IMDb-BEWERTUNG
4,9/10
3278
IHRE BEWERTUNG
Vor dem Hintergrund grausamer Morde und Kindesentführungen ist ein Clan kannibalischer Wilder, der seit 1858 die Nordostküste plagt, hinter einer ahnungslosen Familie und ihrem unschuldigen ... Alles lesenVor dem Hintergrund grausamer Morde und Kindesentführungen ist ein Clan kannibalischer Wilder, der seit 1858 die Nordostküste plagt, hinter einer ahnungslosen Familie und ihrem unschuldigen Mädchen her.Vor dem Hintergrund grausamer Morde und Kindesentführungen ist ein Clan kannibalischer Wilder, der seit 1858 die Nordostküste plagt, hinter einer ahnungslosen Familie und ihrem unschuldigen Mädchen her.
Stephen Anthony Grey
- First Stolen
- (as Stephen Grey)
John Kochaney
- Cave Baby
- (as John Kochahney)
Jack Ketchum
- Max Joseph
- (as Dallas Mayr)
Emma Elizabeth Messing
- Baby Melissa
- (as Emma Messing)
Empfohlene Bewertungen
I was going to say that this film was lazy and incompetent independent film-making at its worst. I keep trying to make this point; low budgets needn't matter, and we don't mind the cheap special effects and the limited sets if the film is made with passion and conviction. It doesn't cost anything to get the plot right; just imagination and attention to detail. But that's exactly what this film seems to lack.
An update of the Scottish Sawney Beane legend and transplanting to Maine and the Canadian coast, it has some promising ideas and a couple of effective sequences, but it fails to establish them or develop them properly. What's with the lighthouse keeper? We get a glimpse of a newspaper clipping while the opening credits roll, and one of the characters makes a brief reference during the film, but this history deserved telling properly, even if only narrated by one of the characters, and could have added real mythic power to the plot. But it appears the film-makers just couldn't be bothered.
And then 76 minutes later, barely achieving the minimum respectable length for a feature film, it comes to an abrupt end, with several characters and plot lines unresolved. Please no, don't tell me you're leaving the door open for a sequel. (Adopt appropriate gravelly voice: Offspring 2 – the new generation!) In between, there's a load of confused stumbling around in night-time woods or on stretches of beach that look nothing like the earlier panoramic daytime shots we had of the coastline.
I was going to say all this, but then I glanced up at the technical information in this IMDb entry. 100 minutes, it says. A hundred! But my UK rented copy was only 76 minutes; both the sleeve and the DVD timer confirm it. That's a quarter of the film gone! No wonder the plot seems sketchy, and you can't follow what's happening.
It is entirely incomprehensible. It carries a UK 18 certificate, which is the most serious apart from the 18Rs that can only be bought from licensed sex shops, and I don't imagine they have anything in them that can't be seen for free on the internet. What on earth can the UK censors have found that required 24 minutes of cuts? If it really was originally 100 mins I frankly don't see what the point of releasing the film like this is. At the very least, this review stands as a warning to UK viewers; check the length. If it's the 76 minute version I saw, I'm certainly not recommending it.
Edit: Barely a couple of weeks after posting this, I read in my newspaper that "The Serbian Film" had received between four and five minutes of cuts at the hands of the UK censor, and that this made it the most cut UK film for sixteen years. If that's so, then I was wrong to blame the cut from 100 to 76 minutes on the censor. This makes it all the more baffling. Why would you voluntarily cut your own film to such a skimpy dog's dinner? In any case, it doesn't change my recommendation (or lack of it): just the attribution of blame.
An update of the Scottish Sawney Beane legend and transplanting to Maine and the Canadian coast, it has some promising ideas and a couple of effective sequences, but it fails to establish them or develop them properly. What's with the lighthouse keeper? We get a glimpse of a newspaper clipping while the opening credits roll, and one of the characters makes a brief reference during the film, but this history deserved telling properly, even if only narrated by one of the characters, and could have added real mythic power to the plot. But it appears the film-makers just couldn't be bothered.
And then 76 minutes later, barely achieving the minimum respectable length for a feature film, it comes to an abrupt end, with several characters and plot lines unresolved. Please no, don't tell me you're leaving the door open for a sequel. (Adopt appropriate gravelly voice: Offspring 2 – the new generation!) In between, there's a load of confused stumbling around in night-time woods or on stretches of beach that look nothing like the earlier panoramic daytime shots we had of the coastline.
I was going to say all this, but then I glanced up at the technical information in this IMDb entry. 100 minutes, it says. A hundred! But my UK rented copy was only 76 minutes; both the sleeve and the DVD timer confirm it. That's a quarter of the film gone! No wonder the plot seems sketchy, and you can't follow what's happening.
