Spielzeugland

"Toyland" is a film that works so brilliantly that it managed to be powerful, thought-provoking and even gut-wrenching than most Hollywood films that are 8 to 10 times longer. With sparse dialogue, director Jochen Alexander Freydank keeps us hooked throughout this superb short film.

Set during the Holocaust, a German woman frantically searches for her son, who might have decided to accompany his Jewish neighbors to a Nazi concentration camp because the Jewish family's young son and her son are best friends.

The film is elegantly shot and wonderfully acted. There is more poignancy and true emotion in this film than I have seen in most Hollywood films in recent times.

Director Freydank moves his story along, with us always wondering not only what comes next but how this is going to end. And then comes the denouement: A truly remarkable twist that says much about the human spirit. It is a moment that will break your heart while simultaneously make you smile.

If you have the chance to see this, and the other Oscar-nominated live action shorts, do yourself a favor and watch them. Believe me, it will be time much better spent than, say, on "New In Town" or most any other mainstream Hollywood film.

the films about Shoah are many. but "Toyland" is different. for its intensity. for its switch. for the exploration of an explanation and a fundamental decision. and, sure, for something who remains out of words. because it is a film about hope. and about miracle in a form who seems so easy to define than remains deep way impressive. a mother, her son, theirs neighbors.and a piano. nothing more but enough for a so intense film, profound provocative, than it becomes a serious challenge for the viewer. to become himself. in better version.

The moment I heard melancholy piano instrumental played on the background, I felt to be pulled by a film. From a German language actress speaks and her serious reaction to the missing son, I soon noticed it is a story about The Holocaust. At first, it is slightly difficult to follow the story, because it is told from two perspectives of German mother and David, her son, in two timelines. The first scene starts with David's mother going to find David, who is seemingly captured by SS. In the next scene of David and Heinrich playing the piano together, we finally understand why David is missing. One of the most impressive moments is the interaction between the mother and David. The mother cannot honestly tell David the cruel truth about entrainment of Jewish, and instead lies that they will go to "Toyland." Watching unsatisfied David and the conversation between David and Heinrich, Jewish friend of David, we come to see why David vanishes from his bed. On the latter part, I was really thrilled by the struggle to reach David by his mother. In every sequence such as finding the teddy bear, being suspected as Jewish by the police, and final arrival to the train where David is, the contents are considerably concentrated, and I couldn't avert my eyes.

Today I went with three friends to a special showing of all the films nominated for the 2009 Oscar for Best Live Action Short. Oddly, the four of us were in pretty much agreement about the films. Our pick for best of the nominees was PIG ("Grisen"), though ON THE LINE ("Auf der Strecke") was a very good film and is nearly as deserving of the award. We predicted that TOYLAND ("Spielzeugland"), however, will win the award because it's the sort of the film the Academy tends to like AND because PIG might ruffle some feathers because it is not "politically correct". I'll update this review after the awards are given.

TOYLAND is a film set during the Nazi era. A boy asks his mother about why all his neighbors (all Jews) are disappearing. She explains that everything is okay and that they have gone to "Toyland". Unfortunately, it sounds like such a nice place that the kid hopes to go there, too, and the film begins with him sneaking off with a shipment of Jews to the concentration camps because he wants to visit this magical place.

Much of the film consists of the mother trying to find the boy and eventually the SS officers help her to try to locate the boy. This all ends in a marvelous twist that I won't reveal here, but this twist takes the film from the ordinary to the extraordinary.

A lovely film that will probably win--in part, because the film is about an important subject that the Academy seems to like, the Holocaust (and highly reminiscent of LIFE IS BEAUTIFUL), and in part because it is so exceptionally well-crafted from start to finish. My only reservation is that the print was awfully dark--practically everything looked black at times. Perhaps it was just a bad print.

UPDATE: It's official, TOYLAND is the winner. This didn't surprise me at all and it was well deserving of the award, though I was still pulling for PIG to take the honors.

I just saw Spielzeugland and recognized the whole plot almost from the beginning. I am positive I've seen it before, or read it. Does anyone else remember it? There was a Q&A with the writer and he didn't mention getting the plot from somewhere else. Anyone out there know this story from a maybe book or a t.v. show? That said, I did find it very moving and upsetting. The actress who played the mother did a fine job, as did the piano teacher. People may say holocaust-themed movies are overdone, but I don't think so; that era needs to be kept alive in peoples' minds so that it doesn't fade into oblivion as the final survivors die out. It's hard to believe the entire film is only l4 minutes long.