In diesem übernatürlichen Winterepos aus dem 19. Jahrhundert muss ein betrunkener Apfelschnapsverkäufer vom Nullpunkt zum Helden aufsteigen und Nordamerikas größter Pelzjäger werden, indem e... Alles lesenIn diesem übernatürlichen Winterepos aus dem 19. Jahrhundert muss ein betrunkener Apfelschnapsverkäufer vom Nullpunkt zum Helden aufsteigen und Nordamerikas größter Pelzjäger werden, indem er Hunderte von Bibern besiegt.In diesem übernatürlichen Winterepos aus dem 19. Jahrhundert muss ein betrunkener Apfelschnapsverkäufer vom Nullpunkt zum Helden aufsteigen und Nordamerikas größter Pelzjäger werden, indem er Hunderte von Bibern besiegt.
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- 22 Gewinne & 23 Nominierungen insgesamt
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A black and white, essentially silent film has never been this much fun, nor has it been crafted with such exuberant adolescent heart, yet Hundreds of Beavers channels all of its ambitious, lo-fi energy into one of the most exhilarating gut-busting films I've seen in quite some time. Scrabbled together with no money, six beaver costumes, and spare time with friends Mike Cheslik creates a Looney-Tunes-level physical comedy romp, enlisting endless sight gags and simple plot mechanics that only get bigger, better, and sillier. The one-note story of an applejack farmer becoming a master beaver hunter gets elevated by revenge, romance, and subtle intelligence, leading to a climax full of payoffs that have been carefully placed throughout its runtime, amplifying Hundreds of Beavers' ability and soul. While the film isn't necessarily an emotional one, I found myself moved, if not for the characters than for the filmmaking. With no studio backing or theatrical distribution, Hundreds of Beavers has nothing to leverage and nothing to sacrifice, it's inherently itself through and through to the very end. Doing so, it soars to such great giddy heights that it's unwaveringly momentous that so much imagination still exists and proves there's still so much more to make, a true testament to the power of visual storytelling.
This is probably one of the most creative bits of home brew filmmaking I've seen in quite a while.
Incredibly creative and funny. Wonderful gags from start to finish.
Unfortunately the film's greatest strength can also be its greatest weakness at times.
The choice to have no dialogue is fun, but it denies the opportunity for the film to slow down at any point. This results in the experience being a little exhausting.
Jokes that should be funny whiz by at times, since the brain is so overstimulated.
The non-stop, rapid fire pace can be greatly appreciated in short bursts, but if you hold down the trigger the barrel is going to overheat.
Still, greatly appreciated this movie. Plenty of laugh out loud moments. I have a soft spot in my heart for films like this where it's clear the people involved have a lot of passion and love for movies.
Highly recommend, probably going to check out "Lake Michigan Monster" next.
Cheers!
Incredibly creative and funny. Wonderful gags from start to finish.
Unfortunately the film's greatest strength can also be its greatest weakness at times.
The choice to have no dialogue is fun, but it denies the opportunity for the film to slow down at any point. This results in the experience being a little exhausting.
Jokes that should be funny whiz by at times, since the brain is so overstimulated.
The non-stop, rapid fire pace can be greatly appreciated in short bursts, but if you hold down the trigger the barrel is going to overheat.
Still, greatly appreciated this movie. Plenty of laugh out loud moments. I have a soft spot in my heart for films like this where it's clear the people involved have a lot of passion and love for movies.
Highly recommend, probably going to check out "Lake Michigan Monster" next.
Cheers!
Brilliant concept, and for a while it had some really funny moments. The problem is, an hour and forty eight minutes of slapstick leaves you feeling quite numb at the end. There is a reason why cartoons are short or why Three Stooges shorts are less than 15 minutes. You watch too many of them and the law of diminishing returns rears it's head and you end up tuning out. I found myself looking at my computer and looking up at the TV the last half hour or so. It's a shame because if this was edited a little bit tighter I might consider this for repeated viewing but this one is a "one and done" for me.
There are so many great old-school type gags running past the screen at full tilt, built-on or even combined in ways that I never saw coming, encouraging multiple viewings (which I will gladly do with giddy enthusiasm).
This flick is like a combination of the best classic cartoon skits, all mooched together, added with a hint of video-game logic, then stretched out into a full length feature, and somehow nailing it. With barely any downtime, it keeps upping the ante, getting more and more zany, yet always with a focused eye on the narrative. Not to mention, for such a small budget they really got the animated style down, with prefect settings or simple but effective tools, such as goofy costumes and multiple humorous props.
One of the most fun theatre experience I've had in quite a long time, the audience belly laughing the whole was trough.
This flick is like a combination of the best classic cartoon skits, all mooched together, added with a hint of video-game logic, then stretched out into a full length feature, and somehow nailing it. With barely any downtime, it keeps upping the ante, getting more and more zany, yet always with a focused eye on the narrative. Not to mention, for such a small budget they really got the animated style down, with prefect settings or simple but effective tools, such as goofy costumes and multiple humorous props.
One of the most fun theatre experience I've had in quite a long time, the audience belly laughing the whole was trough.
Endlessly inventive in the style of a 1920's silent movie, Hundreds of Beavers asks the question, what do you get when you cross Wile E Coyote with Buster Keaton and set him loose in the wilds of a Wisconsin winter? The answer is a damn good time despite - and in some cases because of - the low budget effects and cheap production values.
Blending animation with live footage, the movie is a series of pratfalls, skits and visual gags that could just as easily be tasks in a video game, or else a drunken dream brought on by imbibing too much cider.
Humans wearing animal onesies are a terrific stand-in for anthropomorphized cartoon characters. Similarly, the fact that the over the top violence more often than not results in death also seems more appropriate to the live action genre.
It's unlikely that Disney will come calling anytime soon (unless they discover a market for a pole dancing princess), which means you'll just have to take a chance and discover the charm of this movie's raw, unpolished nature on your own.
Blending animation with live footage, the movie is a series of pratfalls, skits and visual gags that could just as easily be tasks in a video game, or else a drunken dream brought on by imbibing too much cider.
Humans wearing animal onesies are a terrific stand-in for anthropomorphized cartoon characters. Similarly, the fact that the over the top violence more often than not results in death also seems more appropriate to the live action genre.
It's unlikely that Disney will come calling anytime soon (unless they discover a market for a pole dancing princess), which means you'll just have to take a chance and discover the charm of this movie's raw, unpolished nature on your own.
Wusstest du schon
- WissenswertesThe film's estimated budget was around $150,000. Director Mike Cheslik estimated that the mascot costumes cost around $10,000, and the crew bought all of the costumes online.
- PatzerAt several points, characters use castor oil instead of castoreum. Castoreum is a musky substance that beavers produce to mark territory. Castor oil is a product of the castor bean and is unrelated to beavers.
- Zitate
Lawyer Beaver: [chatters in beaver language] J'accuse!
- VerbindungenReferenced in Film Junk Podcast: Episode 940: Immaculate (2024)
- SoundtracksJean Kayak and His Acme Applejack
Written and produced by Wayne Tews
Engineered and Co-Produced by Karl Landwehr
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Cientos de castores
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 150.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 731.574 $
- Eröffnungswochenende in den USA und in Kanada
- 4.625 $
- 28. Jan. 2024
- Weltweiter Bruttoertrag
- 1.248.740 $
- Laufzeit1 Stunde 48 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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