It is entirely incomprehensible. It carries a UK 18 certificate, which is the most serious apart from the 18Rs that can only be bought from licensed sex shops, and I don't imagine they have anything in them that can't be seen for free on the internet. What on earth can the UK censors have found that required 24 minutes of cuts? If it really was originally 100 mins I frankly don't see what the point of releasing the film like this is. At the very least, this review stands as a warning to UK viewers; check the length. If it's the 76 minute version I saw, I'm certainly not recommending it.
Edit: Barely a couple of weeks after posting this, I read in my newspaper that "The Serbian Film" had received between four and five minutes of cuts at the hands of the UK censor, and that this made it the most cut UK film for sixteen years. If that's so, then I was wrong to blame the cut from 100 to 76 minutes on the censor. This makes it all the more baffling. Why would you voluntarily cut your own film to such a skimpy dog's dinner? In any case, it doesn't change my recommendation (or lack of it): just the attribution of blame.
Offspring 2/19/2010
This is the third book by horror author Jack Ketchum to be made into a movie, the others being "Red" and "The Girl Next Door". "Offspring" published in 1980 was his first novel and deemed very controversial for it grotesque violence. The movie was made last year from Ketchums's own script and directed by relatively new director Andrew van den Houten.
The movie was obviously made on a very small budget and except for the violence and gore it really shows. Even though Ketchum is credited with writing the script, he should really stick to novels. The dialog is utterly comical, there is a paper thin plot and together with terrible acting it can be a chore to watch. This film can really only be endured by either hardcore horror fans or Ketchum Fans. This movie has clichés galore for every taste, the retired alcoholic cop, the small town police force, and the angry ex husband on a mission. Revealing past events in the form of old newspaper clippings is another one that is used in about 80% of all horror movies. The story, like the book, takes place in the coastal Maine town of Dead River (the ominously named town).
The story of "Offspring" involves a clan of feral savage. Think of Deliverance meets P.O.'d Native Americans. The reason I chose to write about this particular movie is for its depiction of the clan. This film is similar to the book in that it doesn't shy away from anything. This is a balls-to-the-wall bloody horror spectacle. It has kids killing adults, dead babies, cannibalism and so much more. Our main characters are quite one dimensional, like cattle being led to the slaughter. But they are not annoying like a lot of horror movies. With a bigger budget a lot more talent this could be a decent flick. For example, although the story takes place in Maine, an up close scene with a police car in the foreground is obviously from Michigan (which is were the film was shot). However, I did like how they used sound to heighten the suspense and creepiness.
The Clan members themselves which are mostly children, are well played. The actors really dug into these intensely psychotic roles. The violence and gore is also quite impressive and well done. Now that we know where all the money went, you can understand why the rest of the production is quite poor. Like I mentioned before if your not a hard core horror fanatic like myself I wouldn't bother with this one.
This is the third book by horror author Jack Ketchum to be made into a movie, the others being "Red" and "The Girl Next Door". "Offspring" published in 1980 was his first novel and deemed very controversial for it grotesque violence. The movie was made last year from Ketchums's own script and directed by relatively new director Andrew van den Houten.
The movie was obviously made on a very small budget and except for the violence and gore it really shows. Even though Ketchum is credited with writing the script, he should really stick to novels. The dialog is utterly comical, there is a paper thin plot and together with terrible acting it can be a chore to watch. This film can really only be endured by either hardcore horror fans or Ketchum Fans. This movie has clichés galore for every taste, the retired alcoholic cop, the small town police force, and the angry ex husband on a mission. Revealing past events in the form of old newspaper clippings is another one that is used in about 80% of all horror movies. The story, like the book, takes place in the coastal Maine town of Dead River (the ominously named town).
The story of "Offspring" involves a clan of feral savage. Think of Deliverance meets P.O.'d Native Americans. The reason I chose to write about this particular movie is for its depiction of the clan. This film is similar to the book in that it doesn't shy away from anything. This is a balls-to-the-wall bloody horror spectacle. It has kids killing adults, dead babies, cannibalism and so much more. Our main characters are quite one dimensional, like cattle being led to the slaughter. But they are not annoying like a lot of horror movies. With a bigger budget a lot more talent this could be a decent flick. For example, although the story takes place in Maine, an up close scene with a police car in the foreground is obviously from Michigan (which is were the film was shot). However, I did like how they used sound to heighten the suspense and creepiness.
The Clan members themselves which are mostly children, are well played. The actors really dug into these intensely psychotic roles. The violence and gore is also quite impressive and well done. Now that we know where all the money went, you can understand why the rest of the production is quite poor. Like I mentioned before if your not a hard core horror fanatic like myself I wouldn't bother with this one.
