Das Festmahl im August

Gianni (Gianni Di Gregorio), who is well into his forties, has no job or income and still lives in his comfortable family home with his ageing mother. She is a capricious but refined woman who requires a lot of attention and even more patience. Gianni offers her those but can barely squeeze a little life of his own in there. When those around him escape from Rome for some fresh countryside air in the mid-summer weekend, he finds himself left behind in the empty city with a motley of elderly ladies.

I suppose many people will amuse themselves wondering if Mr Di Gregorio is playing himself, or at least a little... as the Gianni in the movie is somewhat removed from normal society. He seems to have accepted that he will be taking care of his mother, at the expense of having his own life. This is a rare form of self-sacrifice in our day, and shows, through our own eyes, our expectations of an individual's life. Can you live a full life without a romantic relationship? Can you feel content without being able to provide for yourself (and your family), without perusing some kind of personal development? How far from the ordinary can you be removed and still feel content about your life?

It is not easy. Gianni needs money and yet does not work. Of course if he would work, then who would take care of his mother? Should he be working to be able to pay for a home for her, so that he can start a relationship of his own? Then his mother would be all alone, unhappy and less well taken care of than in the company of her own son. The dilemma of the ageing society laid bare.

When we see the elderly ladies laughing and interacting together, it is almost as if a choice has to be made in society, that either the elderly or the young have to sacrifice themselves for the other. This awkward thought is dispelled later on, at least somewhat, as the characters all find a place for themselves in this unexpected weekend away without leaving. This is a touching and funny film, which should have been released here in May when everyone has one foot at home and the other in a long weekend away. It would have added a nice tie-in with the reality around us.

The cliché of the Italian bachelor living at home with a doting mother who waits on him and prepares his favorite meals is turned on it's head in the delicious Italian treat, "Mid-August Lunch." In this film, unemployed fifty-ish bachelor Gianni (Gianni Di Gregorio) shows respect for his ninety-something mother by taking good care of her and lovingly preparing their meals.

The small family has been living off of credit for some time and is months behind on their maintenance and electric bills for their ancient apartment. The landlord is willing to forgive the dept if they take in his mother so he can get away for the Mid-August holiday. The landlord drops off his mother AND his aunt. And soon the doctor's mother joins the mix. So Gianni must survive the weekend playing good host to four strong-willed shut-ins. What impressed me most was how he never loses his manners but treats these woman with the respect earned by those who have reached a certain age.

This is a film about the joys of entertaining. It illustrates the isolation that comes with aging and our continued need to socialize. There is an Italian saying, "A tavola no s'invecchia," that articulates the theme perfectly, "The passage of time is suspended with experiencing the pleasure of good food, good wine and company."

"Mid-August Lunch" dishes up "slice of life" humor with simple, authentic Italian flavors like those in the perch with potatoes, oregano and rosemary lovingly served at the holiday feast.

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This gentle movie, about a middle-aged man left caring for some elderly relatives (and non-relatives) during a public holiday, is notable for some fine performances from a truly aged cast; at least one member was 94 when the film was made. It's quite perceptive about the way that old people interact; and it's younger male lead (played by the writer and director) is also shrewdly drawn. What there isn't is any real plot beyond the set-up: there's almost unlimited potential for disaster here, but none of it ultimately happens. The result is mild, in places amusing, but something short of riveting: rather like visiting an elderly aunt's for tea.

Writer/director Gianni Di Gregorio is also the star of this delightful little film about loneliness, tolerance, and seeing the silver lining. The film glows with a richness of spirit that is very satisfying and humorous and uplifting. Apparently Pranzo di Ferragosto (or Feast of Assumption) is that holiday in mid august when all Italians head for the shore so get away from the heat. Gianni lives in Rome with his very elderly and demanding mother (Valeria De Franciscis), broke, with mounting tabs at the grocers and the winery, but he prides himself in his culinary skills with which he keeps his mother satisfied. He spends his days whopping and sipping wine with his old friend Viking (Luigi Marchetti). When his friend and condo manager Alfonso (Alfonso Santagata) pays a visit to remind Gianni how he is behind in his rent and obligations for the condo, Gianni is depressed but Alfonso has a plan: take care of his mother (Marina Cacciotti) during the weekend of Pranzo di Ferragosto and Gianni's debts will be forgiven. Gianni agrees as does his mother, but when Alfonso arrives with his mother in tow he also brings his aunt (Maria Cali) who also needs a place to stay in Alfonso's absence. The local doctor (Marcello Ottolenghi) pays a house call to check on Gianni and his mother and in passing asks Gianni to look after HIS mother (Grazia Cesarini Sforza), too. This leaves Gianni with a full house, a shared television, minimal beds, but they all make do and with the help of his old friend Viking the two to entertain the three old ladies. They cook a fine mid-August meal and the old lades dress up and dance, having more fun than they have had since their youth.

It is a slight story but one told with a warmth and compassion that is endearing to experience. For light but tender entertainment this film is a major winner!

Grady Harp

Gianni is a man entering the later years of his life. He has no job,no wife,drinks perhaps a bit too much for his own good,but seems to be content in looking after the needs of his somewhat demanding mother. They both live in a flat in the centre of Rome,despite the fact that Gianni hasn't paid the rent in three years. The landlord offers to wave the rent money if Gianni will look after his equally aged mother for the weekend,which Gianni has no choice but to say yes to. Gianni ends up the care taker of a house full of elderly Italian ladies for the weekend (the landlord shows up with not just his mother,but her sister,as well). Add on top of that,his doctor manages to sweet talk Gianni into also looking after his aged mother. Gianni now has to play host,wet nurse & baby sitter,all rolled into one (eccentric behavior,hissy fits & other things figure into it)for four demanding women. All of this makes for a low key,loving homage to family love & respect for the aged. Gianni DiGregorio,screenwriter of the acclaimed Mafia drama,'Gamorra' from a few years back,wears three hats in the gentle comedy/drama,'Pranzo De Ferragosto' (released in most English speaking countries as,'Mid August Lunch' (director/co writer,with Simone Riccardini,as well as acts in the central role as Gianni). Gian Enrico Bianchi is the director of photography of this (mostly)chamber piece,with editing by Marco Spoletini. Most of the cast go by they're own names,with Valeria DeFranciscis,as Gianni's mother,Maria Cali,as Aunt Maria,Grazia Santagata as Grazia,Alfonso Santagata as Alfonso,Marinina Caccoiotti,as Alfonso's mother (yep,you guessed it), Marinina,with Maricello Ottolenghi,as the doctor,and Luigi Marchetti as Gianni's neighbour & friend,Viking. This is a film that will appeal to those who are tired of the usual glut of Hollywood bombast (car chases, explosions,graphic violence and sexual situations,not to mention vulgar language),and want a breezy,Italian comedy/drama that goes down like a nice piece of light,Italian puff pastry,with no ill effects. Not rated by the MPAA,this film serves up little that could offend,outside of much drinking of alcohol,and a bit of smoking. Would possibly bore most under the age of 35.