Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.
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The music is the best part of the movie. I loved the 80s themed soundtrack, especially during the pool scene. The movie slowly ramps up tension and when it hits full bore it never stops. Its relenting. The characters do stupid things of course, but that's par for the course for these movies. In the end you do care enough to want them to survive . I admit the film doesn't really bring anything new to the table, but what it does bring it does really well. I'd recommend to fans of the slasher genre and of the original movie.
Definitely worth a watch. The direction, the soundtrack, the dread and twists all make this a very thrilling watch
underrated for sure!
FILM: 5.5
As I settled in for my first watch of The Strangers: Prey at Night, I couldn't help but think of its predecessor, a nerve-wracking journey into terror that gripped audiences with its slow-burning intensity. With such a solid foundation, a sequel seemed inevitable, yet it took a decade to materialise-a delay that left me wondering if it would live up to expectations.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
I'm so often a lot kinder on films then many reviewers, but this was a genuinely terrible movie. The first one was successful in that it had a degree of subtlety, the couple were quietly terrorised, it built a tension, and had you feeling unnerved. This was a blunt, brash, dreadful attempt to drag further life out of a franchise long since past its sell by date. One or two good scenes I guess, but the Strangers literally became super villains.
It's a disaster. 3/10
It's a disaster. 3/10
Wusstest du schon
- WissenswertesBefore the script was re-written, Kristen McKay (Liv Tyler) from the first film was going to return for only for the opening scene, where she would be killed.
- PatzerDuring the shot when the trucks explodes from the gasoline, it is clear that "The Stranger" is not actually in the truck. The next shot has him back in the vehicle.
- Alternative VersionenThere is an Unrated Version that runs for 86 minutes on the U.S. Blu-ray which also contains an alternate ending as a bonus feature.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Strangers: Prey at Night (2018)
- SoundtracksKids in America
Performed by Kim Wilde
Written by Marty Wilde, Ricki Wilde (as Ricky Wilde)
Licensed courtesy of Rak Publishing/Cherry Red Records
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Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.586.708 $
- Eröffnungswochenende in den USA und in Kanada
- 10.402.271 $
- 11. März 2018
- Weltweiter Bruttoertrag
- 31.039.126 $
- Laufzeit
- 1 Std. 25 Min.(85 min)
- Farbe
- Seitenverhältnis
- 2.39 : 1
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