IMDb-BEWERTUNG
6,4/10
11.297
IHRE BEWERTUNG
D'Artagnan ist gezwungen, sich mit Milady zusammenzutun, um Constance zu retten, die vor seinen Augen entführt wurde.D'Artagnan ist gezwungen, sich mit Milady zusammenzutun, um Constance zu retten, die vor seinen Augen entführt wurde.D'Artagnan ist gezwungen, sich mit Milady zusammenzutun, um Constance zu retten, die vor seinen Augen entführt wurde.
- Regie
- Drehbuch
- Hauptbesetzung
- Auszeichnungen
- 1 Gewinn & 8 Nominierungen insgesamt
Julien Frison
- Gaston de France
- (as Julien Frison de la Comédie Française)
Empfohlene Bewertungen
"The Three Musketeers" by Alexandre Dumas comes to life in the cinematic adaptation, which, while deviating in some details from the book, manages to preserve the original work's essence. The story follows D'Artagnan and his loyal friends, Athos, Porthos, and Aramis, in a captivating 17th-century setting. Political intrigues, thrilling duels, and secret romances intertwine as they battle against the cunning Cardinal Richelieu and the enigmatic Milady de Winter. Although poetic licenses result in more battles than in the book, the film successfully captures the spirit of adventure, action, and romance that has made this classic swashbuckling tale endure.
The Three Musketeers: Milady completes the first chapter of their adventures with another exciting story full of political intrigue and action. It comes so close to being wholly satisfying but just can't help itself so at the last minute it ends on another massive cliffhanger. With the promise of another instalment being so far away and not entirely guaranteed, it makes it harder to stomach.
François Civil, Vincent Cassel, Romain Duris, and Pio Marmaï remain a wonderful core four. The witty dialogue gives them plenty of opportunities to showcase their strong chemistry and it feels like they spend a lot more time together in this one, which is a huge bonus. Eva Green was and still is perfect casting. Her enthusiasm is so visible as she revels in the villainy whilst still bringing some nuance.
Martin Bourboulon's direction keeps the one takes for the majority of the action which gives all the swashbuckling a lot of energy without being hindered by obvious joins (again) and there's a generally epic feel thanks to the beautiful locations where the biggest dramatic moments take place. Guillame Roussel's score is suitably rousing with a winning commitment to making everything as serious as possible.
François Civil, Vincent Cassel, Romain Duris, and Pio Marmaï remain a wonderful core four. The witty dialogue gives them plenty of opportunities to showcase their strong chemistry and it feels like they spend a lot more time together in this one, which is a huge bonus. Eva Green was and still is perfect casting. Her enthusiasm is so visible as she revels in the villainy whilst still bringing some nuance.
Martin Bourboulon's direction keeps the one takes for the majority of the action which gives all the swashbuckling a lot of energy without being hindered by obvious joins (again) and there's a generally epic feel thanks to the beautiful locations where the biggest dramatic moments take place. Guillame Roussel's score is suitably rousing with a winning commitment to making everything as serious as possible.
It's good to return to the big screen, connect again with the magic of the dark room and much better to do it with a film that captivates you from beginning to end.
The second part of the great project led by Martin Bourboulon is much more vibrant, fast-paced and entertaining, with a narrative rhythm that does not falter at any time, but does not leave plot gaps either. The dramatic arc of the characters is much more solid and clear, Vincent Cassel as always does not need many minutes to demonstrate his stage presence, François Civil finishes shaping a rising D'Artagnan, but who steals the screen every time he appears is Eva Green, who from start to finish makes a truly impeccable hero-villain game.
A real pleasure to enjoy an epic film project far from the great arms of Hollywood.
The second part of the great project led by Martin Bourboulon is much more vibrant, fast-paced and entertaining, with a narrative rhythm that does not falter at any time, but does not leave plot gaps either. The dramatic arc of the characters is much more solid and clear, Vincent Cassel as always does not need many minutes to demonstrate his stage presence, François Civil finishes shaping a rising D'Artagnan, but who steals the screen every time he appears is Eva Green, who from start to finish makes a truly impeccable hero-villain game.
A real pleasure to enjoy an epic film project far from the great arms of Hollywood.
Plenty of positives including an exceptional cast (with the exception of Constance), the cinematography was mostly good (a few scenes a little too dark) , most of the scenes were well paced and costumes looked authentic.
However, the story seemed a lot more disjointed than the first movie and it didnt seem like there was enough time for character building (maybe we get spoilt with the amount of time series have but with 3 movies it felt like more could have been achieved). The worst part however, was the sudden revelation of super female fighters able to compete if not better the supposed best male sword fighters in the country....
The story was frustrating enough that i feel the need to re read the book after 20 plus years as im sure i remember it being a lot more coherent than this movie !
However, the story seemed a lot more disjointed than the first movie and it didnt seem like there was enough time for character building (maybe we get spoilt with the amount of time series have but with 3 movies it felt like more could have been achieved). The worst part however, was the sudden revelation of super female fighters able to compete if not better the supposed best male sword fighters in the country....
The story was frustrating enough that i feel the need to re read the book after 20 plus years as im sure i remember it being a lot more coherent than this movie !
I love Eva she is amazing and sensual in this movie that i liked more than the. First one because she appears than the previous one and that's actually make the movie better only because of her and her beautiful voice and face, love that girl to be honest, overall very forgettable and kinda of a mess, I suppose there is going to be a third part my guys, and that's fine I guess let's wait two years for that and i hope Eva is in that movie too, she is the love of my life and i desire her, she is just fantastic actress and she knows it, she is the boss. Love her very much and i would do anything for her.
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- WissenswertesThe film was shot back to back with its prequel Die drei Musketiere - D'Artagnan (2023) for a total shoot of 150 days that started on August 16, 2021 and wrapped on June 3, 2022.
- PatzerAt different moments both movies feature firearms. These are incorrect. Actually, they are 150 years ahead, given the action is supposed to take place in 1627. The hand-weapons and riffles are revolutionary/Napoleonic era. Under Louis XIII's reign, firearms were much more rudimentary.
- VerbindungenFollows Die drei Musketiere - D'Artagnan (2023)
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- Erscheinungsdatum
- Herkunftsländer
- Offizieller Standort
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- Los Tres Mosqueteros: Milady
- Drehorte
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Box Office
- Budget
- 36.000.000 € (geschätzt)
- Weltweiter Bruttoertrag
- 15.439.299 $
- Laufzeit
- 1 Std. 55 Min.(115 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.41 : 1
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