Füge eine Handlung in deiner Sprache hinzuTells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.Tells the history and importance of The National Film Registry, a roll call of American cinema treasures that reflects the diversity of film, and indeed the American experience itself.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 3 Gewinne & 1 Nominierung insgesamt
- Self
- (Archivfilmmaterial)
Empfohlene Bewertungen
For a basic plot summary, "These Shadows" describes how certain films (voted on by a panel of motion picture luminaries) are currently being preserved in the Library of Congress (or our "national library") for future posterity. However, problems often exist in restoring the original negatives of even such classic pictures as "Gone With The Wind" or "The Wizard of Oz".
"These Shadows" takes very much of a "big picture" look at film preservation. While it could have spent hours on the fascinating topic of the physical restoration process itself, the filmmakers instead give an overview of the entire Library of Congress process, from its beginning (aka finding the funding) to which movies are selected and finally to how the overall scheme of things will proceed into the future. Any one of these areas could have been focused on in their own documentaries, but here they are condensed into the overall narrative of the project.
Overall, then, this is a fun little documentary that introduces us to the very concept of preserving motion pictures as we would other works of art or historic culture. Anyone who enjoys the film arts will likely agree that its place in our own national culture is very deserving.
I was not aware of the history of the registry or how films were chosen to appear on it. Obviously, it makes sense that "Citizen Kane" and "Casablanca" were on there, but I found it much more interesting how the obscure and offbeat get on there. And films from the 1990s, which had relatively little time to become historic...
After seeing this, I have a new-found respect for the list and will have to make a point in tracking down the titles on it. While I have made a point of looking for old Oscar winners, this might be more representative of real American cinema history.
*** 1/2 (out of 4)
Wonderfully entertaining documentary taking a look at the National Film Registry, its history and what the group hopes to happen going forward. A brief history is given at the start of the movie but basically in the 1980s Ted Turner bought the MGM library and immediately started colorizing movies. Various Hollywood types including Woody Allen and James Stewart went to Congress to talk about the importance of movies and in 1989 this registry was formed so that we can save future generations movies. The only real negative thing that can be said about this film is that it's way too short even at 92-minutes. I think the most fascinating stuff happens early on when we see the history of the registry and we even get to hear how the twenty-five movies are selected each year. I think this here is the greatest part of the movie because we get to see what type of movies they're looking for and what it takes to get in. There's also an interesting topic going over preservation and why this here is so important and especially when you consider that 80% of silent movies are now lost. Rob Reiner, Christopher Nolan, John Waters, George Takei and Tim Roth are just a few of the famous faces on hand talking about preservation. Many others including people on the board are also interviewed and they talk about some of their favorite films as well as films that they got into the registry. We also have a section devoted to some of the controversial movies including THE BIRTH OF A NATION and THE SEARCHERS. Overall, this is a very entertaining documentary that film buffs are going to love and if you're new to classic cinema this will be a very good place to get some great recommendations.
Wusstest du schon
- WissenswertesAt the Library of Congress, the vaults that hold the highly flammable nitrocellulose footage are maintained at 39 degrees F, and 30% relative humidity.
- Zitate
[first lines]
John Ptak: There is nothing like going to a theater, a communal atmosphere, watching something that is bigger than life.
Robin Blaetz: It's dark, you don't look at anybody...
John Ptak: And then the movie started, and it was really, really magical.
- VerbindungenFeatures Blacksmith Scene (1893)
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Sprache
- Auch bekannt als
- Lost Forever
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 250.000 $ (geschätzt)