In den 60er Jahren kollaborieren die Mutanten Charles Xavier und Erik Lehnsherr, um ihresgleichen zu finden. Die leidvolle Biographie Eriks birgt jedoch andere Motive, welche die Partnerscha... Alles lesenIn den 60er Jahren kollaborieren die Mutanten Charles Xavier und Erik Lehnsherr, um ihresgleichen zu finden. Die leidvolle Biographie Eriks birgt jedoch andere Motive, welche die Partnerschaft der beiden zerstören kann.In den 60er Jahren kollaborieren die Mutanten Charles Xavier und Erik Lehnsherr, um ihresgleichen zu finden. Die leidvolle Biographie Eriks birgt jedoch andere Motive, welche die Partnerschaft der beiden zerstören kann.
- Auszeichnungen
- 22 Gewinne & 40 Nominierungen insgesamt
- Janos Quested
- (as Alex González)
- …
Zusammenfassung
Empfohlene Bewertungen
The story is more character based than action, however the action sequences are still superb. Personally i'd have liked to of seen it being a 15 and have a more adult but it wasn't a big issue. Also some more background story from the bad super's would have been good but again this wasn't too much of an issue and would leave some nice room for upcoming xmen movies.
I don't want to say too much but to break it down... Go see this film no matter what you are into. There is something for everyone. 9/10 easy
I didn't really expect to, of course -- although certainly, I hoped for it. With such an incredible cast, an able director at the helm, a story of Bryan Singer provenance and the inclusion of some of my favorite, if lesser known, X-types (Darwin! Tempest! Havok!), I was eager to see this beloved band of merry Marvel mutants redeem themselves after the massive failures of X3 and X-MEN ORIGINS: WOLVERINE.
Which they do. And how!
One thing that the avid comic fan must do when approaching this movie, however, is to divorce themselves utterly from almost all established four-color X-Men continuity. Oh, some bears up, but by and large this is a whole new origin story, a reboot of epic proportions, and yet it is a retcon so cleverly done, and one that offers up a such a delicious mélange of complex relationships and sensible motivation, that all of the many discrepancies inherent in having Mystique on the side of good or having Moira McTaggert a CIA agent simply do not matter.
Speaking of McTaggert, Rose Byrne is both comely and convincing in the role, and almost every other actor is perfectly, one might almost say forcefully, cast. McAvoy brings a kind of laddish charm to Charles Xavier that he mixes nicely with both decency and naïveté, and Michael Fassbender's nascent Magneto is relentlessly, even heart-breakingly, compelling. Their chemistry is electric -- theirs' is one of the most multi-faceted and sincere bromances the screen has seen in a good long while.
The younger cast all impress, though particular praise must go to Oscar-nominee Jennifer Lawrence as the petulant but pitiable Raven/Mystique (The Academy Awards have been good to young, hot X-chicks; let us not forget that Rogue herself, Anna Paquin, won for THE PIANO). Former child star Nicholas Hoult is also outstanding as the troubled Hank McCoy, and perhaps the most surprising kudos must go to teenage dream Lucas Till, who conveys the particular anti-social asshole-hood of the turbulent Alex Summers very convincingly indeed.
The biggest letdown in the movie, acting-wise, is January Jones as Emma Frost. True, she is appropriately ravishing, there can be no denying that, but she lacks the the zing of the written character. There is very little intelligence, snark, or even personality behind her interpretation of this most intriguing of mutants; she's just kind of Stand There and Look Pretty -- which, for one playing Emma Frost, is something a travesty.
The only other weight under which this movie really labors is the fact that it is a prequel, and it therefore suffers from the feeling of inevitability that besets all such endeavors. Anakin Skywalker HAS to go Dark Side. Bilbo Baggins HAS to find the One Ring. And Magneto HAS to turn against humans; Mystique HAS to join him; Xavier HAS to end up in a wheelchair. With these definite plot developments looming, their eventuation is bound to be a bit of an anti-climax.
And yet the fun part about X-MEN: FIRST CLASS is the journey it takes us on to get us there. Offering up plenty of surprises, some kickass action sequences, mighty fine special effects, sly humor and a killer cameo, it is without doubt the best comic book movie of the year – nay, decade – thus far. And considering how overcrowded that list is, this is really saying Something.
Huh. A prequel that does not, in any way, suck.
Amazing, isn't it?
-- Rachel Hyland, geekspeakmagazine.com
The leading cast do a brilliant job in giving you a sense of their conflict with ingredients such as prejudice, ignorance, a sense of belonging and bitter revenge giving the film a more humane feel than a lot of dramas allowing you to connect with the characters more easily.
The special effects- lets not forget, are top notch as expected, but surprisingly very in-keeping with the film and doesn't take away from the other elements of it. The violence is clean but present, pitched right between a young and adult audience. There's also a decent amount of ironic humour thrown in, which, considering the party tricks on offer (by that I mean the powers and peculiarities of the mutants), just comes and goes naturally without feeling forced as like a lot of comedy moments in films of late.
Bottom-line, this is a well-constructed, well acted Marvel film. I wasn't totally convinced beforehand, casting James McAvoy as the young Xavier, a full head of hair and northern accent doesn't seem the best fit after all. I can say that he fully realised that role and showed his range in playing a more commanding lead. Michael Fassbender has great screen presence and does a good shift as the Magneto to-be and Mr Bacon adds another interesting element to the story. All the supporting cast give a solid performance with everyone focused on the exciting job at hand and no weak links.
Easily worth the cinema admission and thank god they didn't make it in hit-and-miss 3d, there's just no need! The best of the X-men franchise.
Wusstest du schon
- WissenswertesTo prepare for his role as Charles Xavier, James McAvoy shaved his head. He soon learned that the filmmakers wanted Xavier to have a full head of hair in the prequel. Throughout the first month of filming McAvoy had to wear hair extensions. He finally shaved his head for X-Men: Apocalypse (2016).
- Patzer(at around 59 mins) When Xavier and Erik were confronting Emma Frost in the Soviet Union, some might think that it would have been impossible for Erik to crack Emma's neck with the metal bed frame because diamond is one of the hardest substances known to man. Hardness does not prevent cracking. There are different types of material strengths. Diamond's hardness does not mean that it is invulnerable to all types of stress.
- Zitate
Erik Lehnsherr: Excuse me, I'm Erik Lehnsherr.
Professor Charles Xavier: Charles Xavier.
Logan: Go fuck yourself.
- Crazy CreditsPart of the closing credits take place in a sequence of X-symbols, chromosomes and DNA strands (reminiscent of the opening credits to James Bond 007 jagt Dr. No (1962)).
- VerbindungenEdited into 5 Second Movies: X-Men: First Class (2011)
- SoundtracksConcentration Camp
(from X-Men (2000))
Written by Michael Kamen
Courtesy of Twentieth Century Fox Film Corporation
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprachen
- Auch bekannt als
- X-Men: Primera generación
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 160.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 146.408.305 $
- Eröffnungswochenende in den USA und in Kanada
- 55.101.604 $
- 5. Juni 2011
- Weltweiter Bruttoertrag
- 352.616.690 $
- Laufzeit
- 2 Std. 11 Min.(131 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.39 : 1