Ein harter Polizist wird entsandt, um einen Serienmörder zu erledigen, der sich gegen Polizisten richtet.Ein harter Polizist wird entsandt, um einen Serienmörder zu erledigen, der sich gegen Polizisten richtet.Ein harter Polizist wird entsandt, um einen Serienmörder zu erledigen, der sich gegen Polizisten richtet.
- Regie
- Drehbuch
- Hauptbesetzung
Steven Harwood-Brown
- Metal
- (as Steven Harwood Brown)
Elly Fairman
- Sandra
- (as Ellie Fairman)
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Brant is a no nonsense copper. Frequently in trouble for violent conduct, he drinks hard, smokes where he likes and can't operate a computer and sees typing to be like cooking – women's work. He is pretty much on his last chance whenever someone start killing police officers. The killers calls himself Blitz and informs a journalist that he intends to kill 8 more officers; meanwhile Brant joins his boss Nash to try and catch the killer before he strikes again.
Bit of an odd film this; it sort of does enough to be entertaining but at the same time it seems to want to pull in a direction that doesn't really fit the material, while also rather fudging the darker drama that it also could have been. The end result is a bit of a muddle but it is solid enough to get by. The film starts with Brant taking on some yobs and then is followed by a scene of him being tough in the face of the department doctor – so far, so much to be expected. Unfortunately for the film, the rest of the plot doesn't really lend itself to this sort of cop – he feels like he would be more at home in more of an action movie. So when Brant is around the film is a little bit cheeky and a little bit tough, but otherwise it keeps taking odd paths. So for example the entire thread with Falls seems wasted – her drug use, her relationship, none of it seems to fit into the rest of the film.
This rather muddled feel also leads to the film not quite delivering in any specific way. It feels like it should be a tough-talking action movie, but yet it never becomes one. It feels like there are character-driven aspects to be had, but yet you never get to the heart of anything. It sort of does a bit of all of this well enough to get by – but this is what it is doing, getting by. The actors help it greatly, even if their presence may also have guiding the film down certain roads. I think this specifically about Statham who is a strength to the film while also being a possible factor for the confused approach. He does "Stratham" and does it well and kudos for a guy getting Hollywood money to be coming back to the UK to make movies. He is a real presence in the film but too much of it seems geared towards his performance when it should have gone other ways – he is still good, but he should have gone with the film, not the other way around. Considine must have signed on to a different script, because he literally does nothing here – such a great actor and he has a role that has so little to it that anyone could have done it. Gillen also seems to have a lack of material – he is OK but the film never lets him be more than who he is the first time we see him. Ashton is good as her struggling addict, but the film does nothing with her so her hard work is wasted. Morrissey has little to do – again I presume the script that he signed to was more intelligent that it turned out to be in the final version? Blitz is an OK film because the main plot is solid enough and Statham is grizzly enough to keep things going. However there is a lot of wasted potential here in the actors and in the various plot threads – it feels like they had more than just a basic police thriller in their script, made a better but more complex film but then ended up cutting it back to be a film that would appeal more to those coming to see a "Jason Statham film", even though bits of the previous film were still included whether they worked or not. Solid enough to fill the time, but somewhere in that editing room there is a much better film than this one.
Bit of an odd film this; it sort of does enough to be entertaining but at the same time it seems to want to pull in a direction that doesn't really fit the material, while also rather fudging the darker drama that it also could have been. The end result is a bit of a muddle but it is solid enough to get by. The film starts with Brant taking on some yobs and then is followed by a scene of him being tough in the face of the department doctor – so far, so much to be expected. Unfortunately for the film, the rest of the plot doesn't really lend itself to this sort of cop – he feels like he would be more at home in more of an action movie. So when Brant is around the film is a little bit cheeky and a little bit tough, but otherwise it keeps taking odd paths. So for example the entire thread with Falls seems wasted – her drug use, her relationship, none of it seems to fit into the rest of the film.
This rather muddled feel also leads to the film not quite delivering in any specific way. It feels like it should be a tough-talking action movie, but yet it never becomes one. It feels like there are character-driven aspects to be had, but yet you never get to the heart of anything. It sort of does a bit of all of this well enough to get by – but this is what it is doing, getting by. The actors help it greatly, even if their presence may also have guiding the film down certain roads. I think this specifically about Statham who is a strength to the film while also being a possible factor for the confused approach. He does "Stratham" and does it well and kudos for a guy getting Hollywood money to be coming back to the UK to make movies. He is a real presence in the film but too much of it seems geared towards his performance when it should have gone other ways – he is still good, but he should have gone with the film, not the other way around. Considine must have signed on to a different script, because he literally does nothing here – such a great actor and he has a role that has so little to it that anyone could have done it. Gillen also seems to have a lack of material – he is OK but the film never lets him be more than who he is the first time we see him. Ashton is good as her struggling addict, but the film does nothing with her so her hard work is wasted. Morrissey has little to do – again I presume the script that he signed to was more intelligent that it turned out to be in the final version? Blitz is an OK film because the main plot is solid enough and Statham is grizzly enough to keep things going. However there is a lot of wasted potential here in the actors and in the various plot threads – it feels like they had more than just a basic police thriller in their script, made a better but more complex film but then ended up cutting it back to be a film that would appeal more to those coming to see a "Jason Statham film", even though bits of the previous film were still included whether they worked or not. Solid enough to fill the time, but somewhere in that editing room there is a much better film than this one.
