Füge eine Handlung in deiner Sprache hinzuRealizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their dis... Alles lesenRealizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.Realizing that the urban legend of their youth has actually come true, two filmmakers delve into the mystery surrounding five missing children and the real-life boogeyman linked to their disappearances.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 1 Nominierung insgesamt
- Self - Professor of Folklore, Penn State
- (as Dr. Bill Ellis)
- Self - Reporter
- (Archivfilmmaterial)
- Self - Reporter
- (Archivfilmmaterial)
- Self - Reporter
- (Archivfilmmaterial)
- Self - Holly Ann Hughes's Brother
- (Archivfilmmaterial)
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The film, for it's subject matter, is entertaining in a perverse way to watch. Much in the same way you might shiver at a campfire tale or watch a train-wreck with morbid curiosity. And it does provide some thrills and chills for the audience, particularly with some bizarre scenes in which it is proposed that Rand was in cahoots with, or knew members of human- sacrificing, Satanic cults. (Although, like most things in the film, this goes nowhere real fast.)
But the film feels too much like exploitation. From using the "Cropsey" urban legends and stories in a way that doesn't quite fit in well with the film (at least to me, it felt like a bit of mudslinging), to the fact that nothing is accomplished in the runntime. Nothing gels together, nor is it particularly compelling to watch.
No answers are given to any of the burning questions that the film proposes (which becomes the documentary's taunting theme- "We don't know..."), and to be honest, it makes you question everything way too much. From moment to moment, you'll hate Rand, then feel sympathy, then question if he's the real culprit, then hate him again. It's too much of a roller-coaster ride for the complete lack of payoff, and it leaves you feeling thrilled, but empty.
I give "Cropsey" a 6 out of 10. It's an eerie watch, and does have some good moments, but it doesn't accomplish anything major. It just exists for the sake of existing.
I don't know what it is about the 1970's but people seemed to be incredible slow and somewhat naive. On Staten Island children went missing over a long period of time but nobody seemed that bothers , including the police. Parents still let there kids out and they still went missing . People were odd and especially in America or were they?
The one thing Cropsey shows is that people had a completely different mindset back then and that's the overriding impression this film gives me.
On Staten Island there used to be an horrific mental institute. One of which you only see in horror films. There is original footage of how the kids housed in this hospital were treated and it's very , very disturbing.
The film makers try to get to the bottom of who killed these kids by interviewing family and witnesses but none seem that credible. You start to believe that there has been a miscarriage of justice with Andre Rand but despite the lack of evidence , he and his lawyers do themselves no favours.
Ultimately this is a frustrating film because unlike the Paradise Lost documentaries this answers very little.
But instead of focusing on the origins of Cropsey it instead focus's on the true story of Andre Rand a man suspected of abducting and killing a number of children with learning difficulties. A living, breathing Cropsey.
The team give a history on the man and the lost children, interviews experts and those involved in the case as well as the usual incorporation of archive news footage and stock interviews.
Its all well made, but considering how little they actually have to go on much of it feels like filler and it's all assumptions leaving the viewer with unanswered questions and I found that a tad frustrating. This isn't a water tight case and therefore they could never provide 100% certainty but for this reason it felt like rather flawed subject matter.
Regardless the archive footage is very moving and the man in question is rather fascinating. The viewer is left to make up their own mind as to what they believe happened based on evidence presented.
Passable stuff, but Zeman's later works are superior.
The Good:
Well made
Great archive footage
The Bad:
Feels like too much critical information is missing
Too short
**** (out of 4)
Excellent documentary from filmmakers Joshua Zeman and Barbara Brancaccio, two people who grew up hearing stories of Cropsey, a killer of children living up in Staten Island, New York. Through the documentary we hear how various children were told different stories of who exactly Cropsey was but then we get to a drifter named Andre Rand who many believed killed at least five children in the area. Throughout the documentary we hear about the urban legend that stalked the people of this town and we learn about the little evidence that got Rand convicted and how perhaps the legends are what got him found guilty and not the actual case against him. CROPSEY came to my attention as a horror movie fan because I had heard that both MADMAN and THE BURNING were based around this case. Both of those slashers took a lot of liberties with the actual story and that's what makes this documentary so interesting because it really does seem as if the two filmmakers wanted to get the truth and not just paint a picture of a monster. The directors try to paint an open and honest look at the case and by the time the picture is over you really don't know what to believe in regards to Rand's guilt. There are moments where you feel this guy is a monster and he must have committed the crimes but then a minute later you realize that there's really nothing connecting him to the crimes and there are even more mysterious circumstances around the case. As someone who had never really heard of the cases, I found it really interesting seeing the news clips from back when the crimes were committed as well as hearing from those who actually searched for the children. Out of the five victims only one's body was recovered and how it was uncovered was a little suspicious to say the least. The documentary also gets quite a few interviews with those who were connected to the case, those who searched for the body as well as a possible witness who is the most questionable person in the entire film. CROPSEY is certainly a very entertaining documentary taking a look at the connection between an urban legend and the truth.
Wusstest du schon
- WissenswertesWas awarded Hammer to Nail's Grand Jury Prize for best documentary at 2009's Tribeca Film Festival.
- Zitate
Joshua Zeman: Growing up on Staten Island, Barb and I had often heard the legend of Cropsey. For the kids in our neighborhood, Cropsey was an escaped mental patient who lived in the tunnels beneath the old Willowbrook mental institution, who would come out late at night, snatch children off the streets. Although we didn't know each other as children, Barb and I had both shared versions of the Cropsey legend, as it filtered through our separate neighborhoods, and seeped into our collective fears. Sometimes Cropsey had a hook for a hand, other times he wielded a bloody axe, but it didn't matter, Cropsey *was* out there lurking in the shadows, waiting to get us.
- VerbindungenFeatures Willowbrook: The Last Great Disgrace (1972)
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Details
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Box Office
- Bruttoertrag in den USA und Kanada
- 52.476 $
- Eröffnungswochenende in den USA und in Kanada
- 6.306 $
- 6. Juni 2010
- Weltweiter Bruttoertrag
- 52.476 $
- Laufzeit1 Stunde 24 Minuten
- Farbe