IMDb-BEWERTUNG
5,3/10
38.366
IHRE BEWERTUNG
Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.Eine vierköpfige Familie, die für die Nacht in einem abgelegenen Wohnmobilpark übernachtet, wird von drei maskierten Psychopathen erst belästigt und dann gejagt.
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Why do I listen to you, people? You are all wrong about this one and I didn't watch it before because I was stupid enough to believe in reviews and other people's tastes.
It's a completely different film than the first one and the set-up is a bit rough, I will give you that. Now...as soon as the family arrives at that camp, holy moly! I know I am a horror unapologetic fan, so I know that I got lots of references/homage that probably others didn't. However, even forgetting that, have you seen that camera movement? The music? The atmosphere? The fear? The acting? The jump scares? How does it play with darkness and light?
Tense as hell, this film never lets you breathe in the last 40 minutes, always playing with high stakes that make you believe that anyone can die. The pool scene and the police car scene alone are enough to recommend this movie every day of my life.
It's a completely different film than the first one and the set-up is a bit rough, I will give you that. Now...as soon as the family arrives at that camp, holy moly! I know I am a horror unapologetic fan, so I know that I got lots of references/homage that probably others didn't. However, even forgetting that, have you seen that camera movement? The music? The atmosphere? The fear? The acting? The jump scares? How does it play with darkness and light?
Tense as hell, this film never lets you breathe in the last 40 minutes, always playing with high stakes that make you believe that anyone can die. The pool scene and the police car scene alone are enough to recommend this movie every day of my life.
Let me be clear I HATED The Strangers (2008) and certainly didn't expect them to make a sequel a full decade later.
I'm not entirely sure what it was about the first movie, but it just came across as entirely one sided devoid of purpose and basically plot torture porn and that did nothing for me.
This time around we see a family set up camp in a trailer park only to come under siege by the same three masked psychotics. Among them the stunning Christina Hendricks and former child star Bailee Madison.
Thankfully what we're presented with isn't so one sided and does have a plot. Sure the plot is the time honored generic slasher one but it's a plot all the same.
So what does it have going for it? Well for a start the soundtrack is great as is the score. It fits the movie perfectly and is refreshingly retro. Ontop of that we have some great cinematography, the movie certainly has style.
So it looks great, it sounds great and we have Hendricks on board. So what went wrong? Well other than it being generic, Hendricks isn't the big character you'd imagine so forget about her being the leading lady. To make matters worse it falls into many of the standard slasher pitfalls so we've seen the majority of it before.
This is a vast improvement over the first movie, but it's still just another slasher.
The Good:
Christina Hendricks
A few decent shots
Fitting soundtrack
The Bad:
Christina Hendricks is wasted
Generic stuff
Things I Learnt From This Movie:
I'm glad I'm not the only one who awkwardly laughs when in pain
If they keep up with the improvements they might have an average movie eventually
I'm not entirely sure what it was about the first movie, but it just came across as entirely one sided devoid of purpose and basically plot torture porn and that did nothing for me.
This time around we see a family set up camp in a trailer park only to come under siege by the same three masked psychotics. Among them the stunning Christina Hendricks and former child star Bailee Madison.
Thankfully what we're presented with isn't so one sided and does have a plot. Sure the plot is the time honored generic slasher one but it's a plot all the same.
So what does it have going for it? Well for a start the soundtrack is great as is the score. It fits the movie perfectly and is refreshingly retro. Ontop of that we have some great cinematography, the movie certainly has style.
So it looks great, it sounds great and we have Hendricks on board. So what went wrong? Well other than it being generic, Hendricks isn't the big character you'd imagine so forget about her being the leading lady. To make matters worse it falls into many of the standard slasher pitfalls so we've seen the majority of it before.
This is a vast improvement over the first movie, but it's still just another slasher.
The Good:
Christina Hendricks
A few decent shots
Fitting soundtrack
The Bad:
Christina Hendricks is wasted
Generic stuff
Things I Learnt From This Movie:
I'm glad I'm not the only one who awkwardly laughs when in pain
If they keep up with the improvements they might have an average movie eventually
FILM: 5.5
As I settled in for my first watch of The Strangers: Prey at Night, I couldn't help but think of its predecessor, a nerve-wracking journey into terror that gripped audiences with its slow-burning intensity. With such a solid foundation, a sequel seemed inevitable, yet it took a decade to materialise-a delay that left me wondering if it would live up to expectations.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
Unfortunately, my anticipation was met with disappointment. The film feels like a missed opportunity, failing to recapture the tension and suspense of the original. Instead, it relies on tired horror tropes, with characters devolving into predictable brainless stereotypes once the violence begins.
