Ein moderner Avatar des Hindu-Gottes Vishnu, der auf die Erde herabgestiegen sein soll, um die Welt vor bösen Mächten zu schützen.Ein moderner Avatar des Hindu-Gottes Vishnu, der auf die Erde herabgestiegen sein soll, um die Welt vor bösen Mächten zu schützen.Ein moderner Avatar des Hindu-Gottes Vishnu, der auf die Erde herabgestiegen sein soll, um die Welt vor bösen Mächten zu schützen.
- Auszeichnungen
- 4 Nominierungen insgesamt
Keerthy Suresh
- Bujji
- (Synchronisation)
Empfohlene Bewertungen
Its very tricky to do justice to a big story in time limits of a regular movie but this does have that balance in first released part.
Good: Some key flashback context like combat b/w arjun & Karn were spot on , Story is gripping, Visuals are amazing.
Thing that can be better : Prabhas in first part , maybe they could have gone with usual dubbing of Sharad kelkar in Hindi , though time is given to build character in first half but apart from Amitabh Ji no one is able to justice to it and create connect that why first half seems boring at least in Hindi. Action is there in 1st half as well but its some thing once might want to skip but in 2nd Half you don't want to miss it.
Overall its a good blend of Indian mythology with Starwars+Scifi post apocalyptic movie.
What totally went over my head : Prabhas transition from Kal Bhairava to Karna.
Good: Some key flashback context like combat b/w arjun & Karn were spot on , Story is gripping, Visuals are amazing.
Thing that can be better : Prabhas in first part , maybe they could have gone with usual dubbing of Sharad kelkar in Hindi , though time is given to build character in first half but apart from Amitabh Ji no one is able to justice to it and create connect that why first half seems boring at least in Hindi. Action is there in 1st half as well but its some thing once might want to skip but in 2nd Half you don't want to miss it.
Overall its a good blend of Indian mythology with Starwars+Scifi post apocalyptic movie.
What totally went over my head : Prabhas transition from Kal Bhairava to Karna.
Buckle up for a roller-coaster ride through cinematic chaos! The story idea is an absolute gem, brimming with potential, and the characters are nothing short of a casting director's dream-each one brimming with pizzazz and personality. But alas, their development seems to have been left in the microwave a bit too long, coming out half-baked.
The screenplay? It's flatter than a week-old soda. Though, I must admit, it does have its fizz in a few key moments, like the interval and the climax.
Dialogues? Let's just say they won't be winning any literary awards.
Now, onto the comedy-it's the kind that instead of tickling your funny bone, it goes straight for the jugular, and not in a good way. The world-building feels like it was put together with duct tape and imagination, lacking the immersive magic we hoped for.
But let's talk about the legendary Amitabh Bachchan, who is stellar as always.
Prabhas gives it his all, bless his heart.
Kamal Hassan makes a brief yet dazzling appearance, hinting at more brilliance in the next instalment.
Saswata Chatterjee? He brings his A-game, no doubt about it.
Deepika Padukone looks fine and delivers a decent performance, and her Telugu dubbing is better than that in the trailer.
Disha Patani is scorching enough to set the screen on fire in her limited screen time.
The rest of the cast, including Pashupati, Shobhana and Rajendra Prasad put in decent efforts. However, the film is sprinkled with cameos like confetti at a surprise party-most of which are more of a head-scratcher than a treat.
The action scenes? They're as disappointing as a soggy French fry.
Cinematography is serviceable, background music hits the right notes, but the songs miss the mark.
Production values are respectable, but direction sails somewhere in the middling seas of mediocrity.
Some VFX are eye-poppingly good, though.
Overall, it's a mixed bag of delights and letdowns-a cinematic hotpot where the ingredients are only half-cooked. Enjoy it for what it is, but don't be surprised if you leave the theater feeling a little unsatisfied.
The screenplay? It's flatter than a week-old soda. Though, I must admit, it does have its fizz in a few key moments, like the interval and the climax.
Dialogues? Let's just say they won't be winning any literary awards.
Now, onto the comedy-it's the kind that instead of tickling your funny bone, it goes straight for the jugular, and not in a good way. The world-building feels like it was put together with duct tape and imagination, lacking the immersive magic we hoped for.
But let's talk about the legendary Amitabh Bachchan, who is stellar as always.
Prabhas gives it his all, bless his heart.
Kamal Hassan makes a brief yet dazzling appearance, hinting at more brilliance in the next instalment.
Saswata Chatterjee? He brings his A-game, no doubt about it.
Deepika Padukone looks fine and delivers a decent performance, and her Telugu dubbing is better than that in the trailer.
Disha Patani is scorching enough to set the screen on fire in her limited screen time.
The rest of the cast, including Pashupati, Shobhana and Rajendra Prasad put in decent efforts. However, the film is sprinkled with cameos like confetti at a surprise party-most of which are more of a head-scratcher than a treat.
The action scenes? They're as disappointing as a soggy French fry.
Cinematography is serviceable, background music hits the right notes, but the songs miss the mark.
Production values are respectable, but direction sails somewhere in the middling seas of mediocrity.
Some VFX are eye-poppingly good, though.