I hope Ketchum's book is better than this laughable cinematic yarn about a tribe of cannibals living in the Northeast woods. Periodically, the clan descends on a small town in Maine to grab a bite, if you get my drift. The plot focuses on two women and their children, one of whom is a boy who does his darnedest to stay alive and rescue his mom, and her friend and the friend's baby. Unfortunately, the director either didn't know how to work with the kid or the kid wasn't up to the job. I suspect the former. A minor subplot has the dastardly, out of control husband of the friend driving up to confront his wife about their pending divorce. He of course proves far more dangerous than the cannibals. There's one familiar face in the cast, Art Hindle, a veteran Canadian actor who plays the town sheriff. Otherwise, this is your typical generic cast. The actors playing the cannibals are so bad, it hurts. You wanna see cannibals living in the backwoods, watch WRONG TURN. Those were some scary cannibals! Skip this low-budget mess. If you want to see a Ketchum story handled with more finesse and flair, check out Lucky McKee's THE WOMAN, made a couple of years after OFFSPRING and which may be viewed as a loose followup to it.
Apparently, some folk from Canada have decided to go all natural and became cannibals. Then, to everyone's dismay, they travelled down the deserted coast in the US. Food's aplenty there, where people like to live in isolated houses, have delicious babies and are surrounded by incompetent police.
That's about it. The movie is gruesome enough and the cannibals believable, if you ignore their origin story completely. I truly believe Pollyanna McIntosh was the reason why this movie didn't suck, as she plays the feral woman tribe leader. I mean, she was lovely even as a dirty violent almost inarticulate woman.
Even from the start, when the movie starts with newspaper clippings, weird music and special effected distribution names, the feeling is that the movie is bad. I blame the director for this. Quite a horror gem this could have been with just a little more attention to detail and a different cast.
The little boy was the only civilised person with a brain in the movie, the rest of the cannibal victims doing nothing but crying oh my god or holy s*** while they are eaten alive. If the premise of the movie was that people can sink to terrible lows, then why conclude that civilised westerners are not capable of directed violent behaviour when they are in trouble? Especially mothers with children, I mean I am afraid of those even in real life. That kind of thinking brought the movie down. That and the directing.
Bottom line: a good horror story (made after a book) with some gruesome graphics, but bad production values.
That's about it. The movie is gruesome enough and the cannibals believable, if you ignore their origin story completely. I truly believe Pollyanna McIntosh was the reason why this movie didn't suck, as she plays the feral woman tribe leader. I mean, she was lovely even as a dirty violent almost inarticulate woman.
Even from the start, when the movie starts with newspaper clippings, weird music and special effected distribution names, the feeling is that the movie is bad. I blame the director for this. Quite a horror gem this could have been with just a little more attention to detail and a different cast.
The little boy was the only civilised person with a brain in the movie, the rest of the cannibal victims doing nothing but crying oh my god or holy s*** while they are eaten alive. If the premise of the movie was that people can sink to terrible lows, then why conclude that civilised westerners are not capable of directed violent behaviour when they are in trouble? Especially mothers with children, I mean I am afraid of those even in real life. That kind of thinking brought the movie down. That and the directing.
Bottom line: a good horror story (made after a book) with some gruesome graphics, but bad production values.
This is about a primitive family of people that are cannibals and live like cavemen. It could have been a real steaming pile and that is what I expected, but it was really good! There is LOTS OF GORE so it that isn't what your in the mood for, then pass on this one. I was really impressed with the special effects and they had a great cast! These people actually knew how to act which is rare in horror films. The hero in this story is actually a young, preadolescent boy. The antagonist lead is played by a woman. Those 2 things alone make this unique enough to kept me interested throughout the film. I also love that they weren't afraid to make the children killers or to kill them. As a horror movie it DEFINITELY deserves better than a 5. I have seen some real crap in the horror genre that was rated a 5. I wish that people that don't like the genre at all would just QUIT VOTING!! It isn't fair to true fans.
Wusstest du schon
- WissenswertesThe movie has two sequels revolving around the character of "The Woman", The Woman (2011) and Darlin' (2019). Pollyanna McIntosh reprises the character in both sequels and even wrote and directed the third installment.
- PatzerAlthough the setting is to be around Dead River, Maine (the characters point out the region around Machias), the scene where the police and former policeman/investigator George are discussing the whereabouts of the killers, the police cars in the scene are a sheriff's vehicle and a clearly marked Michigan police car - complete with the lower and upper peninsulas displayed on the front quarter panel.
- VerbindungenFollowed by The Woman (2011)
- SoundtracksMe and My Horse
Music by Ryan Shore
Lyrics by Andrew van den Houten
Performed by Andrew van den Houten and Ryan Shore
Top-Auswahl
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Details
- Laufzeit1 Stunde 19 Minuten
- Farbe
- Seitenverhältnis
- 1.78 : 1
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