While Christina Hendricks and Martin Henderson deliver solid performances, they're given little to work with, leaving their potential untapped. Bailee Madison, who receives the most screen time, sees her character's development squandered as the story progresses. However, Lewis Pullman injects some much-needed vitality into his role, offering a glimmer of hope amidst the mediocrity.
The recasting of the psychopaths neither enhances nor detracts from the film, leaving their performances largely forgettable. Additionally, the decision to adopt an 80s aesthetic feels misplaced, especially considering the lack of a period setting. Had the filmmakers fully committed to this theme, ditching modern technology and amplifying the era's cultural elements, it might have provided a fresh angle to an otherwise uninspired narrative.
Overall, The Strangers: Prey at Night falls short of its predecessor's success, delivering a middling horror experience that fails to leave a lasting impression. While it may offer some fleeting moments of tension, they're overshadowed by its inability to break free from genre clichés.
FORMAT: Blu-ray
VIDEO: 8.5 1080/24p presentation Detail level: Good Colour reproduction: Excellent Level accuracy: Good Encode: Excellent Master condition: Excellent
AUDIO: 9.5 DTS-HD MA 5.1 audio Dialogue reproduction: Excellent Soundtrack & effects clarity: Excellent Dynamics: Excellent Surround sound presentation: Good LFE content: Excellent
MOOFIEMETER: 5.0.
"The Strangers: Prey at Night" is another unoriginal and stupid slasher, with a storyline that is on the shelf of any mediocre screenwriter ready to be reprocessed and usually said "based on true events". The most impressive is that even this type of storyline is able to produce good and scary low-budget slashers, such as the French-Romanian "Ils" ("Them" - 2006) or the Austrian "Funny Games" (1997) by Michael Haneke. Both films are tense and make the viewer nervous with the frightening atmospheres. The cruelty in "Funny Games" is impressively cold and therefore horrifying.
In "The Strangers: Prey at Night", there is no character development or motive and the situations are stupid with many cliches. The family splits in the beginning, aware that their relatives have been slaughtered, instead of immediately driving to the police station. The father sees what happened to his wife, but does not shoot the killer. The survivors have many chances to leave the camping area and to possess weapon, but are surprised in the most clichés situations. The police officer has his throat cut in another typical clichés, when the good girl believes that is safe. Advice when most needed is least heeded, but do not spend your time watching this movie. There are much better options in the genre. My vote is three.
Title (Brazil): "Os Estranhos: Caçada Noturna" ("The Strangers: Prey at Night")
In "The Strangers: Prey at Night", there is no character development or motive and the situations are stupid with many cliches. The family splits in the beginning, aware that their relatives have been slaughtered, instead of immediately driving to the police station. The father sees what happened to his wife, but does not shoot the killer. The survivors have many chances to leave the camping area and to possess weapon, but are surprised in the most clichés situations. The police officer has his throat cut in another typical clichés, when the good girl believes that is safe. Advice when most needed is least heeded, but do not spend your time watching this movie. There are much better options in the genre. My vote is three.
Title (Brazil): "Os Estranhos: Caçada Noturna" ("The Strangers: Prey at Night")
Definitely worth a watch. The direction, the soundtrack, the dread and twists all make this a very thrilling watch
underrated for sure!
Wusstest du schon
- WissenswertesBefore the script was re-written, Kristen McKay (Liv Tyler) from the first film was going to return for only for the opening scene, where she would be killed.
- PatzerDuring the shot when the trucks explodes from the gasoline, it is clear that "The Stranger" is not actually in the truck. The next shot has him back in the vehicle.
- Alternative VersionenThere is an Unrated Version that runs for 86 minutes on the U.S. Blu-ray which also contains an alternate ending as a bonus feature.
- VerbindungenFeatured in Chris Stuckmann Movie Reviews: The Strangers: Prey at Night (2018)
- SoundtracksKids in America
Performed by Kim Wilde
Written by Marty Wilde, Ricki Wilde (as Ricky Wilde)
Licensed courtesy of Rak Publishing/Cherry Red Records
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- Will there be a prequel or a sequel?
- What true story is this supposedly based upon?
Details
Box Office
- Budget
- 5.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.586.708 $
- Eröffnungswochenende in den USA und in Kanada
- 10.402.271 $
- 11. März 2018
- Weltweiter Bruttoertrag
- 31.039.126 $
- Laufzeit1 Stunde 25 Minuten
- Farbe
- Seitenverhältnis
- 2.39 : 1
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What is the streaming release date of The Strangers - Opfernacht (2018) in Australia?
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