Eine moderne Neuinterpretation des berüchtigten Dr. Jekyll aus Robert Louis Stevensons 1886 erschienener Novelle Der seltsame Fall des Dr. Jekyll und Mr. Hyde .Eine moderne Neuinterpretation des berüchtigten Dr. Jekyll aus Robert Louis Stevensons 1886 erschienener Novelle Der seltsame Fall des Dr. Jekyll und Mr. Hyde .Eine moderne Neuinterpretation des berüchtigten Dr. Jekyll aus Robert Louis Stevensons 1886 erschienener Novelle Der seltsame Fall des Dr. Jekyll und Mr. Hyde .
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 2 Nominierungen insgesamt
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I went into this today with a blank mind, thinking okay I will give Eddie a chance and boy was I disappointed.
Firstly the movie plays like a teen drama more than a hammer horror movie.
There's no horror in this movie to even count on one hand.
Now there was nothing wrong with the acting or the story but it played more on the side of a teen drama than a horror film, which was a huge mistake.
This movie could have been so good with the same cast if the movie was done better.
So all in all this film is not worth seeing and if this happens to be hammer's movie come back, we'll they have played a bad hand.
Give this a miss and go and seek the older hammer movies if you want a good horror film.
Firstly the movie plays like a teen drama more than a hammer horror movie.
There's no horror in this movie to even count on one hand.
Now there was nothing wrong with the acting or the story but it played more on the side of a teen drama than a horror film, which was a huge mistake.
This movie could have been so good with the same cast if the movie was done better.
So all in all this film is not worth seeing and if this happens to be hammer's movie come back, we'll they have played a bad hand.
Give this a miss and go and seek the older hammer movies if you want a good horror film.
While those audience members expecting full-blown Gothic horror may be disappointed, older viewers who remember the Hammer studio's psychological thrillers, particularly Fear in the Night, Fanatic, Crescendo and Paranoiac, may feel more well-disposed to this thrilling film.
This film niftily straddles the Gothic horrors of Terence Fisher and the studio's so-called mini-Hitchcocks from the likes of Freddie Francis and Val Guest. The latter films often took place in enclosed setting and have a claustrophobic feel, and either sculptured b/w or highly stylised colour photography, and this film neatly reflects that style, while the music score delivers the required feel.
Izzard gives a great performance that rivals the scenery-chewing performances of the stars of Hammer's previous grands guinols, Bette Davis, Tallulah Bankhead and Margaurite Scott.
Yes, there are a few plot flaws, and yes, the dénoûment is signalled at the start, but unlike the previous attemps to reboot Hammer, this feels right and not like an Amicus spin-off, so let's be thankful for this effort and enjoy it.
This film niftily straddles the Gothic horrors of Terence Fisher and the studio's so-called mini-Hitchcocks from the likes of Freddie Francis and Val Guest. The latter films often took place in enclosed setting and have a claustrophobic feel, and either sculptured b/w or highly stylised colour photography, and this film neatly reflects that style, while the music score delivers the required feel.
Izzard gives a great performance that rivals the scenery-chewing performances of the stars of Hammer's previous grands guinols, Bette Davis, Tallulah Bankhead and Margaurite Scott.
Yes, there are a few plot flaws, and yes, the dénoûment is signalled at the start, but unlike the previous attemps to reboot Hammer, this feels right and not like an Amicus spin-off, so let's be thankful for this effort and enjoy it.
The traditional story of Doctor Jekyll and Mr Hyde given a modern spin, starting Eddie Izzard.
I was really excited about seeing it, and keen to see what Izzard was going to inject into the role. The result, was sadly underwhelming. I liked the start, but it just became dull and a little boring at times, I didn't care for the ending.
I thought the cinema would have been packed out for this on the opening weekend, there were four of us, that should have been enough.
I was really hoping for a dark, gothic horror, what it turned out to be was a fairly lame comedy, with horror elements here and there. I didn't care much for Izzard's character, just irritating more than anything.
It was hard at times to work out which was Jekyll and which was Hyde, they could have gone a lot further.
Acting wise, Izzard was alright, I can't say there was anything particularly good, the quality I thought, came from Lindsay Duncan.
Watchable enough, but very disappointed.
5/10.
I was really excited about seeing it, and keen to see what Izzard was going to inject into the role. The result, was sadly underwhelming. I liked the start, but it just became dull and a little boring at times, I didn't care for the ending.
I thought the cinema would have been packed out for this on the opening weekend, there were four of us, that should have been enough.
I was really hoping for a dark, gothic horror, what it turned out to be was a fairly lame comedy, with horror elements here and there. I didn't care much for Izzard's character, just irritating more than anything.
