The Stoning of Soraya M.

A tip: If you are born a female, make sure it's not in Iran.

They say it themselves: If you're accused of having an affair, and you're a woman, it's not up to them to prove you're guilty, but for you to establish your innocence. Of course with men, it's the other way around. You've bore your violent husband two girls and two boys and been married to him for twenty years. Suddenly one day, he decides to hitch up with a 14 year old girl instead. That's gratitude for you. But you won't give him a divorce, due to the fact it would leave you virtually penniless. So, he does the only thing a nasty bastard could do... he makes up a cock and bull story about you having an affair with a neighbour... and enlists the help of the local corrupt law officials in his plan. And the punishment for such a crime is... well, look at the title.

The Stoning Of Soraya M, as told by Soraya's aunt after the event to a journalist, is one of the hardest films to watch that I've seen in many a moon. Throughout, the sense of injustice and frustration at such an unfair situation makes you want to scream, and the uncomfortableness factor is moved up about 50 notches at the stoning itself... when everyone, from Soraya's sons to her own father takes it in turns to chuck rocks at her while she's half buried in the soil. Of course, the injuries are graphically displayed... Making this possibly the most upsetting final act since Jesus's fate was sealed in The Passion Of The Christ. Both are extended slow deaths where nothing is left to the imagination, so make sure you're mentally prepared before submitting yourself to such a brutal experience.

Brilliantly acted, and echoing with the ring of truth, as the epilogue reminds us: this sort of barbarism is still taking place all over the world. We may THINK we're civilised, but incidences like this prove we still have a LONG way to go. Disgraceful. 7/10

I can't remember the last time I had such a gripping and emotional experience in movie theatre. In the screening I attended there was audible sobbing and gasps throughout a large part of the film.

Sohreh Aghdashloo is excellent in her portrayal of the feisty Zarah. Newcomer Marzhan Marno is equally moving, and sympathetic in her role of the title character. I'll be surprised if come award time these ladies are not recognized for their work.

Though some have criticized the portrayals of the male characters as unbelievable I found them to be very accurate. Let's not pretend that sexism and religious hypocrisy are something new...even in our own society. These are men who abuse religious laws and principals for their own gain and too keep women subservient. However, the director does show other sides of these characters as well, struggling with their own beliefs and decisions (in private as to not show weakness in public).

The film is beautifully filmed as well, with the sweeping shots of the village landscape and the poetic images of chadors moving in the wind.

I never come on IMDb to write reviews, but 'The Stoning of Soroya M.' was such an intense and beautiful film that I had to spread the word. It deserves a much wider release than its getting, because its a breath of fresh air in a summer movie season full of inane comedies and action romps.

This is, almost from the start, a painful movie, which by the end becomes an absolutely brutal movie and is almost all the way through a very frightening movie. Set during immediate post-revolutionary Iran, religious fervour (which has little to do with religion and almost everything to do with fervour) is running rampant. In the midst of that maelstrom, an already abusive husband decides that he wants to divorce his wife so that he can take up with another woman. But then he realizes that he'll have to support her, and so he concocts a story accusing her of adultery - the penalty for which is stoning. We watch as the husband engineers rumours and innuendo against his wife; we watch as the whispers become shouts and as suspicion becomes rage; we watch as almost an entire village turns against a woman that they all seem to know is innocent but whom they nevertheless choose to condemn, almost as if this warped action will prove their worthiness to God.

It's a brilliant performance from Mozhan Marno as the accused and condemned Soraya. She knows that she's done nothing wrong; she has an almost naive conviction that eventually people will realize that. And yet it's clear that from the beginning this cannot be stopped. The momentum is too great; there's no way to put an end to it even if there was a desire to.

In the end this becomes very graphic and bloody. It does, indeed, offer a brutal depiction of a stoning, and it pulls no punches as we watch a bloodied Soraya slowly die under the barrage of rocks thrown at her. As a viewer, you're left with a queasy stomach in stunned silence. In a way, although obviously the movies are very different, this reminded me just a little bit of "The Passion Of The Christ" - the bloodiness and inevitability of the end. Those who are remotely uneasy about bloodiness in a movie will want to avoid the last half hour of this. It is not for the feint of heart.

The story is true - based on a book by a French-Iranian reporter played by James Caviezel. As the movie opens, he shows up in town on the day after the stoning needing his car repaired. The story is related to him and unfolds for us through the witness of Soraya's aunt (Shohreh Aghdashloo). As the movie ends, the reporter has to desperately escape the town as he's chased by a mob wanting to prevent him from smuggling the story to the outside world.

This movie achieves a delicate balancing act. It shows the dangers of religious extremism, but doesn't come across as anti-Islam. Indeed, Islam is portrayed fairly here, Soraya herself and her aunt being faithful Muslims, who point out to the men their betrayal of Islam in what they're doing. It would have been easy to turn this into an anti- Muslim diatribe. It managed not to turn into that, becoming a critique, perhaps, of culture, and of the ability for less than honourable people to use religion for their own unworthy ends. (8/10)

I saw The Stoning of Soraya M. a few months back at a screening, and it was so incredibly poignant that just watching the newly-released trailer brought tears to my eyes. Tears for the woman upon whom this film is based, and tears for many others like her, throughout the world, who have no voice.

The Stoning of Soraya M. is well-paced overall and does a fantastic job of bringing the audiences into Soraya's helpless situation, as we, just as helplessly, witness the malicious or cowardly decisions of others that will eventually lead to her demise.

The film treats Islam with sensitivity and in no way implicates the religion itself in the brutal practice of stoning. Shohreh Aghdashloo's character, a Muslim, decries the stoning as against the will of God.

It is important to note that the film accurately depicts a stoning, and is therefore not for the feint of heart, but seekers of truth and justice will appreciate the candor with which it portrays the gruesome nature of the heinous practice.

I commend Cyrus Nowrasteh, Shohreh Aghdashloo, and the film's producers for their courage in making this film. Thanks to you, "the world will know."

I must begin with explaining that I have an extraordinarily high tolerance for graphic imaging. I've seen "A Serbian Film", "Antichrist", and the "Human Centipede"....non of which caused me to feel sick to my stomach.

"The Stoning of Soraya M." crushed me from the inside out. The sorrow that flows from the women in this film will follow you for the rest of your days. You'll see one particular scene (hint: its in the title) in your dreams. This film doesn't allow the viewer to choose between crying and having their stomachs flipped twelve times around; the viewer will experience both...to an extreme.

The plot is relatively simple. I've decided makes this film so much better. You don't have to try to keep up with a thousand mini-plots. You just have to try to stomach the main event.If you make it all the way through the last scene, take a moment to remember the message that came across your screen before the first scene takes off...."based on a true story."