Die Schlange von Essex

A fine portrayal of religious superstition and rational thought colliding over unusual, unnerving and unexplained events. An intriguing, well paced story, with strong dialogue and scene-setting with no jarring exposition. Garden of Eden imagery abounds in the Cora serpent story, burgeoning relationships and the contrasting treatment of men and women.

A quality cast: Tom Hiddleston, known for range and ability, fulfils his reputation; Claire Danes is one-note, but Cora is unique and relatable, despite superficial similarities to Carrie Mathison (obsessed, troubled, flouts convention); Hayley Squires excels as the passionate, idealistic Martha, a whirlwind of confidence, character and charisma.

Fabulous cinematography employs unusual angles, especially the marshes' low level capture, presenting a gritty, sinister foreboding. Period trimmings work, with de rigueur frocks and interiors, despite some clear anachronistic choices.

This is marvellous TV.

I'm really not sure how I feel about this story but it isn't happy. I love period drama, I'd never heard of this, just found it and thought it looked good. I watched all six episodes today.

The score was beautiful, the cinematography and the costuming were wonderful. It was visually so pleasing no matter in the London slums or on the Essex marshes. I feel like some of the overview shots of the marshes were really marvelous.

I'm a fan of all the main actors: Posey, Danes, and Hiddleston and I feel like they did their best with the material. Posey was soooo underused though.

The story was so awful. It started out great but other reviewers have pointed out how implausible the relationship issues become in episode 4. By the end of the birthday party you pretty much know everything that will happen ... and it does. The story falls into predictable Victorian tropes and I feel really let down. In some ways, I finished it because I wanted to know what happened because I was hoping it would surprise me. It did not and the ending was wholly undeserved.

Started off well with a smooth flow of anticipative suspense and possibilities. Then it quickly regressed to absurdity where logical actions cease to exist. Not referring to idiotic superstitions nor content of plot. It had promise but 3 key events clearly exposed either lazy or imbecilic writing. It's incomprehensible that the key characters are unaware of all the signals of sexual tensions amongst the group. It's outrageous to even conceive the urgency to fornicate in wide open public view when one had just departed, and inches away, from a possible serious witch hunt crisis. Lastly, it's just nonsensical to earnestly reveal one's most protected vulnerability in a crime encounter when the perpetrator could have had been simply satisfied with his original demand instead of the victim's futile dramatics of defense resulting in the unnecessary. The series ended with an emotional feeling summation of what I would term, rubbish illogic.

First class production with Tom Huddleston and Clare Danes. A glimpse back to how life was lived before the modern age where life was lived around rumour and superstition. Religion versus science arguments against/for the serpent. Great acting and as mentioned Clare's English accent is spot on, although her hair colour is weird.

Very intriguing. I guess I can't fault people for their opinions but when I read so of the stuff on here sometimes I wonder what people expect out of these shows.

It's good. Makes we wonder what will happen next. I can't imagine the twist that's to come. Characters are diverse and seem to all have lives and their own struggles.

To me the show comments on society and each of the character's roles/struggles within.

In closing, the pace is slower than people are used to I guess. Their are 80 stars jockeying for screen time. No CGI monsters tearing the city apart. Just something pleasant to watch with a spouse or loved one on a Sunday afternoon.

Good show.