IMDb-BEWERTUNG
6,8/10
1338
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.A film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.A film that gives a child's eye view of the U.K.'s government-run care system for orphans and children in danger.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 BAFTA Award gewonnen
- 3 Gewinne & 4 Nominierungen insgesamt
Marie Wheeler-King
- Marie
- (as Marie Wheeler King)
Empfohlene Bewertungen
Congratulations to first time director Samantha Morton and Channel 4 for showcasing this magically poignant portrait of a maltreated child suffering the indignities of Britain's under-resourced care system.
Star: Molly Windsor delivers a masterful evocation. The Unloved avoids the inherent pitfalls of such difficult subject matter.
Morton herself went through care, but this is no angry rant against her experiences, but an enlightening reconstruction of events exorcised through a perceptive and beguiling work of artistry.
Strong support from co-stars Robert Carlyle and Susan Lynch as Molly's estranged and troubled parents seeking personal redemption for the hurt caused and subsequent loss of their angelic daughter.
I can only hope this is not the only helmed piece Samantha Morton brings to this world, as she is indeed a talented voice in a world of increasingly entertainment driven indifference to the bigger issues which surround and impact upon us all. This cinematic picture should have been given a much deserved big-screen distribution.
Assured best new British drama since Red Ridding.
Star: Molly Windsor delivers a masterful evocation. The Unloved avoids the inherent pitfalls of such difficult subject matter.
Morton herself went through care, but this is no angry rant against her experiences, but an enlightening reconstruction of events exorcised through a perceptive and beguiling work of artistry.
Strong support from co-stars Robert Carlyle and Susan Lynch as Molly's estranged and troubled parents seeking personal redemption for the hurt caused and subsequent loss of their angelic daughter.
I can only hope this is not the only helmed piece Samantha Morton brings to this world, as she is indeed a talented voice in a world of increasingly entertainment driven indifference to the bigger issues which surround and impact upon us all. This cinematic picture should have been given a much deserved big-screen distribution.
Assured best new British drama since Red Ridding.
Watched this last night knowing it would stir up all the emotions you can imagine when dealing with the abuse of children and to be honest I was hoping it would be rubbish so I would have the excuse of stopping watching. Well it was powerful stuff, understated drama without being overly dramatic. You wanted to reach out and hug the girl, buy her clean clothes, give her so called carers an earful not for not caring but for not paying attention. If the system is in any part like this, and I'm sure it is, then those in the business should get a wake up call from watching this in learning what not to do. Samantha Morton can be proud of this work as a directorial debut and I am sure it was cathartic based on her childhood as she was in care until 16. Molly Windsor is excellent in the role as the child. Robert Carlyle's is quality as usual
I know, because this was my childhood. I have never reviewed a movie on IMDb before, but this one touched me so deeply that I had to. Every actor in this is so phenomenally good that I never once felt like I was watching an actor. The editing, the direction, the soundtrack – all superb. Everything about this film is stunningly beautiful in a melancholy kind of way. It is the artful depiction of what I would like to believe of myself: that although my childhood circumstances were dire, my reflection of them and the character I've derived from them are beautiful. Thank you, sincerely, to everyone who brought this story to life.
Lucy (Molly Windsor) is eleven years old living with her abusive father (Robert Carlyle). She is put into foster care and faces a chaotic unloving system. Her roommate is 16 year old Lauren (Lauren Socha). Lauren runs away taking the quiet Lucy with her. They get into trouble with the police and brought back to the home.
It's an impressive directorial debut from Samantha Morton. The tone is very haunting. The young girl is put to the great use by keeping her mostly silent. It permits the audience to inhabit her character. Lauren Socha is also quite effective as the teen delinquent character. The biggest drawback is the long running time. This movie could be even better distilled into a tighter pace. Morton seems to be indulging a little too much in long ambling scenes.
It's an impressive directorial debut from Samantha Morton. The tone is very haunting. The young girl is put to the great use by keeping her mostly silent. It permits the audience to inhabit her character. Lauren Socha is also quite effective as the teen delinquent character. The biggest drawback is the long running time. This movie could be even better distilled into a tighter pace. Morton seems to be indulging a little too much in long ambling scenes.
Samantha Morton's passion for this story is evident in the purposeful construction of the film. At first you will wonder what in the world is happening, but as the film develops you will start to understand that the lingering cuts are drawing you into Lucy's world. Molly Windsor does an incredible job of portraying the innocent little observer who is thrust into a wildly different world when she is forced to move into a group home. Still sleeping with her teddy bear she has to room with Lauren, a rebellious teen who takes Lucy along with her shoplifting, partying, etc. The film is a bit sad and doesn't really offer any solution and so you are left feeling sorry for Lucy and hoping she will not succumb to the temptations around her and last probably until she ages out of the system. Hopefully what this film can do is bring awareness to problems in the social service system not only in the UK, but everywhere and perhaps kind hearted people will be stirred to help these children.
Wusstest du schon
- WissenswertesSamantha Morton wished The Unloved to be filmed for television rather than for Cinema. The reason being is that she thought, as in her own childhood experiences with going to the cinema, younger audiences' might not afford the price of a cinema ticket. Thus, younger audiences' would see this production "for free".
- Zitate
Lucy: [Lucy's mother is hugging her daughter and crying hysterically at the bus stop. Lucy thinks that she has done something wrong by going to visit her mom away from her foster home] ... I'm sorry.
Lucy's Mother: [sounding lividly angry] Don't you EVER be sorry for visiting your mum!
[Lucy's mother hugs her daughter again before letting her get onto the bus]
- SoundtracksParty
By Durutti Column
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