IMDb-BEWERTUNG
6,7/10
6475
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA Montreal high school student who believes he is the reincarnation of Lev Trotskiy starts a revolution against apathy among his fellow students.A Montreal high school student who believes he is the reincarnation of Lev Trotskiy starts a revolution against apathy among his fellow students.A Montreal high school student who believes he is the reincarnation of Lev Trotskiy starts a revolution against apathy among his fellow students.
- Auszeichnungen
- 9 Gewinne & 8 Nominierungen insgesamt
Dan Beirne
- Dan
- (as Daniel Beirne)
Empfohlene Bewertungen
Boredom and Apathy - that is what this movie is all about. (In my opinion)
The lead character Leon and his Trotsky obsession are actually symbolic of leadership. Trotsky dealt with apathy and boredom but found his means to manifest the phenomena of the Russian revolution. Leon must deal with apathy and boredom but will he become a leader?
The Odessa Steps dream sequences are a delightful and comical look into Leons head. The movie is worth seeing just for this!
I greatly enjoyed the skillful performances from each character. Their dialog is top notch and the director pulls this 'Trotsky' idea together nicely.
What is the fate of Leon - we will never know.
The lead character Leon and his Trotsky obsession are actually symbolic of leadership. Trotsky dealt with apathy and boredom but found his means to manifest the phenomena of the Russian revolution. Leon must deal with apathy and boredom but will he become a leader?
The Odessa Steps dream sequences are a delightful and comical look into Leons head. The movie is worth seeing just for this!
I greatly enjoyed the skillful performances from each character. Their dialog is top notch and the director pulls this 'Trotsky' idea together nicely.
What is the fate of Leon - we will never know.
Leon Bronstein (Jay Baruchel) is a gawky teen who idolizes Leon Trotsky and wants to unionize his father (Saul Rubinek)'s business. He hounds leftist lawyer Frank McGovern (Michael Murphy) unless he agrees to help. He meets older woman Alexandra Leith (Emily Hampshire). He is convinced that he is the reincarnation of Trotsky and she is Leon's first wife Aleksandra. Mocking his Trotsky reincarnation, his father takes him out of boarding school and put into a Montreal public high school. Principal Berkhoff (Colm Feore) runs a tight ship and they soon become adversaries. Leon needs to find his Lenin and joins the student union. He finds fascism in detention and tries to unionize his high school.
This is chalk full of charm. It's very cute with the awkward Jay Baruchel. He is adorably delusional. He's never annoying even though his character is stubbornly uncompromising. It could use a more comedic touch with the writing. The socialist references may go over most of the general public and it's not wacky enough for one of those crude teen comedies. It doesn't really fall into an easy category and it doesn't help that it is so laden with Canadiana. When it does go into wacky territories, it doesn't really do it in a LOL fashion. However its heart is in the right place and like Alexandra, one can't avoid the Leon storm and accept his insanity.
This is chalk full of charm. It's very cute with the awkward Jay Baruchel. He is adorably delusional. He's never annoying even though his character is stubbornly uncompromising. It could use a more comedic touch with the writing. The socialist references may go over most of the general public and it's not wacky enough for one of those crude teen comedies. It doesn't really fall into an easy category and it doesn't help that it is so laden with Canadiana. When it does go into wacky territories, it doesn't really do it in a LOL fashion. However its heart is in the right place and like Alexandra, one can't avoid the Leon storm and accept his insanity.
I went to see the film with no preconceived notions, having read no reviews and seen no previews, other than the one-liner in the newspaper.
I laughed very often during this hour and a half, in a good sense. Maybe it's because I'm an iconoclast, and I love political conversations in general but I thoroughly enjoyed the film, from the very first moment to the very end.
Youth today are often accused of being apathetic and this is a recurring theme here. Other than the fact that the main character seems a bit loopy, he remains adorable and not cartoonish as the other commentator posted.
On comparing this teenage flic with others, as a mature adult, I must say I liked this 10x more than even the best teenage flics, save one or two, such as Juno. The director refrains from delving TOO deeply in politics and drama, BECAUSE it's a teen flic. IMO the exact right amount of political insight was included.