It was hard at times to work out which was Jekyll and which was Hyde, they could have gone a lot further.
Acting wise, Izzard was alright, I can't say there was anything particularly good, the quality I thought, came from Lindsay Duncan.
Watchable enough, but very disappointed.
5/10.
A well-crafted picture from director Joe Stephenson and writer Dan Kelly-Mulhern with Eddie Izzard, Scott Chambers and Lindsay Duncan selling the intriguing premise at the top of the card.
Certain aspects fall flat far from where they could reach and the ending comes around in too much haste, but when it comes to selling itself, Doctor Jekyll does exactly what it says on the tin.
I's an elegantly-shot picture with a terrific central location, solid performances, a strong score, plenty of keen enthusiasm and ideas to distinguish it from the pack of dime-a-dozen adaptations.
If you go in expecting jump-scares and screaming histrionics you may be disappointed, but if you're looking for a spooky, mysterious and atmospheric genre feature then this'll certainly tick your boxes.
Certain aspects fall flat far from where they could reach and the ending comes around in too much haste, but when it comes to selling itself, Doctor Jekyll does exactly what it says on the tin.
I's an elegantly-shot picture with a terrific central location, solid performances, a strong score, plenty of keen enthusiasm and ideas to distinguish it from the pack of dime-a-dozen adaptations.
If you go in expecting jump-scares and screaming histrionics you may be disappointed, but if you're looking for a spooky, mysterious and atmospheric genre feature then this'll certainly tick your boxes.
Thanks to director Joe Stephenson and Hammer Studios, we have DOCTOR JEKYLL, a modern "re-imagining" of the famous 1886 novella Strange Case of Dr. Jekyll and Mr. Hyde by Robert Louis Stevenson. There have been a number of these over the years, but Dr. Jekyll and Mr. Hide are such classic characters from the horror and weird fiction canon that my genre-loving ass was more than happy to experience another outing.
The consensus? Mixed. I found plenty to love here but your enjoyment will ultimately come from your disposition and patience towards the horror genre itself and, specifically, the low-budget-veering on camp-gothic horror that Hammer is best known for.
Positives? The leads. They shine individually, but it's really their scenes together that are the true stars. Eddie Izzard was an absolute delight on screen and I'd love to see her in more stuff. Scott Chambers was quite good too, the charm and innocence of Anthony Perkins' Norman Bates (early Psycho) highly present throughout this particular performance; whether this was intentional or not I do not know but I very much enjoyed it.
Negatives? This has a very low-budget feel and a MESSY plot. Nothing felt very thoroughly thought out and I believe a few head-scratches and eye-rolls could have been avoided with just a few more passes on the script.
RANDOM PRAISE +
-In this universe, Dr. Jekyll and Mr. Hide can't have cereal and I find that very, very funny.
RANDOM CRITIQUE -
TAKEAWAY ?
-Green cigarettes (just cigarettes in general tbh) should be avoided.
The consensus? Mixed. I found plenty to love here but your enjoyment will ultimately come from your disposition and patience towards the horror genre itself and, specifically, the low-budget-veering on camp-gothic horror that Hammer is best known for.
Positives? The leads. They shine individually, but it's really their scenes together that are the true stars. Eddie Izzard was an absolute delight on screen and I'd love to see her in more stuff. Scott Chambers was quite good too, the charm and innocence of Anthony Perkins' Norman Bates (early Psycho) highly present throughout this particular performance; whether this was intentional or not I do not know but I very much enjoyed it.
Negatives? This has a very low-budget feel and a MESSY plot. Nothing felt very thoroughly thought out and I believe a few head-scratches and eye-rolls could have been avoided with just a few more passes on the script.
RANDOM PRAISE +
-In this universe, Dr. Jekyll and Mr. Hide can't have cereal and I find that very, very funny.
RANDOM CRITIQUE -
- A character chooses to dismiss the danger and implications of a bloody phone. What a silly goose.
TAKEAWAY ?
-Green cigarettes (just cigarettes in general tbh) should be avoided.
Wusstest du schon
- WissenswertesCoincidentally, the actor who plays the original Dr. Jekyll (in a flashback) is named Jonathan Hyde.
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Details
- Erscheinungsdatum
- Herkunftsland
- Offizielle Standorte
- Auch bekannt als
- Доктор Джекилл
- Drehorte
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Box Office
- Budget
- 600.000 £ (geschätzt)
- Weltweiter Bruttoertrag
- 21.524 $
- Laufzeit
- 1 Std. 30 Min.(90 min)
- Farbe
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