Saints and Soldiers III - Battle of the Tanks

I liked the previous Saints and Soldiers movies. As long as the combat is realistic and the plot good I am not to worried about special effects. This movie was one long sermon on how racist Whites are. I can understand introducing the idea but devoting an entire film to the concept got old really quickly. Every time you thought the plot was going to get going in came yet another sermon. I managed to watch the whole movie but barely. If I want to be preached at I'll go to church not watch a war movie. I do not care much about people's skin color and I think every living American is abundantly aware of the prejudice in America prior to the 60s. No need to go on and on about it until you start rooting for the Germans just to shut the guy up.

As has been said...yes it's a low budget film (explosions/FX etc lack realism)...however, that being said it shows a different side of WWII & (as I assume) some of the extras are perhaps re-enactment enthusiasts, a lot of the uniforms & equipment is pretty much spot on (for a change) although mostly all (including the tanks) are in a lovely new condition - not worn & battle-hardened at all.

There are a few plot holes & some acting is a little wooden / obvious & characters frustratingly lack a little 'get up & go' with each other, but it's not a bad film all in all, good to see some tank vs tank & anti-tank battles, as well as a bit of humanity thrown in between Axis & Allied troops/civilians. Well worth a watch.

For a viewer with interests in WW2 and it's weaponry, this movie was not too bad. For anyone looking for another Saving Private Ryan, look elsewhere.

Both of the S and S movies have been fairly decent. The first was more dialog than action and this one leaned more toward the action. At least until it became kind of preachy about racial harmony, etc... The part I liked best about this series is the accuracy of the era the creators have, well, created. All of the vehicles and weapons are period accurate. They did a great job with the props. The 'cats' (how many times did the actors say Hellcat in this movie?) were awesome and the fact that they seemed to have gotten an early model Panzer Type 3 is really cool. What I did not like was when the movie became a lesson for potential WW2 hobbyists. All the talk about the M18 caliber and ammo types got a little bit educational when people just want to see it shoot. Also, the panzerfaust would easily cut through the armor of a Panzer 3 from pretty much any angle. So, for a movie that seems to pride themselves on accurate depictions that wars weaponry, the shot with the panzerfaust was a bit of a stretch. Still, I am a huge WW2 buff and gave the movie a 7.

This film illustrates the brilliance of the nascent Saints and Soldiers franchise and after watching The Void, you'll pray that more installments are coming.

The first few scenes have some clumsy, cheesy dialogue that tries to develop the characters. That's on the director's shoulders. But stick around--the real character development and some quality acting comes once the shells and bullets start to fly.

This is a compelling plot--an African American soldier is, through no fault of his own, thrown in with a couple of tank crews with a few men who don't want him around.

I won't spoil a thing. If you can get through the first 20 minutes or so, then prepare for very good war story that shows what all men are made of in a foxhole.

The score is fantastic, too. This doesn't rise past 8/10 because of the cheesy stuff early on and some improbable scenes during firefights (plenty of those, too).

We can only hope that the S&S rights owners have many more such fine films in development.

For those of you unfamiliar with the Saints and Soldiers trilogy, these are low budget WW2 movies, set on the Western Front, the first was in late 1944, during The Battle of The Bulge, the second was set in the South of France during Operation Anvil and the 3rd, this one is set in 1945 in Germany and the plot isn't that much different from the bigger budgeted 'Fury' - A group of two American Hellcat Tank Destroyers are to scout an area known as 'The Void' (I can't find any reference to this area in history, but here the context is that its Indian country) meanwhile a group of troopers being transported by the Redball Express, driven by none other than Jesse Owens himself is ambushed by a squadron of dated German Mark III Panzers, an English Agent is in the group who make their escape - soon the Hellcats arrive and its a question of who can outsmart who in the skirmish that follows.

If you look through my other reviews you will see I like all kinds of movies but I am something of a WW2 buff and its always interesting to see these films, clearly made with love and care. Little here tries to put as much as he can in every shot to increase Production Value and it extra shots have been added to make the place feel more like Germany / Austria and less like Utah where it was filmed. For the most part this works, along with a heavy de- saturation of color in the edit suite, making you feel like the film is almost black and white and giving it the appropriate vintage feel. I recently also reviewed Allies and its easy to compare these two films, probably both having similar budgets and using resources from Tank Collectors and re-inactors. Allies is probably the superior of the two movies, but SAS - The Void is not without its great moments of action and tension. Some of the actors are good too but sadly this makes the weaker performances stand out all the more and these aren't helped by some very over stated dialogue. Little needs to team up with a good writer next time but also trust in his best actors to deliver more emotion with less words on some key scenes. Here and there dialogue is forced to explain things too much, but never the less what you have here is actually a great little film. Its well researched and feels bigger than it actually is, there is nice sense of scale and battle in the climax. Its biggest flaw is that its very hard to make a film shot in the States actually feel like Europe unless you can drop in some blue screen shots of European Towns or Villages (or Alternatively build one as they did in Fury) still with the obvious restraints of budget you have to commend Little's effort because it tries really hard with every shot to make the location feel European.

I think this is a great film, with good attention to detail that is let down by some aspects that were clearly beyond the control or means of the production financially but with stronger writing it could have been a stronger film still. Worth watching and I look forward to Little's next film War Pigs, which has some big names in the cast - he has earned his shot to make a bigger movie, that is for sure.