Overall, it's a mixed bag of delights and letdowns-a cinematic hotpot where the ingredients are only half-cooked. Enjoy it for what it is, but don't be surprised if you leave the theater feeling a little unsatisfied.
The soaring epicness of second part of the film and the excellent climax were tainted by bloated, boring and technically terrible first half. It had cringe dialogues, poorly choreographed action scenes and unnecessary subplots.
The props used throughout the movie looked like cheap foam. There was too much "inspiration" drawn from Hollywood movies.
The first attempt from Nag Ashwin is average at best. I hope he improves significantly in the second part of this film. To do so, he should focus on Mahabharata and adapt it as faithfully as possible. The sci-fi elements of the movie were most disappointing, whereas, the characters from the great epic were thoroughly exhilarating!
The props used throughout the movie looked like cheap foam. There was too much "inspiration" drawn from Hollywood movies.
The first attempt from Nag Ashwin is average at best. I hope he improves significantly in the second part of this film. To do so, he should focus on Mahabharata and adapt it as faithfully as possible. The sci-fi elements of the movie were most disappointing, whereas, the characters from the great epic were thoroughly exhilarating!
This is just a replica of Star wars movie... The supream leader will look you like emperor palpatine. Most of the technology and scene and army build up are already there in Star Wars Series.. So if you have watched lots of Hollywood movies you will not feel that you are watching this kind of movie first time.
Good side is that Kalki is the first movie in Indian cinema which have this level of VFX which can completely give a better competition to any Hollywood science fiction movies.
Story line of this movie could be much better but and it's taken 3 hour but only very few things we have experienced in the story.
Good side is that Kalki is the first movie in Indian cinema which have this level of VFX which can completely give a better competition to any Hollywood science fiction movies.
Story line of this movie could be much better but and it's taken 3 hour but only very few things we have experienced in the story.
#Kalki2898AD is a larger than life Sci-FI Action Experience. The visuals and world building by Nag Ashwin are never before from Indian Cinema. However, Nag Ashwin shows some inexperience in building a proper drama and emotional connect with somewhat of a flat screenplay.
SaNA did a very good job with the BGM in certain places but in others it was just adequate.
Prabhas had limited screen time in this one but did a good job in a fun character and gives a big fan worthy sequence in the climax
The rest of the cast especially Amitabh and Deepika have done and take up majority of the screenspace.
Still, he was able to manage a couple of very good blocks especially the climax which worked very well and is goosebumps worthy.
All the cameos are wasted except Vijay Deverakondas his cameo is very odd 🔥🔥.
Despite some of its flaws, This is a movie that should be experienced on the big screen for the experience it offers!
SaNA did a very good job with the BGM in certain places but in others it was just adequate.
Prabhas had limited screen time in this one but did a good job in a fun character and gives a big fan worthy sequence in the climax
The rest of the cast especially Amitabh and Deepika have done and take up majority of the screenspace.
Still, he was able to manage a couple of very good blocks especially the climax which worked very well and is goosebumps worthy.
All the cameos are wasted except Vijay Deverakondas his cameo is very odd 🔥🔥.
Despite some of its flaws, This is a movie that should be experienced on the big screen for the experience it offers!
'Kalki 2898 AD' Director Nag Ashwin: On the Scene
'Kalki 2898 AD' Director Nag Ashwin: On the Scene
Kalki 2898 AD director Nag Ashwin takes us through the journey of making his film with an ensemble star cast. From his personal favorite cameos to the biggest challenges on set, he shares it all!
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- WissenswertesFuturistic vehicles shown in the film were not based on CGI effects.But created by Mahindra And Mahindra Company with technical support provided by Anand Mahindra.
- PatzerLord Krishna is shown wearing the sacred thread the wrong way around.
- Alternative VersionenThe OTT version has been trimmed by about 6 minutes from its original 3 hours and 1 minute runtime, now clocking in at 2 hours and 55 minutes. Following were the changes:
- Prabhas' extensive introduction scene was trimmed to streamline the experience.A segment where an elderly woman and a villain refer to Prabhas as Kappa (frog) has been removed, along with related scenes.
- The fight that follows his introduction, featuring Prabhas against two heavy men, was shortened.
- The 'Ta Takkara' song saw some beach scenes trimmed, and the entire sequence with Prabhas in a maroon outfit after being expelled by Colony security was deleted.
- The interval scene, where Deepika Padukone strides through a fiery tunnel, now includes new lyrics to the Theme of Kalki, and the interval card has been completely removed.
- Minor tweaks were also made to the dubbing for a smoother viewing experience.
- VerbindungenSpin-off B & B: Bujji and Bhairava (2024)
- SoundtracksBhairava Anthem (Telugu)
Music by Santhosh Narayanan
Lyrics by Ramjogayya Sastry
Vocals by Deepak Blue & Diljit Dosanjh
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Details
Box Office
- Budget
- 6.000.000.000 ₹ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 18.289.575 $
- Eröffnungswochenende in den USA und in Kanada
- 5.668.275 $
- 30. Juni 2024
- Weltweiter Bruttoertrag
- 125.857.438 $
- Laufzeit3 Stunden
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1
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