Other than the main character, we get to see a distinct progression in the students' level of interest and involvement in their own destinies. This, even more than apathy, may be our society's greatest challenge, to allow youth to take part in the political game, in order that youth may sense that there IS hope for our future.
I laughed very often during this hour and a half, in a good sense. Maybe it's because I'm an iconoclast, and I love political conversations in general but I thoroughly enjoyed the film, from the very first moment to the very end.
Youth today are often accused of being apathetic and this is a recurring theme here. Other than the fact that the main character seems a bit loopy, he remains adorable and not cartoonish as the other commentator posted.
On comparing this teenage flic with others, as a mature adult, I must say I liked this 10x more than even the best teenage flics, save one or two, such as Juno. The director refrains from delving TOO deeply in politics and drama, BECAUSE it's a teen flic. IMO the exact right amount of political insight was included.
Other than the main character, we get to see a distinct progression in the students' level of interest and involvement in their own destinies. This, even more than apathy, may be our society's greatest challenge, to allow youth to take part in the political game, in order that youth may sense that there IS hope for our future.
The Trotsky is a teen-comedy with a hint of Goodbye Lenin's political satire and Charlie Bartlett's humour/plot. Although some of the acting seems mediocre, I enjoyed the film.
You don't need to understand the biography of Leon Trotsky, it explains it in a subtle way that is enough to enjoy the film, but doing research beforehand might be a decent idea.
Don't take this film too seriously, just enjoy it for what it is. It isn't like a normal film, it's sort of a modern teen-comedy about revolting against injustice, although the injustice is rather insignificant in the grand scheme of things.
Well-done, worth watching, but only if you have an open mind and enjoy quirky films about adolescent injustice.
You don't need to understand the biography of Leon Trotsky, it explains it in a subtle way that is enough to enjoy the film, but doing research beforehand might be a decent idea.
Don't take this film too seriously, just enjoy it for what it is. It isn't like a normal film, it's sort of a modern teen-comedy about revolting against injustice, although the injustice is rather insignificant in the grand scheme of things.
Well-done, worth watching, but only if you have an open mind and enjoy quirky films about adolescent injustice.
I enjoyed The Trotsky, most of it anyway. I liked the fact that it doesn't take its audience as complete illiterate and assumes that you would catch some of the historic references. I prefer that than having everything spelled out for me. Jay Baruchel is just creepy enough, without becoming really scary in his obsession with being the real Leon Trotsky. I was rather uncomfortable with the relationship with Alexandra; that was one of the drawbacks of the movie. I loved the portrayal of Montreal with the English and the French intermingling in conversation and everyday life - even if it's not at all the main point of the movie. My main critic would go to Geneviève Bujold, who plays a commissioner of the school board, or something like that. I don't think I've ever seen such overacting before. She was awful. I always heard people say how she was a great actress, well, I did not see that here. I could not stop thinking how bad she was every time she was opening her mouth. Even every gesture she was making was over the top. Anyways, she doesn't have a huge role, so it didn't really spoil the movie. All in all, I enjoyed it and I would see it again.
Wusstest du schon
- WissenswertesThe sign outside the school board building indicates that it's the "J. Parizeau English School Board", a deliberately-ludicrous name choice since Jacques Parizeau was a famous Québec sovereigntist, and a supporter of the provincial legislation that restricts access to English-language public schools.
- PatzerWhen Frank is telling Leon about his (Frank's) experience with protests in the U.S., his listing of events is comically inaccurate. For example, he says there were "massive demonstrations all over the U.S. during the middle of the Kennedy Administration" -- when protests over Vietnam did not begin until the Johnson Administration. He also says that "Woodstock and Patty Hearst" were contemporaneous when the Woodstock Festival was in 1969 and Patty Hearst was kidnapped in 1974.
- Crazy CreditsAfter credits a usually confused Leon is seen walking up to a bench and sitting on it in a jump suit.
- VerbindungenReferences Das zauberhafte Land (1939)
- SoundtracksABC's
Written by K'Naan (as Keiman Warsame), Gerald Eaton, Brian West
Sony ATV Music Publishing, Mawga Dawg Inc., World West Music Inc.
Performed by K'Naan
Under license from Universal Music Canada Inc.
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- 6.400.000 CA$ (geschätzt)
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