Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.Ein junges Mädchen, das zu ihrem Vater und seiner neuen Freundin geschickt wurde, glaubt, dass sie Kreaturen aus einer versiegelten Aschengrube im Keller ihres neuen Hauses befreit hat.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 4 Nominierungen insgesamt
- Housekeeper
- (as Edwina Ritchard)
- Caterer
- (as Emelia Burns)
Empfohlene Bewertungen
Guillermo del Toro's new collaborative effort with first-time director Troy Nixey is, simply put, horror done right. There's a lot here that can be found in any horror movie that comes out now, but this one succeeds for relying on tone and setting rather than blood and guts. The acting from all three leads is surprisingly good, and Nixey shines as well behind the camera.
However, at the heart of the film is a ballsy story co-written by del Toro that really keeps the film stable. Don't Be Afraid of the Dark is originally based on a 1973 British TV movie that has been hailed as one of the scariest movies ever made. The remake features a new main character: Sally, a child, played by Bailee Madison. Sally moves into a new Gothic mansion with her father (Guy Pearce) and a new stepmother (Katie Holmes). There, she discovers a ventilation system where she hears breathy voices calling to play with her. At first, the voices are friendly. Then, they're vicious and violent.
The violence of the movie is one of the reasons why this movie succeeds so nicely. The first scene is grisly and is, without a doubt, the reason why Don't Be Afraid of the Dark earned its R-rating rather than its intended PG-13. There isn't constant violence. In fact, there isn't even that much of it. Most of it is bloodless, but all of it is enough to make us squeamish and afraid.
Another area in which the movie excels in that respect is its design. The mansion that Nixey and del Toro chose is gorgeous. The intense lighting, which Nixey noted as "inspired by Rembrandt" in the Q&A following the film, is moody and adds to the heavy tone of the movie. The house is just creepy on its own, but it becomes creepier thanks to the creature design. Unlike what the trailer tells you, the creatures are pretty tiny. What creeped me out about them was the loud, shrill screeches they let out. It'll give you chills. Keep a keen ear and listen for del Toro, as he voices a few of the creatures.
Don't Be Afraid of the Dark is a very fun and very creepy horror movie experience. Though not without its flaws, it has a strong story stabilized by good characters and a surprisingly dark ending, and it's got some good acting too. It's hard not to be absorbed in the mesmerizing light pools of the mansion, and it's even harder not to be entertained. As usual in del Toro films, darkness and unseen monsters reign, and as usual, it's pretty damn unnerving.
Cons: not very scary, too much CGI'd gremlins, and a very predictable/slow plot
Conclusion: rent the original and skip this remake
The much anticipated, by me, remake of the 1973 made for TV movie of the same name left me feeling extremely disappointed. The plot was fairly simple. A young girl Sally (Bailee Madison) moves in with her father Alex (Guy Pearce) and his girlfriend Kim (Katie Holmes), into a house Alex and Kim are fixing up to sell. Soon upon arriving, adventurous Sally discovers the house has a basement and that the family is not alone. The basement's fireplace is inhabited by little CGI'd creatures that terrorize the family, especially Sally. The actors I felt all did an adequate job playing their parts, especially young Sally (Bailee Madison), who played a convincingly cynical little girl fed up with being 'sold' by her mother to live with her father. Overall the movie was very predictable and offered very few scary moments. The creatures from the original, people dressed in little goblin costumes, were sparingly showed. I think it was way more effective than the over-shown little gremlins in this movie, which looked to me like Chihuahuas that could speak. Save your money and skip this one!
This is a film that starts badly, and save two relatively well executed scenes, gets worse. If you have seen the original seventies TV movie you will be sorely disappointed. What made the original frightening was the bareness of the plot, the ordinariness of the location and the bleakness of the ending. All of these elements have been removed. The story is over written, the location of overly ornate, and the ending, although quite nasty, is not as disturbing as it should have been. Add to this the frankly deplorable CGI and iffy direction. Well...
The kid is good though (that's where the 4 points comes from)
Verdict: Don't be afraid of avoiding don't be afraid of the dark
Wusstest du schon
- WissenswertesThe runes carved into the stone over the furnace that the creatures live down spells out "Be Afraid" in Elder Futhark.
- PatzerKim ends up tangled in the ropes of the fairies and dragged down into the basement. This tragedy is a loose end. No police report is filed, no other characters are shown to react to this and the aftermath of this event is never built up on. This is because the creatures must take one life to replenish their numbers each time they come out. In the original movie, Kim is their target, to make her one of their own. The taking of Kim at the end of the movie and her speaking later on with the creatures implies that she was turned into one of them and is no longer human. This is idea is further encouraged by one of the creatures who seems to hold a resemblance to Blackwell who was also taken along with his son.
- Zitate
[last lines]
Creatures: They will find us. We must fight.
Kim: No. We will go deeper, and we will wait. They will forget, and others will come.
Creatures: When will they come?
Kim: Soon, soon.
Creatures: Yes.
Kim: We have all the time in the world.
Creatures: Yes.
Kim: All the time in the world.
Creatures: All the time in the world.
- VerbindungenFeatured in The Nostalgia Critic: The Care Bears Adventure in Wonderland (2011)
- SoundtracksWhen You and I Were Young, Maggie
Written and Performed by John McCormack
Courtesy of Bluebird/Novus/RCA Victor
By arrangement with Sony Music Entertainment
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsländer
- Offizielle Standorte
- Sprache
- Auch bekannt als
- No temas a la oscuridad
- Drehorte
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 25.000.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 24.046.682 $
- Eröffnungswochenende in den USA und in Kanada
- 8.525.728 $
- 28. Aug. 2011
- Weltweiter Bruttoertrag
- 38.269.529 $
- Laufzeit
- 1 Std. 39 Min.(99 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 1.85 : 1