What saved this movie from being unwatchable, for me, was Statham's blatant character and the balls-to-the-wall performance of Aiden Gillen. I love Luke Evans and really like Paddy Considine, but I felt like virtually anyone could've played their roles, they were so uneventful. Zawe Ashton did great but the extensive drama of her character in the third act seemed gratuitous. The bits of action here and there were more for pacing sake and while effective were transient and too few. With the identity of the antagonist known pretty early on, I never really felt any suspense. It was like a drama with some violent scenes and emotional tension.
I had not heard anything about this movie before I watched it. Overall this film is a pleasant surprise. Jason Statham is good playing a similar type of role he has played before. The script is unique and is interesting the entire way. I would recommend this film.
A cop killing crim is giving the police the run around in old London town.
Blitz is a good movie that finally comes to life about 20 to 30 minutes in when we finally get to the main story. Once the chase is on with the odd couple partnership of tough rule breaking Tom Brant (Jason Statham) and gay straight laced Porter Nash (Paddy Considine) pursuing the cop killing criminal who's hungry for notoriety the Blitz (Aiden Gillen) the movie comes into it's stride. Before that we're inundated with so many characters it's a little confusing. What makes matters worse is that none of these side characters stories are ever really finished and the time wasted on them could have been spent giving a little more screen time to Porter Nash who is sadly underused.
Don't get me wrong though I enjoyed the film. Aiden Gillen is a brilliant bad guy, giving his character a Johnny Rotten swagger. I felt myself enjoying hating the Blitz and couldn't wait to see him get his just deserts but we could have done with getting a little more insight into his behaviour. Statham does a good job showing a little weakness now and then in his usually gruff demeanour. As I have already said Paddy Considine is great but not in it enough for my liking. London looks great and there is an exciting chase through the streets which is one of the high points of the movie.
I enjoyed the movie and would happily watch it again. It's biggest fault was trying to juggle too many story lines at once and unfortunately it dropped a couple of balls.
Blitz is a good movie that finally comes to life about 20 to 30 minutes in when we finally get to the main story. Once the chase is on with the odd couple partnership of tough rule breaking Tom Brant (Jason Statham) and gay straight laced Porter Nash (Paddy Considine) pursuing the cop killing criminal who's hungry for notoriety the Blitz (Aiden Gillen) the movie comes into it's stride. Before that we're inundated with so many characters it's a little confusing. What makes matters worse is that none of these side characters stories are ever really finished and the time wasted on them could have been spent giving a little more screen time to Porter Nash who is sadly underused.
Don't get me wrong though I enjoyed the film. Aiden Gillen is a brilliant bad guy, giving his character a Johnny Rotten swagger. I felt myself enjoying hating the Blitz and couldn't wait to see him get his just deserts but we could have done with getting a little more insight into his behaviour. Statham does a good job showing a little weakness now and then in his usually gruff demeanour. As I have already said Paddy Considine is great but not in it enough for my liking. London looks great and there is an exciting chase through the streets which is one of the high points of the movie.
I enjoyed the movie and would happily watch it again. It's biggest fault was trying to juggle too many story lines at once and unfortunately it dropped a couple of balls.
If you get a chance to read the novel written by Ken Bruen upon which this movie " Blitz " is based on, you will miss quite a lot in the transition. Even though the movie is graphic, the book is more so. In addition, the main character Detective Sergeant Tom Brant (Jason Statham) is definitely more violate and his partner DI Craig Stokes (Luke Evans) is revealed to be more incisive and meticulous. Indeed, the suspect called 'The Blitz' (Aidan Gillen) reads more intelligent, clever and evasive. Having read the book and seen the movie, I will say that both are dark and similar to the point of eeriness and memorable. The movie is a black insightful look into the mind of a serial killer and with Statham chasing him through the streets of London, far more exciting. The story is fraught with loose ends and indeed some are not resolved. Still, it is a good attempt of keeping the audience interested. Since Jason Statham is the leading man the finished product can be said to be dramatic enough to be recommended. ****
Wusstest du schon
- WissenswertesDetective Sergeant Tom Brant (portrayed in this movie by Jason Statham) is a character in a series of novels by Ken Bruen. This movie is an adaptation of one of them.
- PatzerWhen Radnor goes into the bathroom the brown envelope which Weiss steals after killing Radnor, the newspaper journalist, Dunlop, tells Brant & Nash about this. When Weiss is subsequently arrested with the envelope of cash, fingerprints would show Dunlop, Radnor, and Weiss had handled it, tying Weiss to Radnor's murder and giving them the connection to hold Weiss for questioning.
He *was* held for questioning, then released.
- VerbindungenFeatured in Live from Studio Five: Folge #1.27 (2009)
- SoundtracksTom Cat
Performed by The Qemists
Written by Liam Black (as L Black) / Leon Harris (as L Harris) / Daniel Arnold (as D Arnold)
Published by Just Isn't Music (PRS)
Licensed Courtesy of Ninja Tune
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Box Office
- Weltweiter Bruttoertrag
- 11.895.069 $
- Laufzeit1 Stunde 37 Minuten
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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What is the streaming release date of Blitz: Cop-Killer vs. Killer-Cop (2011) in Canada?
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