting, but it all serves a purpose. Stephen King is right when he says The Life of Chuck is one of the good ones. The spirit and energy is felt from beginning to end, and with all on board performances giving their best, Flanagan is further establishing himself as one of contemporary's greater directors.

One thing I will say is The Life of Chuck is dedicated In Memory to Scott Wampler. And there are a few cameos in The Life of Chuck but Scott's inclusion just tugged me right at the heart. Great film.

There is a concept here about the truth: we live, and then we die, and because I know it's a movie based on a story by Stevn King it has me asking the question: which am I more afrriad of?

I know the ambiguous trailer did not seem like anything you would expect from a Steven King movie, but what I got is exactly why this dude is The Master of Horror.

Maybe I am reading too much into a film, possibly influenced far greater by Mike Flanagan's filmmaking, yet the emotion I felt for this movie was deep.

That's the brilliance of this movie, I felt something at the end, and it made me think, and it was beautiful for that.

It's everything I expected from a movie/

Adapting Stephen King to the screen is a tricky proposition and has rarely been successful. With the exception of Carrie (the original Brian DePalma is a horror classic) and possibly Kubrick s The Shining (which gets better with age and when looked at through an auteur's lens) the only successful adaptations IMHO have been his short stories and novellas (The Body/Stand By Me and Shawshank come immediately to mind). Life of Chuck falls into the latter category. In addition to being well written and acted, the telling of the story in reverse is generally difficult, and in this outing is surprisingly effective. And it's fun finding the Easter Eggs in the third part of the movie that explains much of the action in the first part.

I really liked this, though I fear it will be divisive. Nonlinear (or counter linear?) storytelling is not everyone's cup of tea. My husband hated it until I told him it's a Mike Flanagan movie (we're fans) and it then made sense. As mentioned, well acted. Well written. Well directed. Prettily photographed. The end of the first portion is a surprise (I will not give it away) that ties all three parts together.

IMO it's a worthwhile two hours spent in the dark with a room full of strangers.

This is a beautiful film. The pacing was perfect, with likeable characters. It doesn't spoil itself or its message, but rather gives you three acts leaving you pondering how everything weaves together.

I have pondered in my life why certain moments are impactful and have helped form me into the individual I am today. It feels like utter randomness, but that's the point isn't it. What matters to me...what gives me substance...is what makes me the unique person I am. It's the good, the bad, the meager, all of it that comes together to form our universe and reality as we know it. So I'll leave you with this: Be kind to yourself and others. Hug your loved ones, forgive those you can forgive, and when your expiration date comes accept and trust that your life was exactly as it was meant to be.

I so very much enjoy Tom Hiddleston in films. Karen Gillan is also a treat to watch in selected films. The rest of the cast is worth more than an honorable mention alone, as many familiar faces grace the screen (especially toward the beginning of the film). Lastly, I tend to love this 'type' of movie. I can't give too much away without using a spoiler tag, but if you watch the interview(s) with the cast featured here on IMDB, you'll know what "type" I am referring to. I wonder if I can get away with 'apocalyptic', since that is a word straight from one of these interviews.

That said ... it was a bit of a letdown for me.

The beginning was slow, but it was good. It built an expectancy toward so much more and a feeling that it was going to get so much better. Sadly, that was never fully realized or delivered.

Beginning in the second act, the film definitely starts to bog down and suffers from side or follow-up scenes that are just way too long and a bit far-fetched. The narration, too, is used far too often to the point of it just about verging on annoying.

By the third act, when they begin to introduce what is supposed to be the point of the entire thing, it has already been too bogged down by too much of not enough - if that makes sense. While the child actor is adorable and does so well, here too the movie just drags.

Moreover, everything is so overly-EXPLAINED. It's kind of like Flanagan did not trust the audience to understand what was happening, so either the narrator or characters went to great lengths to explain every detail. Well, while some may disagree, I believe audiences are more intelligent than this film gives them (us) credit for.

Sorry Mike Flanagan fans, but this is the third time I have been let down by one of his offerings. :(